Prelude to a Quiche

The Kaleidoscope Museum is a unique establishment with a fascinating twist. It proudly exhibits fifty distinct kaleidoscopes, chosen from an expanding collection of approximately 150 pieces. Among these are exceptionally valuable kaleidoscopes crafted by renowned artists from various corners of the world. I discovered that the term ‘kaleidoscope’ originates from Greek roots: ‘kalos‘ meaning ‘beautiful’, ‘eidos‘ meaning ‘form’, and ‘scopes‘ meaning ‘to look at’—a beautiful amalgamation that translates to ‘to look at beautiful forms’.

At the museum, visitors can freely pick up and use kaleidoscopes, ranging from finely crafted ones to those ingeniously made from plastic drink bottles. Among the assortment, my favourite piece doubles as a music box, serenading me with a tune while the images twirl before my eyes. Additionally, there’s a quaint shop within the premises offering kaleidoscopes, kits, and keychains. It’s a fantastic way to kick-start the day. Unfortunately, photography isn’t permitted, and I find myself constantly shadowed by a staff member. However, I manage to sneak a photograph of the inside of a kaleidoscope when she isn’t looking.

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After leaving the museum, I walk for fifteen minutes, crossing the river to reach Yoboji Temple. I feel it’s only fair that my first temple is a Nichiren Buddhist one—the school of Buddhism I am familiar with. The Temple was built in 1548. It’s actually a rebuilding of two temples that previously occupied the area but had been burnt to the ground two years before.

In 1536, the warrior-monks of Mount Hiei attacked the city, burning down all 21 of the Nichiren Buddhist head temples in Kyoto, along with the entire southern half of the city and a substantial portion of the northern half. This event is known as the Tenmon Persecution. The temple itself is rather quaint.

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Not far from Yoboji Temple, I stumble upon a Paper and Printing Item Shop. The gallery is tiny, and a woman sits at the desk, watching my every move. I’m tempted to pull out my camera and capture a photograph of one of the ornamental fans or origami animals, but to avoid any hassle, I decide against it.

I choose to visit a shrine next. The road I stroll along is lined with various temples, shrines, plenty of walking routes, maps, and bus stops. You can literally shrine-hop by taking the bus if you’re feeling lazy. However, I prefer to walk, and I’m not inclined to see more than one temple and shrine a day. It can be a bit overwhelming to take in too much at once. I ascend about fifty concrete steps to reach Awata-jinga Shrine. Before entering, I participate in the purification ritual.

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This tradition of cleansing is observed before entering a sacred space. The basin here features a water-breathing dragon, which also serves as the source of water for the ritual. I must admit, this is one of the most exquisite purification basins I’ve encountered at a Shinto shrine. I start by washing my left hand, then my right hand, and finally, my mouth.

Awata-jinga Shrine dates back to 794 AD and specialises in preventing illness. However, inside the shrine, someone is noisily using an electric saw, which disrupts the serenity of the moment for me. Nevertheless, the shrine itself is visually stunning. I descend the fifty or so steps and continue along a road lined with traditional Japanese-style houses.

Awata[1]

Downtown Kyoto bustles with tourists, drawn here to explore the shrines, temples, museums, galleries, restaurants, and the renowned souvenir shops the city offers. I spot three cat cafes and a lone dog cafe among the bustling streets. Purchasing a can of cold coffee from a vending machine, I encounter one of those machines that promises a prize if it lands on triple sevens. Miraculously, it does! I win any drink of my choice, and naturally, I opt for a second can of Coffee Boss Rainbow Blend.

It’s mid-afternoon, and feeling a bit peckish, I opt for a light bite to eat. Given the scorching 35°C temperature, I choose to stay in the cool shade of the shopping arcade. A sign catches my eye, indicating a vegan and organic cafe nearby. As I step inside, I’m greeted with a chorus of “Hello” from the other patrons. Taking a seat, I order a set meal featuring a vegan quiche.

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My food promptly arrives—a serving of vegan quiche, accompanied by a delightful salad dressed in a delicious vinaigrette, a ramekin of squash, chickpeas, and peppers. Alongside it comes a bowl of leek, cabbage, and mushroom soup, complemented by glasses of cold water and cold green tea. The entire meal comes to ¥918. If I weren’t already full, I’d happily indulge in another slice of quiche—it was that delicious.

