Where I End And You Begin

Posted on 28/01/2023 by Luke

I decide to do some sightseeing for the final time in a while. After taking three different trains, I arrive at Mitsumineguchi Station, the last stop. It’s almost three hours from Tokyo, and at times I wonder why I have made this journey into the middle of nowhere. Stepping off the empty train, I find the station is completely unmanned, so I place my ticket into a wooden box. I notice that the ticket machine doesn’t appear to be working either, so there is no way for me to purchase a ticket for the way back. I wonder if that’s to stop anyone else from leaving.

Stepping out into the cold, the fog casts a haunting shadow over the hills and village below, a thick dense mist that seems to swallow everything in its path. The kind of ghostly white fog you would expect to find in a horror movie, a sign of things to come. As I wander across a bridge, I stop for a moment to take in the breathtaking yet unsettling scenery.

As I continue my stroll from the bridge, I am enveloped by an eerie silence. The only thing that breaks the stillness is the soft whispering of the wind blowing through the fields. A village stretches out before me, a ghost town. Scarecrows line the streets, their lifeless eyes following my every move. They stand outside almost every house, their presence both eerie and unsettling. The village is deserted, not a soul in sight.

I feel a shiver run down my spine as I realise that I haven’t seen a single person since five stops ago on the train. I can’t shake off the feeling that I am being watched, that these scarecrows are somehow alive. I wonder what kind of village I have stumbled upon. As I wander deeper into the village, I eventually find a sign with a scarecrow standing proudly beside it, ‘Niegawajuku.’

Scarecrow villages are rural communities in Japan that have created mannequins in the likeness of their residents as a form of folk art. These scarecrows are often dressed in traditional clothing and placed around the village. Specifically, Niegawajuku Scarecrow Village which has a population that has been decreasing over the years, as many residents moved to the big city of Tokyo and other urban areas in search of better job opportunities and a higher standard of living.

To address this problem, a group of local farmers came up with the idea of creating scarecrows in the likeness of the villagers who had left, in order to remember and honour them, and to attract tourists like me to the village. Niegawajuku Scarecrow Village, once a lively and bustling community, now stands like a twisted fairy tale, where the villagers have been replaced by their eerie doppelgängers. The scarecrows, with their lifeless eyes and frozen grins, seem like twisted versions of the villagers they represent.

The village, once teeming with the laughter of children and the chatter of adults, now stands abandoned, the only sounds are the gentle rustling of leaves and the creaking of the scarecrows, the place now feels like a forgotten graveyard, a desolate mausoleum. The village, a relic of a bygone era, and the scarecrows, with their blank, lifeless eyes, only serving to emphasise the emptiness of this place.

The scarecrows, with their weathered faces and tattered garments, are like guardians of a lost world, guarding the memories of the village and its people, forever frozen in time. As I continue to wander through the streets of Niegawajuku, I feel as though I am traversing a dreamlike realm. The village a labyrinth of memories, where each scarecrow holds a piece of the past, and each step I take a step deeper into the mystery.

The only thing left here is the echo of bittersweet memories of what once was. The sun is setting, painting the sky in hues of orange, pink and purple, casting an eerie glow over the village. The scarecrows seem to come alive in the dying light, their shadows stretching out like spectral fingers, reaching out to me.

I leave the village feeling a sense of longing and loss, the memories of Niegawajuku etched in my mind like a faded photograph.

As I get on my train, I ponder if my transient form will one day be forever immortalised in the form of a scarecrow, or fade into the annals of time like the villagers before me.

Dead Children Playing

Posted on 20/01/2023 by Luke

Halfway into my eight-hour train journey to the northern region of west Japan, I decide to take a break from sitting and get off at Kurashiki, a quaint coastal town in Okayama Prefecture. Famous for its strategic location during the Edo period, which made it a popular place to store rice, Kurashiki, literally meaning “storehouse,” is also conveniently located halfway between Tokyo and my final destination. Upon arriving at the train station, I am greeted by a sign that reads, “Welcome to Okayama, the Land of Sunshine.”

As I step out of the station, I find that the weather is not quite as sunny as the sign had promised. The sky is cloudy and grey, but that does not dampen my spirits as I begin to explore the winding streets of the Bikan Historical Quarter. Here, the buildings are old and charming, with weeping willow trees, historic godowns and canals that interconnect throughout the area. Touts eagerly await me, offering rides in their rickshaws. Just as I begin to further complain about the weather, the sun breaks through the clouds, illuminating the streets and bringing a warmth to the air.

I come across a shop called Gangukan, which has an annexed building featuring a toy museum. Intrigued, I pay the lady at the cashier, who shows me a sign in English that reads, “I will take you to the entrance.” She guides me through a maze of small alleyways to the entrance of one of the museum buildings. The door creaks as it opens, and the woman mutters something in Japanese before swanning off, leaving me to explore the museum alone.

The Japan Rural Toy Museum is one-of-a-kind, housed in a beautifully renovated old rice storehouse, the museum features toys from 1600 to the 1980s. Inside the first room, I am greeted by a collection of folk-craft toys from every prefecture in Japan. In the second gallery, Daruma dolls are displayed alongside clay figures, ceramic bells, dove flutes, and wood wishing plaques.

As I move to the third gallery, I am greeted by old wooden toys and spinning tops, and displays of annual New Years postage stamps from 1954 to present. In the fourth and final gallery, I see masks, a lot of masks. I’ve always wondered if masks can be classified as toys, but then again, I suppose the same question can be asked about postage stamps too. The gallery also features decorated shells, porcelain dolls, papier-mache dolls, and a large collection of old dusty books and badminton rackets.

As I step out of the museum, I find myself facing a small shrine. I can only assume that it is a tribute to the god of toys. As I think about the ancient toys, especially those dating back to the 1600s, I am struck by the enduring legacy of these simple objects of play. The children who once laughed and played with these toys, now long gone, reduced to mere memories and dust. But the toys remain, locked behind the glass walls of the museum. It’s a poignant reminder of the tragedy of death, and the beauty of the small things that outlast us. The toys, once a source of joy and laughter, now stand as silent witnesses to the fragility of existence.

