Necks, Lights, and Video Ape

Culture Day is held on the 3rd of November every year. It is an event to promote the arts and Japanese culture. Introduced in 1948, Culture Day is a public holiday. On this day, the people of Japan have a day off from work, and events will take place throughout Tokyo. An interesting fact I have learned is that it never rains on Culture Day; statistically, it is the clearest day of the year.

Outside, it is raining. I decide to head to Seven Eleven to buy a coffee. At the checkout, I am asked to place my hand in a box. I pull out a small piece of paper with a picture of a banana on it. Great! I’ve won a banana. This is quite possibly the best thing that will happen to me all day. I take my bicycle and head over to Asakusa, to Senso-ji. Today, I am here to satisfy my heron addiction. At the temple, the rain has all but stopped, and the crowds are slightly larger than usual. People on holiday have flocked to the temple to see the festival.

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Today marks the White Heron Dance festival, a one-thousand-year-old tradition. The event features eight women dressed as herons, gracefully making their way through Kaminarimon Gate toward the main temple. Following closely behind them is a small wooden cart, accompanied by drummers, a man carrying a huge umbrella, three percussionists, and another man with a baton. Additionally, a woman carries a box full of confetti.

The procession sets up just beside the temple, and a huge crowd of people forms a circle, watching attentively. The music starts, and the heron dance begins. The women move with elegance, their dance slow and precise. Wings expand and contract, and heron heads bob gracefully. The woman with the confetti tosses it to the birds, and they pretend to be fed. As the dance draws to a close, its cleansing ability purifies the souls of the deceased.

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After the event, I decide to explore a little. At the small nearby Awashi-do Temple, a monk sits chanting and hitting a drum every second. He maintains a steady, practiced rhythm and doesn’t appear to blink. Just outside, at a market stall, a man sits in a chair, waving his hands from side to side and singing, “Nice to meet you, where are you from?” I tell him England. “Aaaaah, Englandooo, Englandooo!” he joyfully sings.

As I wander around to see if any other Culture Day events are taking place, I stumble upon a small stage hidden away in one corner of the temple grounds—and a monkey.

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As I explore further, I discover not just one, but two monkeys. The first, accompanied by a man, showcases its natural ability to dive through hoops. The second monkey, with a woman, possesses impressive skills — it can jump really far, leap over hurdles whilst wearing stilts, and even walk on its hands. I applaud the performance, though I can’t help but question the potential cruelty involved. In an attempt to pay it forward, I give away the banana I won earlier.

I leave Asakusa and head over to Ueno Park to enjoy some light art. Today, the park is adorned with illuminations created by Ishii Motoko, the woman behind the lighting designs for Tokyo Tower, the Rainbow Bridge to Odaiba, and many other projects throughout Japan.

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The water fountains are lit up, and the sky is filled with colours from lasers projected from a small lighting booth. The Tokyo National Museum has transformed into a whiteboard for projected images; arts, antiques, and artefacts housed in the museum are displayed in full colour across one of its walls. Lanterns line the paths, and small stalls are set up, selling meat, sweets, fruits, and assorted Japanese snacks.

Similar to the other events today, this festival also showcases animals. Scattered throughout the park are many animals from Ueno Zoo, adorned with fairy lights. A significant effort has been put into this, making the festival a lot of fun. However, at times, it does feel like I am at a premature Christmas market.

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I learn that in the past, this day was a public holiday celebrating the birthday of the Meiji Emperor, who was the first person to eat meat in Japan back in 1872. After his death in 1912, the day ceased to be a public holiday until it was reinstated in 1948 as Culture Day. Interestingly, a significant aspect of Japanese culture today involves the consumption of animals, which might explain why every event I have visited today has some sort of animal theme.

I head back toward the water fountains, where a stage has been erected. It’s only quarter to six, and the park is bustling with parents and young children. On stage, a woman is dancing with a pole. The pole dancing eventually concludes, and a drum kit is set up. The band is scheduled to perform at 6 p.m., but at five minutes past, there is still no sign of a performance.

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Ten minutes pass, making the performance fifteen minutes late. Finally, the flowers begin to light up, water fountains dance once more, and a band takes the stage. Comprising a saxophonist, a hornist, two trumpet players, and a drummer, they kick off with a musical rendition of ‘When You Wish Upon a Star.’ As they consider playing their second piece, I notice some tempting lights in the distance.

The wall of the National Museum of Nature and Science is also lit up, featuring a dazzling light show depicting the story of evolution. The lights showcase the earliest eukaryotes to the animals of today. Volcanoes erupt, and monkeys transform into men. I stay for the entire show, enthusiastically applauding with the rest of the crowd at the end.