Outside the cafe, a guy on a bicycle whizzes past, blaring an air horn from the spot where a bell would typically be. The shopping arcade strictly prohibits vehicles, including bicycles. A bit further along, I encounter a television crew filming people and asking them why they enjoy eating crêpes. While tempted to participate, I realise I’m not particularly fond of eating crêpes.

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Back at the hostel, I settle on the roof with a can of Suntory whisky highball, delving into my fifth Haruki Murakami novel since arriving here sixty-two days ago. The air has cooled, and the refreshing breeze is a welcome relief. Japan has been grappling with a severe heatwave for the past week, and it seems it will persist right through until the weekend.

I read until 8 p.m. before heading to a nearby music shop for a free gig. A stage has been set up next to the ukuleles. The band performing is a two-piece folk band. Their sound is somewhat average. Nonetheless, it’s pleasant to experience some live music, even though the venue is rather unusual.

My night winds down at the hostel bar, talking to random people with their random ideas.

Bike to the Fuchsia

A cloudy yet hot day, with a cool breeze—a perfect setting for cycling. Today, I’m filled with motivation. My first stop is a small park along the way to yesterday’s failed destination, Dazaifu.

Inside this lovely park, three old ladies play bowls on a synthetic lawn while beautiful fuchsias wave in the wind near a natural stream. Japan currently recognises almost 110 species of fuchsia. These particular flowers boast the classic blend of purple and red hues.

As I arrive at Dazaifu around 3 p.m., the first thing catching my eye is a hill crowned with ruins. Parking my bicycle, I decide to climb it. From the hilltop, I’m greeted with a view of traditional Japanese houses in the distance. At the bottom of the hill lies Gakugyouin Temple.

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I cycle around, admiring the greenery and scenery. In Tokyo, the greenery was often overshadowed by the buildings, but here, the mountains seem adorned with temples. A swarm of dragonflies gracefully drifts above an open allotment. This place exudes tranquillity, likely absent from any guidebooks. This is precisely the Japan I’ve yearned for since my arrival—a serene experience I hadn’t yet encountered.

Kanzeon-ji is a seventh-century temple, once the chief Buddhist temple in Kyushu. It houses a multitude of historical, artistic, and religious treasures. Beside it lies the ruins of the once-marvellous seven-story high pagoda.

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Dazaifu is starting to remind me a lot of Kyoto. In eight days, I’ll be heading to Kyoto for one week. Then, I have two weeks without plans before I head back to Tokyo. The thought has crossed my mind to cycle back to Tokyo from Kyoto, stopping off at interesting places along the way. The two cities are only 367 kilometres apart.

The sign next to the temple mentions that the pagoda was restored in 741 A.D. at a scale of 1/10. Conveniently, that’s available to see outside the Dazaifu City Fureai Cultural Hall. That’s my next stop.

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I enter the cultural hall, and the woman at the desk seems startled by my presence. Politely, I ask if I can look around, and she agrees—it’s also free. Inside, there are various objects encased in glass, mostly old roof tiles. After a brief tour of the building, I take my leave.

Next, I cycle to Komyoten-ji Garden to see the Government Ruins—the remnants of the medieval Dazaifu Administrative Buildings. They rest within a vast public park at the foot of Mount Ono. As I arrive, I notice some boys playing football, using jumpers for goalposts. The goalkeeper rushes forward, expertly dribbling the ball past six players before scoring an excellent goal. Applause erupts from everyone watching.

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All the children in Dazaifu say ‘Hello’ to me. Surprisingly, there’s a distinct lack of tourists for such a historic place. Maybe I’m the first Westerner they’ve ever seen. With a wry smile, I reply to them, ‘Konnichiwa.’

As I cycle by, insects chirp loudly near one of the men employed to direct traffic. However, there’s no traffic on this road; I don’t sense a car has come this way for hours. He smiles warmly at me, signalling with a wave of his hand and a deep nod for me to continue.

As I pass Kaidan-in Temple, I see a sign for an Exhibition Hall. Carnival Cutouts wait for me outside. Inside, there’s no one present—no tourists, no staff members, no one to take my money. It’s just more objects enclosed in glass. A sign prohibits photography, but I snap a cheeky shot; no one will ever know.

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My final stop in Dazaifu is the Kyushu National Museum, seemingly tucked away in the woods. I leave my bike; I really should lock it up, but I don’t bother. There are more temples around here too.

A sign simply saying ‘Museum’ points up a mountain path. I follow the path for a good ten minutes before encountering a new sign, indicating that the museum is 2.1 kilometres away. Quite odd. I retrace my steps to my bicycle and head off in the new direction.