As I continue my stroll through Kurashiki, I come across Denim Street, an entire street lined with shops selling the same thing. Along the way, I also pass small shops selling watercolour paintings and origami paper. The area, with its stunning canals and old shops, feels like a cross between Kyoto’s Gion district and Tokyo’s Asakusa district, but with less commercialisation. The area boasts a number of museums as well, including art, archæology, natural history, and folk-craft.

After a few hours of exploring, I leave the Land of Sunshine and embark on another four-hour train journey to the city of Matsue in Shimane Prefecture. As I arrive at dusk, I navigate the streets and make my way to Matsue Castle. Nicknamed the “black castle,” it is one of only 12 castles in Japan that have been perfectly preserved in their original state. It stands out in the darkness of the night, seeming to effortlessly float suspended in the sky. The grandeur of the castle illuminated by the moonlight, casting a mysterious and ethereal aura, making it an enchanting sight to behold.

Leaving the castle, I decide to check into an iconic capsule hotel, something I’ve been meaning to do in Japan for years. After finding my “coffin” for the night, I realise that my room, if I can even call it that, is contained within a larger room with 39 other boxes stacked on top of one another. Thankfully, none of the other capsules are occupied. The hotel offers a reasonable amount of amenities, such as towels, toothbrushes, razors, earplugs, bathrobes, and nightwear. It’s also impeccably clean.

I grab some food from a nearby supermarket and head back to my hotel. Due to the limited space, it’s not possible to eat inside the room where the capsules are located. However, the hotel does offer a large common area with comfortable seating. The common area also features its own jaunty, catchy music that plays on a loop ad infinitum. It’s like being in a 1980s video game where the composer was hired on a budget. After eating my deep-fried tofu with rice and listening to the same piece of music for the twenty-third time, I retire for the evening, and crawl into bed.

As I lay in my coffin, the jaunty music swirling around my head like a relentless earworm, I think back to the toys, and thoughts on life, how we too are on a never-ending loop, chasing after fleeting moments of joy before inevitably succumbing to the silence of death.

In an Interstellar Burst

Posted on 30/11/2014 by Luke

Toothache has returned. After two full months of remaining silent in the corner of my mouth, the pain floods back like a terrible memory. My previous trauma at the dentist is once again vivid in the forefront of my mind. Luckily for me, I still have some little yellow pills from my last visit to the dentist, and these will do for today to both numb the pain and numb my nerves.

I cycle to Seven Eleven. The moment I park my bicycle, a policeman appears out of nowhere, parking his bicycle next to mine as if intentionally blocking me in. He hops off his bike at practiced speed and starts speaking in a language so fast it might not even be Japanese anymore, pointing at me. Eventually, he asks, “Buy?” Presumably, he wants to know if the bicycle I was riding is stolen or actually my own. I hand him my residence card, and he punches my bicycle registration number into a small digital device. “Okay,” he tells me, handing back my card before riding off just as quickly as he appeared.

I leave the stolen bicycle at Minowa Station and take the Tokyo Metro Hibiya Line. Thirty minutes later, I arrive in Roppongi. My first stop today: a spot of traditional British lunch.

I am yet to see a sign for an ‘English Restaurant’; perhaps such a restaurant doesn’t exist. ‘Malins Fish and Chips’ is the closest thing I will probably find in Japan. My lunch is served to me in a newspaper-covered box: fish, chips, and mushy peas. A home comfort in the shape of a stereotype. The peas taste horrible, but the fish and chips are very good. I also order a fish cake. Sadly, this restaurant gets it completely wrong, and I am presented with something that looks and tastes nothing like the fish cakes I am used to back home.

I wander over to Roppongi Hills, an area rich with overpriced apartments, five-star hotels, and expensive shops selling ‘luxury’ goods—things people don’t really need. There are valuable bowls that are merely display pieces, candles costing over ¥10,000 each, and sofas with price tags equivalent to the average annual salary in Japan. After leaving the shops, I head out into a makeshift courtyard, only to find a giant spider outside.

This bronze statue was made by the French artist Louise Bourgeois and is one of the largest sculptures of a spider in the world. Many people are here taking photographs or posing beneath her egg sac. I snap a quick shot before heading up an escalator that leads into a cinema.

One of the main reasons I came to Roppongi today, other than to eat fish and chips, is to watch the movie ‘Interstellar.’ I pay ¥1800 and head inside to find my seat. The Japanese cinema experience is no different from what I am used to: adverts, terrible trailers for upcoming releases, and cute characters telling everyone here to, ‘Switch off your mobile phone,’ and, ‘Do not talk during the movie.’ About halfway through the movie, my little yellow pill decides to wear off. I am already in pain from having to listen to Matthew McConaughey mumble through his lines. Now I have a second level of pain, further adding to my misery.

After what feels like seven hours, the movie finally ends. I leave the cinema and head over to Tokyo Midtown to see some over-the-top decorations.

After looking at the decorations outside the overpriced stores, I head to a small ice cream shop. The staff here are the happiest people in the world. A sign at the counter declares, ‘We sing for tips.’ I order strawberry cheesecake ice cream in a waffle cone, with a latte for good measure. It is possible to request a favourite song, and the staff will cheerfully sing it as they prepare the delicious homemade ice cream. “Old MacDonald had a farm, E-I-E-I-O,” they sing to the man in the queue before me—an odd choice for a favourite song. I doubt the staff will know any Radiohead, so I don’t trouble them by asking. My ice cream and coffee cost me ¥940, another casualty of an expensive Roppongi.

After dessert, I discover that Tokyo Midtown is having its annual winter illuminations, known as ‘Midtown Christmas.’ Since I’m already here, I decide to check them out.