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After the illuminations, I meet my friend Khin, and we head to one of my favourite bars, Nui. At the bar, we join a group of Australians. One of the women, Claudia, grew up in Perth, the same place as Khin — quite the coincidence, maybe. When I mention where I’m from in England, I’m surprised to find that she has heard of it; most people haven’t. My surprise deepens when she takes out her passport and shows me the section displaying her birthplace. Oddly, it is my hometown — the same city, the same hospital, but more remarkably, we were born on the very same day. Such a small world. Our paths crossing in a Tokyo bar, woven together by the cosmic dance of a shared day.

The Amazing Kanda Adventure

I exit Kanda station and walk toward the area known as Jinbocho. On the way, I stroll along a street featuring thirty-six sports shops, all lined up next to each other. There is also a small festival taking place here, the 20th Kanda Sports Festival. I continue walking until I see a sign that suggests pluralisation came as an afterthought.

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Jinbocho is named after Nagaharu Jinbo, a samurai who used to live here in days gone by. Although they took his name, there is little to no information about him on the Internet. Perhaps I can find something about him in one of the many history books on sale here today.

Book Town is great. One side of the street is exclusively used book shops. Little lanterns line the length of the street, and outside the usual stores, a massive corridor of small bookcases stretches the length of the event. On a typical day of book shopping, you would be spoiled for choice, but today, at the 55th Kanda Used Book Festival, the sheer number of used books in one area surpasses that of anywhere else in the world.

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There is a shop specialising in only fashion books, another selling just manga comics, and another selling rare history books; they even have one book for sale for ¥350,000. There is something I find calming about walking the aisles of a bookshop. Nobody is here trying to lure me into their shop, nobody asks me to enter when I am already inside, and nobody inside is speaking. The squeaking sound of my wet shoes is the only thing disturbing the silence.

The bookshops seem to stretch endlessly. I notice some arrows painted on the floor, so I follow them to a small charity-run street festival. Rows of stalls offer various foods. One man sits at a table, seemingly designated for people to leave their used plates and cutlery. I glance at the man, and he just shrugs his shoulders; he doesn’t know why he’s sitting there either.

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At the other end of the festival, more bookshops await. I browse a little longer before heading in the direction of Ogawa Square for my fourth street festival of the day. Today’s event is the Kanda Curry Grand Prix, where twenty different shops are all selling ¥500 curry in the hopes of attaining the grand prize. A polling station with an honesty policy is in place; if I wanted, I could continuously vote for the same shop over and over.

Kanda boasts over two hundred curry restaurants, making it the perfect choice of location for this competition. Outside every stall, a tout shouts at me to go buy their food. A woman in a maid outfit gives me a smile and points in the direction of the store she is here to promote. Soaking wet mascots wander around, and there is a stage featuring live music. Three young women are signing autographs for middle-aged men. The enticing smell of curry keeps me at Ogawa Square for half an hour before it is time to go.

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I walk back to Akihabara and take the Hibiya Line to Minowa. Every piece of advertising space on the train is for the same company. On Japanese trains, there are usually about thirty to forty adverts in each carriage; however, on this train, all signs exclusively advertise an urban park town. Very strange.

I grab some things from home before cycling over to Asakusa, specifically to Cafe Byron Bay for a Halloween party. At the cafe, I put on makeup in the hope of looking like a zombie. Friends come and go, some with costumes and others without. Free Halloween-themed sweets are on offer, and glowing plastic pumpkins litter the cafe.

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At one point, I am asked to fetch a forgotten cake from a local bakery. While waiting at the traffic lights, I notice a little child with her mother also waiting to cross the road. They are looking at me, so I make zombie noises at the child; the child screams and hides behind her mother’s leg. All in the good spirit of Halloween.

Back at the cafe, two French chefs are here to cook for everybody, and they are excellent chefs. Canapés, crêpes, and tuna gratin are the highlights. We are then treated to some live music from a local act and enjoy some delicious cake.

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As the party draws to a close, a Japanese friend of mine hands me a signed copy of his book. It is my favourite book of his, albeit the only one I have ever read; the others are written in Japanese. I find it difficult to show feelings of genuine gratitude dressed as a zombie, but I will absolutely treasure his gift.

After the party, we head out to another bar for an event known as ‘Trick or Drink!’ I try to stay in character at the bar, bumping into walls, mumbling, and dragging one leg as I walk. Homer Simpson is the disc jockey, and his music choice is better than I would have imagined. My sumo wrestler friend is here too, still taller than me but a lot less drunk than the last time we met.

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After getting photographed with a sumo wrestler while dressed in zombie makeup, I decide there isn’t really much else left to do in the world, so I head home to sleep.

I Warm Duck Smoke

I wake to the sound of helicopters and sirens, more than one of each. I look out of my apartment window and see a pillar of billowing smoke that seems to be attracting the attention of five helicopters; they circle around the black cloud like flies. An ambulance buzzes by at speed, its sirens adding to the cacophony of early morning racket.