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I cycle up into the mountain and reach the museum car park; a sign indicates ‘last entry 4:30 p.m., exhibitions open until five.’ Glancing at my watch, it reads 4:28 p.m. Swiftly, I park my bicycle in one of the bays intended for cars and start running up the many steps to the museum.

A man with a red lightsaber appears out of nowhere. He insists that I must cycle all the way to the top and park my bike in the designated parking area. I protest, saying, “But the museum closes in two minutes, and I came all the way from Hakata!”

He makes a phone call and speaks in Japanese for a few minutes. Afterward, he tells me they can still let me in. Lucky me. As I make the final approach to the Kyushu National Museum, its sheer size almost knocks me off my bike.

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Opened in 2005, it stands as the first new National Museum to open in Japan in over 108 years. It’s also the first to emphasise history over art and boasts an on-site conservation centre, the largest in Kyushu. The museum primarily focuses on prehistory to the Meiji era.

Once inside, I ride the escalator to the 4th floor and pay a ¥420 entry fee. The rooms are impeccably clean; the glass seems polished on the hour. The museum is enormous. Separate rooms display various collections of historic artwork or fossilised ruins. Photography isn’t allowed here—not even an opportunity for a quick shot; two staff members stand guard in every section. With just twenty-five minutes to look around, I leave dead on closing time.

After the museum, I cycle 18.2 kilometres back to the hostel. It takes me an hour, stopping once for a bottle of Pocari Sweat, and a second time to photograph this building:

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At the hostel, I realise that I’m starving. I decide to keep my stomach empty and write up some of the day’s events. At 8 p.m., I head back outside and run on my empty stomach, finding the red lights of traffic intersections providing nice little rest stops from time to time.

I run for almost fifty minutes, passing packed restaurants offering any choice of cuisine imaginable. Even though it’s been twenty-three hours since I had any food, nothing really draws me in; my appetite is oddly missing.

I see a random square:

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As I run, I notice some red lights in the sky that resemble a tower. Intrigued, I head in that direction. As I get closer, I spot planes floating by in the distance. A sinking feeling hits me; I might have circled back to Fukuoka Airport, recognising the tower used for Air Traffic Control. Oddly, I didn’t see any signs indicating the airport, though.

To my relief, my assumptions were false. I arrive at Hakata Pier, realising that the tower I saw was Hakata Port Tower. Calculating the distance, I note I ran for 5.7 kilometres to get here. Earlier today, I cycled at least forty kilometres. It’s surprising—I’ve never had so much energy.

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Fishermen line up along the pier, and finally, my appetite for food returns, specifically for fish. However, the only fish I find here are sandwiched between glass in another small, free aquarium. I scout out the area and stumble upon another temple—I seem to have come across quite a few of these today.

The pier looks picturesque at night, adorned with its myriad of lights. Entering the food court, I find that the only place with any appeal is a French restaurant. However, as I approach, the lights suddenly go out. Closed at nine o’clock sharp.

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I head back to Hakata and unexpectedly stumble upon the all too familiar Reisen Park. Spotting other runners doing laps around the park, I decide to join them for a while. When I finally locate the camera shop, I get my bearings.

The area around the park is bustling at night, with outdoor izakayas lining the streets. The enticing aroma of barbecued meats fills the air. I’m rather fond of the monument in the park, so I try to take a photograph, but unfortunately, it doesn’t turn out so well. Quickly, I make my way back to Hakata Station.

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I undo all the hard work of the day and opt for McDonald’s. It feels like I’m a death-row inmate having his last meal, as I’ve decided this will be my final indulgence in junk food for a while. It costs me ¥986, effectively for fish and chips.

As I walk back from the station to the hostel, it unexpectedly starts to rain—for a grand total of exactly five seconds. Umbrellas shoot up, and just as quickly, they come down. Since I don’t usually carry an umbrella on hot days, I get ever so slightly wet.

Back at the hostel, I find I still have an abundance of energy. It’s been a remarkably productive day. I spend a few more hours writing, followed by some reading. Then, I head to bed—stone cold sober.

Birds Thrown Around, Bullets For Hail

The largest storm on the planet passed through Beppu last night. The storm had drifted a little south of its predicted trajectory, but we still got hit by the strong winds; they sounded like a bullet train as they rattled the windows and the walls. I read somewhere that three months of rainfall will fall over Japan in just two days. This morning I take a walk to the beach to see how high the sea level is. I am surprised to see so many boats on the fierce waters.