The illuminations are impressive, far better than those at Tokyo Dome. There are multiple displays, including Christmas trees that line the roads and champagne glass-shaped lighting arrangements. However, the highlight for me is the ‘Starlight Garden’—millions of dancing lights, cool smoke machine effects, and haunting music. It’s very blue. I watch for a while, transfixed by the light show, before pondering that the electricity bill here must be massive. Heading back to the station, I buy a selection of expensive cheeses before taking the train bound for Minowa.

On the train ride home, my mind is consumed by broken time paradoxes, millions of blinking blue lights, and my lingering fear of dentistry.

Towering Above the Rest

Posted on 25/07/2014 by Luke

The day began with a ¥1000 haircut, which is actually quite cheap for a haircut. I was a little worried about communicating in Japanese, but the barber understood what I wanted and did a very good job. After finishing the haircut, he surprised me by vacuuming my head. I wasn’t expecting that!

With my nice new haircut, I decide to check out some boat racing. At the Kyotei Boat Racing Stadium, security is very tight. The entire perimeter of the 1,397-capacity atrium is littered with security guards. Today happens to be the 28th Ladies Championship Boat Race. I pay my ¥100 entry fee and take a seat on the steps outside that overlook the racecourse.

This is one of 24 boat racing stadiums in Japan, a sport that is unique to the country. As the race starts, I pull out my camera. Instantly, one of the security guards taps me on the shoulder. “No photography is allowed here,” he says. The above photograph of no race happening was the only one I could manage to steal.

The six boats complete three laps of the 1,800-metre-long course. The red boat, numbered five, gets bumped by another racer and ends up stalling. It reminds me a lot of greyhound racing. Strangely, there’s betting involved here too. Boat number one emerges as the winner. A 1-4-2 tricast yields ¥1590 from a ¥100 bet.

After the boat racing I swing by Fukuoka Yafuoku! Dome.

The dome serves as the official baseball stadium for the Fukuoka SoftBank Hawks. It holds the distinction of being Japan’s first stadium equipped with a retractable roof. With a capacity of 38,561 spectators, seat prices range from ¥1000 to ¥14,000. Baseball enjoys immense popularity in Japan, and based on the games I’ve caught on TV in bars, it seems the Hawks are a pretty good team.

Beyond the dome in the distance is Fukuoka Tower. I park my bicycle near the tower and take a closer look.

Fukuoka Tower kicks Beppu Tower to the dirt. Upon entering, I’m pleasantly surprised to learn that as a foreigner, I receive a twenty percent discount; I pay ¥640 in total. Stepping into the tower’s main area, I’m instructed to look up. Following the instruction, I gaze upward to see a 108-metre shaft above me.

“The lift takes seventy seconds. The tower is 234 metres tall. The viewing platform stands at 123 metres,” the attendant states mechanically. “The tower has been built to withstand magnitude 7 earthquakes.”

On the fifth floor of Fukuoka Tower, the view of Fukuoka City is wonderful. In the distance I can see Hakata Bay, in the opposite direction I can see the Sefuri Mountains.

I take the stairs down to the third floor, then ride the lift down. At night, the tower will be illuminated in ‘Milky Way’ colours—whatever that’s supposed to mean. The illuminations change for each season.

My next stop is in the building opposite the tower. On the second floor, I visit Robosquare. This is absolutely the place to be in Fukuoka if you like robots, want to learn about robots, or take part in robot workshops.

It is free to enter. Inside, there’s a robot museum and a little shop selling robots and other kits. Some robots are for playing, while others are for interacting through conversation. Sadly, I arrived twenty minutes late for the 2 p.m. performance. Me and my bad timing.

After Robosquare, I head five minutes to the Fukuoka Disaster Prevention Centre. It’s a facility that realistically simulates various disasters for visitors, serving as an excellent way to promote citizen safety in case of emergencies. Additionally, it houses a museum dedicated to firefighting and earthquakes.

Entry is again free, and so is the one-hour tour. During the tour, you can watch a video about safety before learning how to react in a number of simulations: handling strong winds, extinguishing fires, navigating through rooms filled with smoke, and escaping safely. There are doors simulating water pressure: a car door submerged underwater that visitors can try to push to test their ability to escape. Photographs depicting earthquake disasters adorn the walls. It all feels rather macabre.

Finally, there’s an earthquake simulator where you have the chance to hide under a table with a pillow on your head and experience the impact of a magnitude 7 earthquake on the Richter scale. Unfortunately, I arrive late for the tour and miss out on the simulations. I contemplate waiting for the next tour, but it won’t start for almost an hour.

I return to my bicycle, only to discover it’s about to be clamped. The security guard has already fastened seat clamps to other bicycles nearby and is currently inspecting the bicycle two from mine. Casually, I walk toward my bicycle, adrenaline pumping through my body, and swiftly unlock it as fast as I can.

I shoot off in the direction of Ohori Park. Me and my impeccable timing.

Ohori Park is lovely, offering cycling, jogging, and walking paths—all flat concrete, my favourite surface. Distances are marked along each path, making it an ideal spot for athletes to train. The route circles a vast lake at the park’s centre. I cycle the route several times before deciding to head back to the hostel for some food.

Down a random side street near Tenjin Station, something incredible happens—I spot the YouTube personality Micaela Braithwaite pleasantly strolling along. As we pass, I greet her with a rather coy “Hello.” She replies with a slightly hesitant “Hi.” I glance back for a second look, but she’s already gone.

The very reason these two weeks in Fukuoka even made it onto my itinerary is because of her. Before returning to Japan, I spent a fair amount of free time scouring through YouTube videos about the country. Micaela’s videos always towered above the rest. Based in Fukuoka, her captivating videos about the area were the reason I felt compelled to visit. Without her videos, Fukuoka would never have crossed my mind.

