Udon in (three-hundred and) Sixty Seconds

With the sun directly above me, there’s nowhere to hide from the heat. I anticipated the scorching conditions; the seat on my bright yellow bicycle was already burning when I first set off. I had to pour a bottle of water over it to cool it down; the water began to boil on the pavement. The tarmac here blisters and broils.

As I head toward Tenjin, I realise I’ve inadvertently chosen to wear a bright yellow shirt. I must look rather peculiar: a foreigner on a yellow bike, clad in yellow. Fortunately, I find a nice cycle path with newly laid tarmac, and my destination seems to have chosen itself.

yellowbicycle[1]

Inconsiderate pedestrians often walk on the cycle path, obstructing me without a care. I make a stop to let a taxi pass, as I usually do, and the driver nods in acknowledgement, as they typically do. Interestingly, here, even when the crossing light is on a pedestrian green, motorists can still turn left, but they must yield to pedestrians first. I’ve made it a habit to let taxis turn before me, especially when they have a passenger. I like to think I’m doing everyone a favour.

I cycle for what feels like an eternity until I reach a place called Ohahsi. Not much happening in Ohashi, so I spot a sign for Hakata Station and decide to head back. On my way, I come across a woman holding a sign that says, ‘Time Sale.’ I humorously decide to ‘buy’ five minutes. Additionally, I encounter an army of crossing guards—three people directing one vehicle. Absolutely insane.

triplesaber[1]

Attempting to find some eccentric Japanese electronics to write about, I discover that everything seems rather ordinary. Instead, I end up in a music shop on the seventh floor of Hakata Station. I spend about ten minutes practicing the piano, drifting away as I try to recall how to play the only song I can fully remember: ‘To Zanarkand’ by Nobuo Uematsu. It eventually comes back to me, but it was mentally challenging. The thought crosses my mind that I might have forgotten how to play the guitar by now.

I spend a while restaurant window shopping, stopping to admire the models of plastic food. A sign outside a Chinese restaurant catches my eye.

delicious[1]

Instead of dining in Hakata, I opt for Tenjin, thinking it would be a better choice. With tired legs, I decide to hop on a subway train for the first time in nearly a month. I’m surprised by how soft and springy the seats on the train are, probably because the bicycle seat is hard and uncomfortable.

I disembark at the last stop, Fukuoka Airport, realising I’ve taken the wrong train. Not to worry, it was just a two-stop ride, and I won’t be charged for my mistake. As everyone exits the train, I wait a moment while it’s cleaned, and then I board the same train heading back to Tenjin. Surprisingly, many others do the same, presumably having made the same mistake as me. One of the things I enjoy about subway trains here is that since the tracks are separate from the ticket gates, you can effectively ride the train all day, getting on and off as many times as you like. There’s not much purpose in doing so except to rectify errors.

Ultimately, I spend a full thirty minutes on the train, the same amount of time it would have taken me to walk. The fare for this brief trip amounts to ¥200.

In Tenjin Station, there is a train made out of cardboard. The detail incredible. The photograph doesn’t do the quality of this cardboard art justice though:

cardboardtrai[1]

I explore the thirteen floors of the train station, the overwhelming feeling I experienced on my first day in Fukuoka now just a fleeting thought.

I leave the train station and make my way to an indoor shopping arcade near the much-loved Reisen Park. There, I spot an udon restaurant—a Japanese dish I’ve yet to try. I opt for a mix of healthy and slightly indulgent choices by ordering a big set meal of udon served with vegetable and seafood tempura, on rice.

After placing my order, I notice I’m not offered a towel, something I’ve grown accustomed to in Japan. Typically, when dining at a restaurant, you’re almost always handed an ‘o-shibori,’ a wet hand towel to clean your hands before eating. Surprisingly, I’m also not given any water, and I sit waiting, feeling quite thirsty.

The drink I order takes five minutes to arrive, the food takes six.

udon[1]

The food turns out to be a bit of a puzzle; I have to assemble it myself. I pour the jug of sauce onto the tempura and then crack the egg on top, just for good measure. As I start sprinkling sesame seeds over the lightly battered vegetables and seafood, a Japanese man eating nearby tells me to stop.

He lifts the tray of sesame and wasabi to reveal a dip hidden underneath. ‘This,’ he points out, ‘is for udon.’ I express my gratitude for his guidance. Hopefully, I managed the tempura correctly. Once I finish my cold tempura served on warm rice, I move on to the ice-cold udon. Interestingly, the dip meant for the udon is warm, making everything seem quite backwards.

I find these thick wheat flour noodles a bit dull. I dip them, slurping and chewing at the seemingly endless strands. As I eat, my reflection stares back at me from the sauce. Hoping for a change, I mix some wasabi into the dipping sauce for a kick, but it doesn’t seem to make much difference to the dullness.