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Further down the beach I see houses with their windows boarded up. Thankfully, I see very little damage to anything. Beppu has survived the Super Typhoon and everyone is safe. Life goes on as normal here. Across the road the 24-hour pachinko parlour is packed full of people and cigarette smoke. The light rain all but stops so I wander back to the hostel to grab a bicycle.

I cycle the ten minutes to the Rakutenchi Cable Railway Station. The train here only goes up the mountain to Rakutenchi Amusement Park. The park is closed today because of the typhoon. Oddly, the rest of the trains and buses in Beppu carry on as normal, except at Rakutenchi Cable Railway Station. With the park closed, I decide to go back to Kanawa Hells to finish what I started last week.

Rakutenchi[1]

On my way to the Hells, I see a road sign for ‘Beppu Univercity’. I find it unbelievable that major road signs can contain such errors. At the Hells of Beppu the sun is shining; not the weather you would expect the day of a Super Typoon. The Foreign Tourist Information Office is closed today; I am not sure if this place offers information to foreign tourists, or information about foreign tourists.

Shiraike Jigoku, White Pond Hell, is the first Hell I visit. I am pleased to find that it is open. I pay my ¥400 entry fee and admire the white pond. The water apparently is, “Transparent but as time passes it turns a blue-white colour.” I have no idea why the sign says this, the pond water is clearly green. Also at White Pond Hell, there is a really old aquarium with just three fish.

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Opposite Shiraike Jigoku is a closed red door. The sign next to the door says Hinryu Jigoku, Golden Dragon Hell. Inside this Hell is a, “Dragon statue with steam coming through its mouth that seems to be flying when water spouts out at sunrise.” This is actually the 9th Hell of Beppu; I’m not sure if it’s still open to the public as it’s not on any map. Anyway, I mention it only because I really enjoy the impressibs description on the sign:

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The next two Hells I plan to visit today are halfway down the mountain and about ten minutes away. I get back on my bicycle and take a very fun bike ride down the winding mountain path, through the many forests and tunnels carved into the mountainside.

Chinoike Jigoku translates to the amusing, ‘Bloody Hell’. Here there is a massive pool of red hot mud estimated to have been here for over 1,300 years. This is Japan’s oldest natural hot spring. It takes its name from the image of hell found in Buddhism. There is also a nice waterfall here. Some colourful Koi Carp fish swim in the pool below.

Bloodyhell[1]

Carnival Cutouts are found everywhere in Japan. Wooden life-size cutouts you can put your face through are commonly found at every tourist attraction and randomly placed on the streets for no apparent reason. I can cycle around Beppu for ten minutes with my camera and will easily find ten Carnival Cutouts. Everywhere. After Bloody Hell, I head next door to Tatsumaki Jigoku. It is closed today. I see a sign saying Beppu Station 7.5 kilometres and decide to head back to the hostel for my new favourite food, natto.

Back at the hostel enjoying my natto, a member of staff finds it hilarious that I wrap my fermented soy beans around potato chips. Whatever. After food I head to Beppu Tower. It is one minute from my hostel and I still haven’t been. Beppu Tower was probably once a marvel, but now it is used as an advertising billboard for the brewery Asahi. There are eight neon Asahi signs on the Tower; four in Japanese and four in English. The Tower stands at a Herculean 100 metres tall.

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I pay my ¥200 and ride the silent lift to the seventeenth floor. It’s one of those lifts that doesn’t display the current floor number and doesn’t really feel like it’s moving. After about thirty seconds, the doors open, and a Japanese lady at a desk greets me as I hand her my ticket. I begin to wander around.

Inside the Tower there are black and white photographs of crowds of people standing not too far from where I am standing right now. There are photographs of Japanese celebrities. There are pictures of the Tower through the ages. It used to look quite nice when it was first constructed in 1957. Today though, far from the bustling crowds, I am the only person here.

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The view from the Tower is good. A full 360 degree panoramic view. The only problems here are that the glass in some of the windows is cracked and broken. Other windows are filthy on the outside and are in desperate need of a clean. Some of the photographs I take just don’t turn out at all; my camera unable to penetrate the thick layers of dirt.

Back at the hostel I book a ¥2100 bus ticket for Sunday to my next stop, Fukuoka. Just when Beppu was starting to grow on me too. I speak to a Korean guy (and fellow avid bicycle enthusiast), he tells me about something amazing that he saw today. It’s only 6 p.m. so I decide to check it out before the sunset. As I cycle down the ocean, I quite like the look of the sky.