As I continue cycling, somewhat starstruck, I find myself unable to stop thinking about the day’s events. My mind conjures endless possibilities. If I had stayed for the disaster tour, I would have undoubtedly ended up with my bicycle clamped. The remainder of the day would’ve been miserable—I’d have had to explain it all to the hostel staff, pay a fine, waste the entire day sorting it out. It’s astonishing how two minutes made such a significant difference. Lost in these thoughts, I realise I’ve been cycling instinctively for ten minutes without noticing. I have no idea where I am or how I got here.

…

Back at the hostel, Ged shows up—an Englishman I met back in Beppu. He’s staying here tonight but leaving Japan tomorrow. He hands me his Seishun 18 Ticket, having used three of the five days on it. I offer to pay for the ticket, but he refuses my money. This ticket grants me unlimited travel for any two days on any Japan Rail local line. It’s amazing—I can essentially travel from Kyoto to Tokyo for free with this ticket. Thank you, Ged.

I head out for some food and a couple of Suntory whisky highballs at my favourite bar. Attempting to read my book, I feel a little troubled. I can’t shake off thoughts of the alternate version of me—standing there, trying to explain myself to the bicycle traffic warden. Nothing has felt real to me since that moment.

I leave the bar after only two drinks. Gazing at the sky, I see a star, for the first time in eight weeks.

Rice and Shime

Posted on 18/07/2014 by Luke

I wake up at 11 am. Today, I’m heading to a place called Dazaifu, roughly fifteen kilometres away. Cycling on my one-speed bike in a straight line towards it, it should take me about an hour. Last night, the girl I met suggested I visit there—a kind suggestion.

As I set out, I discover a Domino’s Pizza just five minutes away from the hostel on the same road. I haven’t had one since arriving here—fifty days in Japan, only four pizzas so far. Tomorrow, it’ll probably become five.

A bit further along the road, near the Mikasagawa River, the skyscrapers start to disappear, and the sight of rice growing underwater becomes commonplace. Paddy fields full of semi-aquatic rice—it’s a picturesque sight, deserving a photograph.

Amidst the distraction of the rice fields, I suddenly realise that I am completely lost. In typical Fukuoka fashion, I see no maps, and signs pointing to Dazaifu have ceased to appear. Eventually, after cycling for about an hour, I find myself somehow at the base of a mountain.

For about ten minutes, I cycle without seeing another pedestrian. Eventually, a sign for a place called Shime catches my eye. My brain pauses for a second before a pun crashes into my consciousness. I decide to head there if only to make use of the pun: Rice and Shime.

It turns out Shime is up a hill—likely the same mountain I spotted earlier. I haven’t done much uphill cycling since Beppu, so my knees aren’t quite prepared for it. The footpath leading into Shime is in a state of disarray. Eventually, the incline transforms into a decline, and I find myself in a free fall into Shime. The wind is refreshingly cool on what is otherwise an alarmingly hot day.

If you thought my post about Nishioita Station was exciting, wait until you hear about what Shime has to offer. Low-flying planes drift over and hang gracefully in the sky. At least I can follow the planes and track back to Fukuoka Airport; I know this isn’t far from Hakata, where I am staying.

I cycle around Shime, searching for anything of interest, but find nothing. Wikipedia confirmed it: ‘Although the town still has a railway station, the line is no longer used.’ Seems there’s no escaping Shime. Just as I decide to leave, I finally spot something noteworthy: a chicken wandering around in some mud.

“Koke-kokko,” says the chicken in Japanese.
“Cluck-cluck,” I correct in English.

As I leave Shime, I find myself on the urban expressway, where all of the signs point to unfamiliar place names. I give in and revert to my plan of following the planes, soon arriving at the not very well-signed Fukuoka Airport.

I see the same Chinook I saw yesterday, just landed. How very odd—I haven’t seen a Chinook in over fifteen years, and yet this week, I’ve seen the same one twice.

After cycling for a total of three hours, I arrive back at the hostel and indulge in a Seven Eleven lunch: a bottle of Pocari Sweat, a fruit salad, and, as usual, egg sandwiches.

After lunch, I do my laundry. In the Coin Laundry waiting area, there’s a rather odd set of photographs. I have no idea what they are showing. Alongside the images are some Japanese notices.

I translate the notices back at the hostel. They read, ‘To prevent theft: if you notice any suspicious individuals, please contact the barnyard alternating Hakata police station if it was a robbery.’ There are also references to a theft in February, and still images captured by the 24-hour CCTV camera showing the criminal’s face. Named and shamed in a Coin Laundry.

After doing laundry and spending some time on Skype, I head to Hakata Station. Instead of taking the lift, I monotonously explore each of the ten floors. Hakata Station is a massive shopping centre with all sorts of shops, including the biggest bookstore I have ever seen.

There’s a record shop selling rare Japanese versions of classic albums. Perhaps there’s a profit to be made in reselling, but I don’t have the patience for that. I check for ‘Com Lag,’ but it’s the only Radiohead album they don’t have. The record shop also dedicates three entire aisles to the music of everyone’s favourite J-pop idols, AKB48. Crazy.

On the roof of the train station, I sit for a few hours, finishing off 159 pages of a Murakami novel. Night quietly sweeps in. The view at night is okay, but devoid of any stars. I ponder for a moment, questioning reality.

The Murakami book somewhat inspires me to make some changes in my life, specifically to start running more often.

On the tenth floor of Hakata Station, a Spanish restaurant.

Paella and Rioja happen.

I jog back to the hostel, finding the late hours have already wrapped the city in silence, a stark contrast to the bustling streets earlier. Passing by the second Christmas tree I’ve seen since arriving in Japan, I can’t help but wonder why it’s there; it does seem a little early for such decorations.

The reflection of Lawson blue bounces off the glass beyond.