I head outside into the slums, making my way toward Minowa Station. Today, I have the pleasure of buying a Halloween costume, and the only place that offers any sort of choice, I am led to believe, is Tokyu Hands in Shibuya. At Minowa Station, there are seventeen fire engines.

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I take the Hibiya Line. Distracted, I miss my stop at Ueno, so I stay on the train until Akihabara Station. I walk ten minutes through the crowd of young women in maid outfits trying to tempt me and head for Suehirocho Station. Here, I take the Ginza Line, Shibuya-bound.

It seems I have been drastically misled. Tokyu Hands has a Halloween range, albeit rather small. I begrudgingly spend ¥4800 on some awful ghoulish nonsense that I will only use once before heading back to the train station, Minowa-bound.

Outside Minowa Station, firefighters are still tackling the huge blaze, the smoke so thick that it chokes me. Helicopters armed with television cameras continue to drone on. Unbelievably, an advertising blimp for the insurance company ‘MetLife’ floats above the disaster, cashing in on some extra television airtime.

metlife[1]

At home, I grab my bicycle and cycle toward Kanda. I get as far as Asakusa and run into my good friend and fellow bicycle enthusiast, Khin. He asks me if I’ve had lunch yet. Realising that I am actually quite hungry, I agree to join him, and we head to a gyoza restaurant. I finally get to eat one of my favourite foods, vegetable dumplings—the first time I have had this food since coming to Japan. Delicious.

After the meal, we head over to Senso-ji to get our fortunes. I luck out and receive ‘Good Fortune.’ Khin doesn’t do so well and gets ‘Regular Fortune,’ so he ties it up for the gods to deal with. My fortune says, “It is a good sign to dream of a young horse in spring and a dream of a swift horse will bee [sic] a much better sign.”

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Next, we head over to the Edo Shitamachi Traditional Crafts Museum, an excellent little museum discreetly tucked away inside an indoor shopping arcade. Free entry seals the deal, and in we go. Inside, we find ourselves the only visitors. On display are fishing rods, fans, hand-forged cutters, paper lanterns, badminton rackets depicting kabuki characters, Buddhist statues, pottery, leather bags, and paintings. There is also a rack of very straight arrows.

Winter is coming, apparently. To celebrate, a small truck with a little stove on the back is circling around, selling hot sweet potatoes. As it passes by, it plays a little jingle in Japanese known as the baked potato song: ‘Ishiyaki imo, yaki imo, yaki imooooo,’ literally translating as ‘Baked sweet potatoes, sweet potatoes, sweet potatoooooes.’ I chase after the truck but waste time taking a photograph before it turns left and blazes off into the distance.

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Khin and I head over to Cafe Byron Bay to meet some friends before heading out as a group of eight to a fish izakaya. Tonight is Dagmar’s last evening in Japan, so we are having a little leaving party for her. At the izakaya, we take off our shoes and sit at a nice table with tatami mat flooring. I am handed an English menu, and it just so happens to be the best menu I have ever seen.

The menu boasts the following delicious highlights:

Dirt Japanese bluefish drying a fish whole firing, ¥380
Wall thickness, taste are plentiful, and grease appears! ¥980
Semigrow and drag knob salad, ¥580
Tatami mat sardine, ¥280
Butter charcoal fire firing of the nettle tree, ¥380

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The butter charcoal fire firing of the nettle tree turns out to be mushrooms, and the tatami mat sardine ends up on the floor. We eat plenty, drink plenty, and drink plenty, before going our separate ways, bidding our last goodbyes.

At home, I dream of horses in the spring.

The Fat Sumo Halloween Special

My day begins with me being completely lost in Shinjuku, searching for an event called ‘Shinjuku Magic of Halloween.’ I was under the impression that the event starts with a massive street parade of people dressed in spooky costumes, but nothing of the sort appears to be happening. I give up searching and head back to the train station.

Outside Shinjuku Station, a television crew and a few people dressed up are standing in front of a big stage. With over two hundred entrances to the station, I have inadvertently stumbled upon the event I was here to see in the first place; and by the looks of it, the show is just about to start. Excellent timing as always. The lights come up, white smoke bellows from machines on either side of the stage, and the band comes out, much to the delight of the ghosts, witches, and Iron Man.

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Today, I get the pleasure of seeing Anna Tsuchiya singing live. The former Kamikaze Girls actress-turned-model-turned-singer is simply amazing. I am about six rows from the front of the stage and have a great view. The music is great. The atmosphere is great. The weather is great. Anna sings two songs about Halloween in English before contractually mentioning the video game Psycho Break, the sponsor for the event.

For the third and final song, we get a little bit more from the smoke machines, and Anna sings her third single and first top-ten hit, ‘Rose’.