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My destination is beyond the Monkey Park, some 5.7 kilometres each way. As I cycle, I realise that I haven’t seen any stars yet in the six weeks I have been in Japan. Very odd. Anyway, I finally reach my destination; an old landlocked boat converted into a play park. There are slides, tunnels, ladders, and a climbing frame. There is also a weird rope ladder that leads into the hull below. I am very tempted to go on the slide, but there is a couple on the ship too, seemingly on a romantic date.

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After exploring the abandoned ship, I abandon ship and cycle back to the hostel for the last time tonight. At the hostel, the excitement in Beppu never ends; Justin, a staff member here, has found a crab in the male onsen. Everyone is going crazy about the crab. They finally catch it and take it back to the ocean, where it most likely belongs.

Street Festivals, Buddhist Temples, Ninjas, and Rubix Cubes

I am listening to Clint Mansell’s soundtrack for the film The Fountain as I drink a Yakult based watery yoghurt thing; I don’t really know what it is, except that it is disgusting. I am a little sad this morning, more people I have become friends with are leaving today. I check my messages, I have one from Satoko reminding me about the Oko Ceremony, saying that she hopes to see me there. I receive some good news too in the form of messages from both Grant and Edwina; they are back in Asakusa in a few days time and we will hang out again.

I leave the hostel and walk over the Sumida River to the Hongyoji Temple. Inside, I am seated and given a prayer book and prayer beads, there are about 450 people here. At exactly eleven we start to chant for ten minutes straight; the Temple is so very warm and my mouth is so very dry from the constant chanting. Next, the first prayer is read out and four silent prayers then follow. There is then another ten minutes of straight chanting before the Chief Priest Marakami-san comes out to deliver his sermon.

After the sermon has finished, a woman takes to the podium and reads something in Japanese, it moves her to tears. Next a man does the same. A brief chant concludes the 90 minute Ceremony. I am given a handwritten account of the Chief Priests sermon translated during the Ceremony by Satoko. I am asked by Yoko to please come and visit again, I say that I will. Outside the Temple the rain has finally stopped after a constant 72 hours of downpour. I feel thirsty and exhausted, but also pleased about the overall experience.

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I start walking down the road to my hostel, after about 10 minutes on a random street corner I find a festival. I see a man named Kazuma, an artist from Shiburoko playing the guitar and singing very upbeat songs about being happy. I am handed a flyer in Japanese, it reads, ‘Asakusa spirit! Confused Street Live!’ There is also a schedule for the rest of today’s festivities, but it is written entirely in Japanese.

At the hostel I use the Internet to help translate the flyer. It reveals that at 4 p.m. a group called Yunlong Taiko will be playing a Japanese drum show. I bump into Heather, one of two English women I met last night, and we head out for the drum show. After the drumming stops, Heather and I take a walk up to the Sumida River, where we randomly see a man dressed in a full ninja outfit. I say to him, “Ninja!” He pulls his forefinger up to his lips and makes a ‘shhhh’ sound, before casually strolling off.

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Back at the street festival the Hero Show is starting. This is a superhero-action-comedy starring Gun Caliber, famous for his live action features. I would explain the story but it genuinely made no sense to me at all. There was a scene where a woman dressed like the Pink Power Ranger came from nowhere and revived the defeated alligator/snake man with a large bag of biscuits. It was all very strange.

At the hostel Andy is still here. He couldn’t get a bus today so will stay in Asakusa at a different hostel for another night. We join Heather and Steffi, and the four of us head out to find a bar twenty minutes walk away that Andy has recommended. We stop off at a Lawson Stores for snacks, and I buy for ¥108 an egg sandwich that says: Making the everyday better. We arrive at Bar Nui and it looks impressive. It is a public bar on the ground floor of a hostel. ‘Bar opening times: 18:00 – 26:00’ boasts a sign outside. Inside, I order the ‘big beer’ and am handed a massive 1 litre jug of Asahi, and a bill for ¥1000. Eventually I switch to The Macallan 12 year old at ¥700 a time.

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Heading back to the hostel I realise that I had left my umbrella at the Lawson Stores on the way to the bar, so we stop off there; I am pleased to find that my umbrella is still intact. Andy and I buy cans of beer at Lawson Stores, just so we can walk down the street drinking alcohol in open containers, no outdoor drinking laws here! We pass two trouserless businessmen with ties around their heads. They insist on high-fiving us as they pass.