Birds Thrown Around, Bullets For Hail

Posted on 11/07/2014 by Luke

The largest storm on the planet passed through Beppu last night. The storm had drifted a little south of its predicted trajectory, but we still got hit by the strong winds; they sounded like a bullet train as they rattled the windows and the walls. I read somewhere that three months of rainfall will fall over Japan in just two days. This morning I take a walk to the beach to see how high the sea level is. I am surprised to see so many boats on the fierce waters.

Further down the beach I see houses with their windows boarded up. Thankfully, I see very little damage to anything. Beppu has survived the Super Typhoon and everyone is safe. Life goes on as normal here. Across the road the 24-hour pachinko parlour is packed full of people and cigarette smoke. The light rain all but stops so I wander back to the hostel to grab a bicycle.

I cycle the ten minutes to the Rakutenchi Cable Railway Station. The train here only goes up the mountain to Rakutenchi Amusement Park. The park is closed today because of the typhoon. Oddly, the rest of the trains and buses in Beppu carry on as normal, except at Rakutenchi Cable Railway Station. With the park closed, I decide to go back to Kanawa Hells to finish what I started last week.

On my way to the Hells, I see a road sign for ‘Beppu Univercity’. I find it unbelievable that major road signs can contain such errors. At the Hells of Beppu the sun is shining; not the weather you would expect the day of a Super Typoon. The Foreign Tourist Information Office is closed today; I am not sure if this place offers information to foreign tourists, or information about foreign tourists.

Shiraike Jigoku, White Pond Hell, is the first Hell I visit. I am pleased to find that it is open. I pay my ¥400 entry fee and admire the white pond. The water apparently is, “Transparent but as time passes it turns a blue-white colour.” I have no idea why the sign says this, the pond water is clearly green. Also at White Pond Hell, there is a really old aquarium with just three fish.

Opposite Shiraike Jigoku is a closed red door. The sign next to the door says Hinryu Jigoku, Golden Dragon Hell. Inside this Hell is a, “Dragon statue with steam coming through its mouth that seems to be flying when water spouts out at sunrise.” This is actually the 9th Hell of Beppu; I’m not sure if it’s still open to the public as it’s not on any map. Anyway, I mention it only because I really enjoy the impressibs description on the sign:

The next two Hells I plan to visit today are half way down the mountain and about ten minutes away. I get back on my bicycle and take a very fun bike ride down the winding mountain path, through the many forests and tunnels carved into the mountainside.

Chinoike Jigoku translates to the amusing, ‘Bloody Hell’. Here there is a massive pool of red hot mud estimated to have been here for over 1,300 years. This is Japan’s oldest natural hot spring. It takes its name from the image of hell found in Buddhism. There is also a nice waterfall here. Some colourful Koi Carp fish swim in the pool below.

Carnival Cutouts are found everywhere in Japan. Wooden life-size cutouts where you can put your face through are commonly found at every tourist attraction and randomly placed on the streets for no apparent reason. I can cycle around Beppu for ten minutes with my camera and will easily find ten Carnival Cutouts. Everywhere. After Bloody Hell, I head next door to Tatsumaki Jigoku. It is closed today. I see a sign saying Beppu Station 7.5 kilometres and decide to head back to the hostel for my new favourite food, natto.

Back at the hostel enjoying my natto, a member of staff finds it hilarious that I wrap my fermented soy beans around potato chips. Whatever. After food I head to Beppu Tower. It is one minute from my hostel and I still haven’t been. Beppu Tower was probably once a marvel, but now it is used as an advertising billboard for the brewery Asahi. There are eight neon Asahi signs on the Tower; four in Japanese and four in English. The Tower stands at a Herculean 100 metres tall.

I pay my ¥200 and ride the silent lift to the seventeenth floor. It’s one of those lifts that doesn’t display the current floor number and doesn’t really feel like it’s moving. After about thirty seconds, the doors open, and a Japanese lady at a desk greets me as I hand her my ticket. I begin to wander around.

Inside the Tower there are black and white photographs of crowds of people standing not too far from where I am standing right now. There are photographs of Japanese celebrities. There are pictures of the Tower through the ages. It used to look quite nice when it was first constructed in 1957. Today though, far from the bustling crowds, I am the only person here.

The view from the Tower is good. A full 360 degree panoramic view. The only problems here are that the glass in some of the windows is cracked and broken. Other windows are filthy on the outside and are in desperate need of a clean. Some of the photographs I take just don’t turn out at all; my camera unable to penetrate the thick layers of dirt.

Back at the hostel I book a ¥2100 bus ticket for Sunday to my next stop, Fukuoka. Just when Beppu was starting to grow on me too. I speak to a Korean guy (and fellow avid bicycle enthusiast), he tells me about something amazing that he saw today. It’s only 6 p.m. so I decide to check it out before the sunset. As I cycle down the ocean, I quite like the look of the sky.

My destination is beyond the Monkey Park, some 5.7 kilometres each way. As I cycle, I realise that I haven’t seen any stars yet in the six weeks I have been in Japan. Very odd. Anyway, I finally reach my destination; an old landlocked boat converted into a play park. There are slides, tunnels, ladders, and a climbing frame. There is also a weird rope ladder that leads into the hull below. I am very tempted to go on the slide, but there is a couple on the ship too, seemingly on a romantic date.

After I exploring the abandoned ship, I abandon ship and cycle back to the hostel for the last time tonight. At the hostel, the excitement in Beppu never ends; Justin, a staff member here, has found a crab in the male onsen. Everyone is going crazy about the crab. They finally catch it and take it back to the ocean, where it most likely belongs.

So Long, Tokyo, and Thanks for All the Fish

Posted on 29/06/2014 by Luke

After a month of staying at the best hostel in the world (and finally memorising all nineteen stops on the Tokyo Metro Ginza Line), it is time to move on. The anticipation of spending eight hours on two different trains is something I lack. To avoid a whole day of travel I instead book a really cheap hotel at Kokura, which is the destination of the first of two trains.