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After singing, she thanks the crowd, and the band leaves the stage. One minute later, the entire crowd has dispersed, and I am the only one standing at the stage. So much for the Halloween parade. I follow the rest of the crowd into the train station and head back to Minowa.

The day is still warm, so I decide on a mid-afternoon bicycle ride. I cycle over the Sumida River in a straight line for ninety minutes, stopping off at the odd shrine or temple along the way. Eventually, I arrive at the Arakawa River and cross over into Edogawa. I haven’t been here before today, and I can’t find anything to do. I cycle around for a while until the sun begins to set.

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After watching the sun from the bridge, it starts to cool down, so I race back to Asakusa.

Tonight, I have been invited to a party celebrating the one-year anniversary of a sumo restaurant. I have things to do first, though, so I arrive rather late; everyone is already drunk. Blind drunk. A few of my friends from the boat party are here too, and they are struggling to stand. A never-ending supply of glasses filled with a suspicious green liquid seem to be appearing from nowhere, and the familiar drinking chant of, “Yoi yoi yoisho,” makes its rounds. A sumo wrestler consumes a giant bottle of tequila in one go.

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My masseur is here too; he tells me that my shoulders were the hardest he has ever had to massage in his entire career. Or at least I think that’s what he said; his slurs are somewhat difficult to decipher. I join in with the proceedings, enjoying the all-you-can-drink spread put on by the owner. Karaoke ends just as quickly as it starts, and bottles of spirits are passed around. I stay, drinking until I am dizzy, before deciding it is time to go home. As I leave, I am handed a gift bag filled with lovely souvenirs to go with my memories.

Eye Patches and Boxing Matches

Today, I woke up to find that my apartment is shaking. Not due to an earthquake, but because of music. The A-Round festival is still ongoing, and the indoor shopping arcade near my house is hosting a live performance by ‘Ego-Wrappin”, a renowned Japanese jazz band. I suppose I better go and take a look.

Today, the arcade is free from the usual sleeping homeless individuals; they have all been replaced by small market stalls selling drinks and snacks. A stage has been erected at one end of the street, and a live band is performing. This market is usually dead, but today it has been transformed by music.

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Ego-Wrappin’ originated in Osaka, and interestingly, one of the members grew up in this area. The band currently performing live on stage might be Ego-Wrappin’, but I can’t be entirely sure. Strangely, most of the members are wearing eye patches.

Some people in the crowd are wearing fancy dress costumes; Mario and Luigi are here, hanging out with some witches. A staff member comes over to me to practice his English. When I ask him the name of the band performing, he has no idea. “I’m just a staff member,” he explains. Meanwhile, three men are performing live graffiti on one of the shutter doors, and the sweet smell of toxic paint fumes fills the arcade.

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Deciding to take a stroll through the market, I randomly bump into Gomez from yesterday. He is sitting and enjoying some of the cheap food from one of the small stalls, so I join him. I ask him about the area, and he tells me that horses used to walk the main street. He also mentions a very famous horse meat restaurant not far from here. A Japanese man sitting at the same table joins in our conversation about the local sights. He starts talking about the nearby red-light district, saying, “They take major credit cards; you should go.” He confides, “I want to go, but I’m an elementary school teacher, so if people find out, then my career will be over.”

The teacher eventually leaves, and Gomez goes on to explain that this shopping arcade is based on a famous character from a Japanese manga series, ‘Ashita no Joe’. One of the other main characters is an alcoholic ex-boxer called Danpei Tange. In the manga, his character wears an eye patch; at least this explains why the band is wearing them. In the story, this area is known as the slums of Tokyo; brilliant, I find out that I live in the slums. A statue of the main character, Joe, stands guard at the entrance to the arcade.

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I stay and watch the music for a while; it isn’t too bad, but it really isn’t my style either. Besides, I have things to do in Shibuya. So, I decide to leave the festival and head to the train station.

In Shibuya, I head over to the housing office to pay my rent for next month. As I leave, a well-dressed young man stops me and says he wants to ask me a few questions. “Do you live in Tokyo?” he inquires. “We are looking for people for a fashion shoot, and I think you would be perfect,” he explains.
“Me?!” I respond, quite surprised. I provide him with my details: waist size, shoe size, height, and contact information before letting him take my photograph a few times.
“I will be in touch,” he tells me. I thank him, still confused, and head back to the station.

At the station, more live music is happening, and once again, the music is jazz.

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Today is the Shibuya Art Festival, and there are many different events taking place throughout the day. I decide to have a little walk around Shibuya, hoping to spot some of the other artistic events happening in the area. After wandering for about twenty minutes, the only thing I see is an anti-nuclear protest march. I decide to call it a day and head back to Minowa.

On the train ride home, I sit and daydream about becoming a fashion model.