My night ends in the hostel listening to an in-depth and incredibly nerdy conversation between Andy and James about the algorithms and patterns used in solving the Rubix Cube. Andy claims that he can solve one in under 1 minute and has his Dayan Speed Cube in his bag at the other hostel. I am very disappointed that this has only come up in conversation on his final night.

Coincidences, Strangers, and Stranger Coincidences

I wake myself up screaming in pain. I have cramp in my left leg and I’ve just woken everyone up. Not the best start to the day. I have a shower, get dressed, then stumble to the lift. Researching cramp, Yahoo Answers tells me that I need to drink more red wine, add more salt to my diet, and eat less bananas.

At the hostel I meet a freelance journalist from Canada. Her name is Aaliya. It is her first day in Japan, so I offer to give her the tour of the area. We walk to Senso-ji where we both receive an o-mikuji fortune. Aaliya gets The Good Fortune; it says that the ‘patient will not get well soon, but will escape death.’ I hate to think what the bad fortune is like. I receive The Best Fortune.

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After a stroll around Asakusa, we take the Tokyo Metro Ginza Line to Shibuya. A short walk from the station and we arrive at the famous Shibuya Crossing. There are three massive television screens mounted on buildings, they only show advertisements. We decide to go into the Starbucks Coffee shop for a better view of the crossing. I later find out that this is the busiest Starbucks Coffee shop in the world.

Overall, I find Shibuya Crossing to be quite underwhelming. It is literally people crossing a road. How this became a famous tourist attraction, I have no idea. After we take photographs of people crossing a road, we walk around Shibuya for a while. We notice a neon sign saying ‘CAT’ and decide to check it out. It is, of course, a cat cafe; a place where you have a cup of tea surrounded by cats. Unfortunately, they only allow two people in at once for thirty minutes at a time; there are two people already waiting, so we decide to leave.

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After a walk around Shibuya, we change to the Yamanote Line and head to Akihabara. Here we get some food. Tempura again today, two prawns, squid, sand borer, and scallop served on rice with seaweed. ¥1280 with a pint of beer. After a look around a few of the shops in Akihabara, we head back on the train and return to the hostel.

Radiohead are playing on the speakers in the hostel lounge. There is also a film crew here interviewing people for Japanese channel TV Tokyo. I hang out in the lounge with a couple of the hostel staff who have just finished their shift for the day. One of the staff members recommends that I check out the Robot Restaurant in Shinjuku, another recommends I eat at an Alcatraz themed restaurant. I note both down as options for another day.

I hang out for a while longer with one of the guys that works here; he is genuinely hilarious and I can see myself becoming good friends with him. We joke about forming a Japanese manzai act together; a style of traditional comedy here in Japan involving two performers. He says that if I want to I can work at the hostel for three hours a day, cleaning, in exchange for a free room. A lot of backpackers do this, apparently.

After a light snack of salmon teriyaki, I head out to an izakaya pub with Aaliya and two of her friends from the hostel, James and Matt. Here we drink for a while, sitting outside and enjoying the warm evening and a light breeze. Eventually the three of them head back to the hostel; they have to be up at 3 a.m. to catch a taxi to the Tsukiji fish market. I decline the invitation to join them; I will be not be getting up that early.

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I wander alone around Asakusa at night, taking my time, taking photographs and taking in the neon lights. When I get back to the hostel, I grab a beer in the lounge. I hear a man talking about Shane Carruth, director of Primer and Upstream Color. I am surprised to hear his name. I join the conversation and it transpires that we have both read Shane Carruth’s script for his abandoned project, A Topiary.

The man says that another director he really likes is Zal Batmanglij, I am also a huge fan. I find it very odd. The conversation naturally turns to Brit Marling and Mike Cahill, and the coincidences continue. This is probably only interesting to me, but it seems that all of my favourite people, artists, authors, and musicians keep being mentioned. I didn’t say so in my blog a few nights ago, but the Irish guy staying in my hostel room, his favourite author was the same as mine, Iain Banks. He was also reading a different book by the same author as me, Haruki Murakami. I find it all very strange.

I stay in the hostel lounge and spend the rest of the night drinking with some random people. Two of which are from England. There is talk of a group karaoke trip tomorrow, which I really hope goes ahead. The rest of the night becomes a bit of a blur, and I retire to my room just before 3 a.m. Meanwhile, the others wake up to visit the fish market.