At Tokyo Station, I purchase a ticket for the bullet train, the Shinkansen Nozomi. This high-speed train reaches speeds of up to 186 mph. After handing over my ¥22,310, I receive my ticket and proceed to the platform. I wait for thirty minutes while the train is cleaned in preparation for departure. The cacophony of noise from other platforms, announcements, station staff, and random whistles and bells floods back to me; I had forgotten just how prevalent it was when catching a bullet train.

I take my ‘reserved’ seat by the window. The perfect seat. No one sitting next to me, and a plug socket for all my charging needs. If I had booked a ‘non-reserved’ seat, it would have meant queueing outside one of the first three carriages. When the doors open, it’s basically a free-for-all—first come, first served for seat selection. With my journey lasting an exact 4 hours and 48 minutes, rushing and fighting over a seat was out of the question. If no seats are available, you’re forced to stand up. Opting for a seat in a reserved carriage is well worth the extra couple of thousand Yen.

Back at my seat I weigh up the prices. A seven-day JR Rail Pass costs ¥29,110; this allows unlimited travel on all JR Rail lines for an activated seven-day period. Considering I still have a second leg of travel tomorrow (which will cost another ¥4000), the JR Rail Pass is a necessity if you are visiting Japan and plan to travel across the country. Travelling from Tokyo to Beppu will almost cost me the same as the seven-day pass.

The food cart eventually passes and I buy a packet of crisps for breakfast (Anytime, any where; right?) and a beer. I work my way through a third of Murakami’s ‘A Wild Sheep Chase’. Three beers later and I go for a doze. I wake up with an hour to go so listen to OK Computer. OK Commuter. I arrive at Kokura. My journey is an exact 288 minutes. Not a second more. Not a second less.

Kokura is located between Honshu and Kyushu; two of the largest of the four main islands that make up Japan’s geography. Honshu is the largest island, referred to as the Japanese mainland. It is the island that I’ve just left. Kyushu is the most south-westerly island, and where I am heading. Outside Kokura Station I am surprised to see a vending machine that for ¥650 sells unusual bottles containing fish in a brown liquid. I have no idea.

I am still reeling from the fish vending machine. With no sense of direction I find that my hotel is clearly marked on the Township Guide Map. Hooray! I take an unhurried walk carrying all of my stuff on my back for the first time in a month; I am sure it is heavier than I remember. I hate this kind of travel, moving to a hotel for just a day, then on to somewhere else. Nope. Book two weeks at a time minimum in the same place, that’s how I prefer it. I can take my time and take it all in. One thing a day. I don’t like to rush about.

After checking in to the hotel, I venture out for some food. Exhausted from the hours on a train and a few too many heavy nights of drinking, I grab some quick stand up sushi and head back to the hotel. The hotel was really cheap, ¥3400 cheap; and I understand why. The room is the size of a small cupboard. I can’t get the television to work, but luckily there are instructions in Japanese. I take a photograph of the instructions and my camera translates them to English. “Press and hold Power then press 3, 1, 3.” It works! I spend the night watching game shows and talent shows before falling asleep.

The next day (which is today, unless you’re reading this on a different day) …

I wake up to find time has moved the day to Sunday. To make up for my lack of updates I will continue on with this one. I’ve been merely socialising instead of sightseeing and feel a bit bad having not wrote anything for five days. I check out of the hotel early. Not to miss an opportunity, I head for Kokura Castle. The skies are hot and clear and I feel out of place with an umbrella and a rucksack. After seeing the Castle, I head back to Kokura Station.

No one I have met has spoken English in Kokura. I get through the ticket booking process by nodding and saying, “Hai!” I think the first question was, ‘single or return?’ The second was probably, ‘reserved or non-reserved?’ I receive my single reserved ticket; it costs me ¥4220 for 1 hour and 8 minutes on a train. This weekend is getting expensive and I still have to hand over ¥18,000 for two weeks at the hostel. On the way back, at least my travel time will be broken up by two-week intervals as I sweep back towards Tokyo. Between now and then I have 7 weeks of semi-planned stops along the way.

Beppu-bound on the Limited Express Sonic Train, I am glad for last night’s rest; having my own space and a bathtub were quite the treat. On the train I continue to read ‘A Wild Sheep Chase’ and find myself laughing out loud at regular intervals. The train journey flies by in no time at all.

I leave Beppu Station in awe. Beppu is by the sea and surrounded in every direction by tall mountains covered in wildlife. At my hostel I discover that I am a one minute walk from the beach and a two minute walk from Beppu Tower. As I hand over my ¥18,000, the woman at the reception desk finds it unusual that I am staying for two weeks. “What are you going to be doing for two weeks?” Take it all in. That’s how I prefer it. I don’t like to rush about.

It is Sunday and there is a nearby section of interesting intersecting streets filled with shops, bars, and restaurants; mostly closed. I find a vending machine selling not fish, but ice cream. I also find that my Suica card works on the vending machines here, a nice surprise. These little Japanese pre-paid cards can be used at Seven Eleven stores, some vending machines, and ticket barriers. I didn’t think they would work this far from Tokyo. The Pasmo card definitely doesn’t work. If you plan on travelling around Japan, always choose the Suica card over the Pasmo card.

I find a pasta and pizza restaurant with no English menu. I order a glass of wine and a pizza in Japanese. This is the first time I’ve ever felt I needed to speak the native language. In Tokyo I could get by just fine. Perhaps this is for the better; I got a little too comfortable and this might just give me some motivation to actually study a bit harder. The food costs ¥842 for the lot. At least I’ll save some money on food here.

Back at the hostel for 3 o’clock chicken time! I realise that I’m going to miss the crew in Asakusa; I’ve been missing a lot recently. I remind myself that this is not for here. Moving on I find my room; it is a traditional Japanese-style room with a Tatami flooring. Four beds, so sharing with just three others. Less crowded which is good. The view from the balcony is amazing. I can see Beppu Tower, which lights up at night. I can see a horizon of skyscraper obstructed mountains. I wonder which way the sun comes up; my sense of direction very much missing too.

I explore my local surroundings. There is an international bar called Hot Bepper, it is thirty seconds away. You might think I exaggerate with my walking distances sometimes, but I can actually see the bar from the hostel. The bar has its very own table tennis table and is hosting a tournament next week. Hot Bepper is also run by the same company that runs the hostels I’ve been staying at. I like the pun name too, considering where I am.

I swing by the nearby Family Mart. An occurrence that will never fail to make me smile occurs. Staff at a convenience store greeting me through the door, bowing, saying thank you, bowing, and saying goodbye as I leave. Back at the hostel, I drink Suntory whisky highballs and write up the two days you’ve just read. I plan now to take a hot spring bath in the hostel’s very own hot spring baths; before heading out to the Hot Bepper bar, which will probably be closed on Sundays.

Mascot, Mascot, Mascots

Posted on 11/06/2014 by Luke

The elevator stops at a random floor. I stick my head out, but there’s nobody there—very odd indeed. Outside, the rainy season has decided to take a day off; the weather forecast for Tokyo today is ‘scorchio!’ I am up quite early so I decide to do my laundry. I chill out in the ball bath for a while whilst waiting.

Once finished I leave the hostel and decide to check out Kappabashi Street; a road I have walked past at least thirty times since being here but have never bothered to venture down. It is a shopping street selling many specialty goods, mostly kitchen products. This street is littered with pink lanterns. It also has its own special mascot, the kappa, a Japanese river imp.

After walking the full length of Kitchen Street, I arrive at Ueno Station. Here I take a train to Ikebukuro.

I visit an art gallery, only to find a sign inside stating ‘closed today.’ I start to ponder if anything in Japan is ever open. Outside, I notice a sign reading ‘パフォーマンス中’, with ’12:15′ scribbled below it on a whiteboard. Translating the sign, I discern it means ‘performance at 12:15’. It feels like my Japanese learning is finally paying off.

I head across to a nearby McDonald’s to kill half an hour and to kill my healthy diet. I sit down in a private booth, there is a screen in front of me so nobody else can watch me eating. All very strange.

Back outside the performance is about to start. A man appears dressed as a type of Godzilla human statue. He walks slowly to the middle of a large open area and stands on a slightly raised platform. Here he remains perfectly still. Two minutes later someone puts a coin in his collection bucket. It is at this moment he comes back to life to give the person a ‘thumbs up’, before returning to his original position.

It is a hot day. The sun burning in the sky, but there is not a bead of sweat on the man. There is a moment of comedy when a woman poses next to the statue for a photograph, presumably she thinks the statue is real. The man steps off his raised platform and sneaks up on the lady; when she finally notices him she lets out a loud scream and everybody laughs. After a while of literally standing around, I decide to grab the train bound for Harajuku.

At Harajuku Station there is a sign with arrows pointing to nearby tourist attractions. Takeshita Street, Yoyogi Park, the NHK Building, and Meiji Shrine. All four are within five minute walking distance from the train station. I toss a coin and it lands in the gutter. I toss another and it directs me to the NHK Building.

NHK is Japan’s national public broadcasting organisation, its equivalent being the BBC. Inside I see everything from props and set locations, the history of NHK, quiz machines to test my knowledge of NHK, a machine that lets you be a nature cameraman, and my favourite activity, a mock up television studio.

At the mock up studio I am seated at a news desk and instructed to look at the camera. Next, I take part in a fake weather broadcast. I stand behind a Tokyo skyline and point at things which are being projected onto a large television screen. It is all very exciting.

I get the chance to witness a live broadcast. Behind a large glass screen, NHK is airing a television show called ‘Studio Park Kara Konnichiwa.’ It’s a live chat show featuring two hosts, a guest, a producer, and four cameramen. I stand and watch for a while, probably fifteen feet away from the show’s hosts, before eventually realising I can’t understand a word of what is being said. So much for my Japanese learning finally paying off.

Leaving the NHK media theme park, a statue of Domo-kun waves me goodbye. Domo-kun has been the broadcaster’s mascot since 1998, and is described as ‘a strange creature that hatched from an egg’. Goodbye Domo-kun! The exit leads out into Shibuya. I am surprised just how close together everything is in Japan and wonder why people waste so much time here on trains.

On the train, I see an advertisement for the FIFA World Cup; it shows the mascots for the Japanese National team. They are the Pokémon characters Bulbasaur, Charmander, Chespin, Fennekin, Froakie, Helioptile, Litleo, Meowth, Pancham, Pikachu, and Squirtle. I am looking forward to the World Cup and think Japan are worth a punt at 200/1. Back at the hostel I discover that England’s game against Uruguay is at 3 a.m. here. I am no longer looking forward to the World Cup.

I eat Wasabi flavoured crisps, watermelon, and my favourite food, Cheese Mushi Cake. I then head out to the English bar where I practice my teaching skills. Much to my delight, the English bar is playing Beatles Radio; a mix of original and cover versions of Beatles songs. I stay until last orders and head back to the hostel to find a party going on and a guitar.

I play ‘Give up the Ghost’ by Radiohead. After I finish a man says that the way I play reminds him of Thom Yorke. His comment makes my day. Later, three ladies from Thailand who had heard me playing earlier approach me and start talking to me in Radiohead; the perfect end to an evening.

In a City of the Future it is Difficult to Concentrate

Posted on 05/06/2014 by Luke

Breakfast from a Seven Eleven. The quality and selection of food in Japanese convenience stores is amazing. The Cheese Mushi Cake was actually quite pleasant; soft with a very light texture, softer than a sponge cake with a subtle hint of cheese. I wash it down with a blueberry yogurt drink. It is a wonderful time.

Today is laundry day; I grab some of the ‘free’ detergent from the reception and head up to the 4th floor of the hostel. The laundry room here is amazing. It costs me ¥200 to wash my clothes. Also in the laundry room random plugs litter the floor, there is a stone water fountain, and a bathtub full of colourful plastic balls.

I see Daisuke here, he is on his break and just chilling out in the laundry area. I ask him to take my photograph. Afterwards, he starts to pick up some of the balls and begins to throw them at me. We have a ‘fight’ for a short while before tidying up our multicoloured mess.

After laundry, I take a six minute train ride to Akihabara Electric Town. I go into a few of the shops looking specifically for models of Final Fantasy characters for a friend back home. In one shop I see Magic the Gathering cards next to the pornography. In another shop the lift is playing House of Cards by Radiohead. Elsewhere in Akihabara the girl idol band AKB48 are doing a meet and greet, the queue of adult males is insane.

Inside the Club Sega arcade, elderly individuals sit alone whilst playing computer games, while men in suits attempt to win stuffed Pikachus from crane claw machines. Elsewhere, a woman dressed in a maid costume hands out flyers for a maid cafe.

Akihabara is a little too much and the humidity is high today. I begin to feel a little dizzy so I head back to Asakusa. On my way back I see a sign saying, ‘In the stations, please refrain from putting a thing on the floor.’ At the hostel it’s 5 p.m. and Daisuke has just finished his shift. I join him in the lounge for a beer and he once again emphasises that I should go to the Robot Restaurant. Soon, I tell him.

I am invited out for a trip to Shibuya for some sightseeing and food. A group of six of us is randomly formed, including Conor, Grant, and Edwina from previous evenings; and we head out to Shibuya. This time I get the chance to see if people crossing the road looks any better during a busy evening surrounded in neon lights. I admit, it is a little better than the day time, but it is still just people crossing a road.

There are some quality English signs here in Shibuya. The highlights for me are a restaurant called the Raj Mahal, a dress shop called 1000% Wedding, and a drinking establishment called Gaspanic.

We search a while in Shibuya until we find a restaurant that we all agree on. We buy our meal tickets from the vending machine outside; I order the ‘no pork’ vegetarian ramen and a beer for ¥1380. After ordering we go inside, sit down and hand over our ticket. Eventually our food comes out. It looks pretty good and tastes pretty good. My ramen contains cabbage, spring onions, beansprouts, and noodles in an unidentifiable broth.

After lunch, the group splits. Conor and the others head off to check out a love hotel. Edwina, Grant and I head back to the hostel. On the train there is a sign advertising Suntory Strong Zero. The sign, for no apparent reason says, ‘Suntory Strong Zero 9% Wash You!’ On the way back to the hostel we stop off at the five-storey convenience store. At the store I buy a 135ml can of Asahi for ¥95. It is the smallest can of beer I have ever seen. I also buy a bottle of my favourite Japanese whisky.

At the hostel we do some drinking. Eventually the others return and we regroup for a few games of cards and some bad magic tricks. The night ends at around 2 a.m. We make plans for the following morning then go our separate ways to sleep.

Niagara Falls and Karaoke!

Posted on 04/06/2014 by Luke

I am standing in the panoramic observation deck on the 45th floor of the Tokyo Metropolitan Government Building and the view is amazing. I am here with two of the people I was drinking with last night. Daryl, a guy from Tennessee, Ollie, a guy from England, and Edwina, an Australian who we met this morning in the hostel. At the ground level of the building, for no apparent reason, there is a tourist information office selling onions. We leave the Government Building and wander Shinjuku in search of food.

We stop at a random bakery in a train station. I buy two of something that I am told is fish, and some green tea in a bottle for a total of ¥399. The green tea comes with a complimentary tea bag. We walk to Shinjuku Central Park and sit on a bench in front of Shinjuku Niagara Falls. I eat my fish bread, it is very disappointing and I regret purchasing two. After we eat, we wander the park and eventually find a stone gazebo with a bench and table. Ollie randomly has a deck of playing cards, so the four of us sit for a few hours playing cards. It is the first time I forget that I am in Japan.

We eventually leave the park, leave Shinjuku, and head back. We stop off at the biggest convenience store I have ever seen, with five floors selling just about everything. I finally find a bottle of 12-year-old Hibiki for ¥4361; they also sell the much rarer 21-year-old Hibiki, for the so low price of ¥17,047; which is about 50% cheaper than back home.

After a brief rest, Edwina, Daryl and I head out for some food. Inside a restaurant we order five or six dishes between us and share everything. We eat deep fried fish paste, deep fried tofu, deep fried squid, deep fried mackerel, deep fried crab, and some delicious vegetable I’ve never heard of before; the vegetable is deep fried, of course. We are also served a complimentary Japanese omelette. The food is really good. It comes to a total of ¥4600 between the three of us.

After the meal we head back to the hostel and regroup with the others. I chat with Daisuke, the Japanese guy that works here. He is making a joke about the check-in time being 3 p.m. at the hostel. He says, “3 o’clock chicken time!” Then starts to make chicken noises. He repeats this joke probably one hundred times, before it starts to get old. He also teaches me a new word, ‘nomihodai’, meaning all-you-can-drink.

Eventually it is time to head out and we take the short five minute walk to the karaoke building. Somehow Daryl has managed to round up a total of 17 people. We are given a private nomihodai room with a wonderful view of the neon Tokyo skyline. In our room there is a phone that calls reception, which is used for ordering beer. We order fifteen beers at a time.

We finally figure out how to change the instructions to English, and the karaoke begins. Randomly, Pop is Dead is one of the 22 Radiohead songs available. My rendition of Fake Plastic Trees scores ‘92% accurate rating!’

Pictures are taken and pitchers of beer are delivered to our room every five minutes. We sing, we laugh, we drink. Eventually we are all very drunk. I vaguely remember us all singing Hey Jude, but I don’t remember much else. After what was probably four hours of solid karaoke, I return to the hostel and sleep off an incredible evening.

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