The food didn’t quite meet the usual standards I’ve come to expect in Japan. Perhaps my expectations were too high. The total cost of ¥1060, including a drink, offers good value for what was an average meal.

As I step outside the shopping arcade, the evening has settled in, casting a dark, starless sky. Walking along the river, I’m surrounded by crowds and vibrant bars. I pause to admire the numerous izakayas lining the riverbanks, each offering its own specialty food. It seems like an ideal place to unwind after a hectic workday or a leisurely Sunday afternoon spent in the sun.

izakayas[1]

Returning to Hakata Station to retrieve my bicycle, I encounter the same busker for the third consecutive day, stationed along my familiar path. Today, we exchange pleasantries. Judging by his accent, he’s a fellow Englishman. Our interaction has been evolving: yesterday, we greeted each other with a ‘hello,’ and the day before, it was a mere nod.

Back at the hostel, I make new friends. An Australian guy tells me that he went for a walk on the beach today and the sand was so hot that it burnt the soles of his feet. Blisters and broils.

Florets Get Ready to Grumble

As my bus crawls into Fukuoka, I wonder what is going on. Traffic is at a stand still everywhere. Traffic lights linger on red a lot longer than usual. We pull into my penultimate stop. It is here that the bus driver explains to me in Japanese that it would take too long to drive to Hakata Station (the station I have paid for, albeit at a very reasonable discount). He suggest that I get off here and walk. Effectively, he is kicking me off the bus.

For some reason, the exit to the bus station takes me into the seventh floor of a department store. The sound here is deafening. Everywhere there are young women holding signs and screaming about whatever products they are tying to sell. I eventually find the lift, and get the hell out of here. I can’t quite work out how I went into the seventh floor from what I thought at the time was ground level. Very confusing. I see a sign telling me not to blow up trees. Very confusing.

Cuttree[1]

As I walk out of a Tenjin Station, I have no idea which direction to go. I would normally look at a map but I can’t find one anywhere. Instead, I see the biggest crowd of people I have ever seen on the streets. This might explain the traffic problems. It turns out I’m at a practice run for Tuesday’s Hakata Gion Yamasaka Festival, a seven-hundred-and-fifty-year-old tradition in Fukuoka. Surprisingly, it draws up to a million spectators every year. Lucky me.

Fukfest1[1]

There are people here throwing buckets of water over the performers. It is a hot day, so I can understand why. I do, however, begin to get annoyed. I am trying to get to Hakata Station, and I have a very heavy bag on my shoulders. It is frustrating because there are no maps anywhere here. In the end I have to disturb a policeman. “This way, this way,” the policeman says, not pointing in any direction at all.

I have an empty bottle of water but I haven’t seen a single vending machine since getting off at Tenjin. No vending machines means no bins. So I have a heavy bag and a useless empty bottle; and I still can’t see Hakata Station. This is one of the few times in Japan that I am getting really irritated. To make matters worse, every place I go, the road is blocked by hordes of Yamakasa performers.

Fukfest2[1]

After forty-four minutes, I finally make it to Hakata Station. I wait what feels like three hours for the traffic lights to change to a pedestrian green, and take a walk through the station. There is a construction site next door that has been heavily decorated with baskets of flowers. A nice idea. After spending two weeks in quaint Beppu, I am now suffering from city shock. In Beppu I longed for crowds and nightlife. In Fukuoka, I want everyone to stop coughing, talking, getting in my way, and let me enjoy some peace and quiet. Please.

From Hakata Station the directions provided by my hostel are perfect. I pay the ¥28,000 for two weeks in a four bed dormitory; not bad. After sorting out hostel stuff, I remember that I haven’t had any food today. I walk back toward Hakata Station, and enter a building full of restaurants. There are more restaurants in this building than the whole of Beppu. I see a sign for a restaurant selling horse meat, which is unfortunate for the horses.

Horseome[1]

I see people queueing for restaurants. The first time I have seen this in years. I eventually settle on a vegetarian restaurant. Vege Style Dining. It turns out this is a pasta and pizza restaurant offering a mix of meat dishes and vegetarian style food. The menu, sadly, is in Japanese. I order a Suntory whisky highball and wait for a waiter. The waiter comes over and asks me in fluent English if I can read Japanese. I tell him I can. I lie. Subsequently, I order a salmon and broccoli pizza.

The highball comes out, and is very strong. I drink it in one go and order a second. My not very vegetarian salmon pizza arrives with the second highball, perfect timing. I didn’t expect so much broccoli, eight huge florets, one on each of the eight slices of pizza. I pay ¥1879 in total. Good value considering two drinks and a huge pile of broccoli.

I see a sign saying Namco. I take the lift (elevator) to the seventh floor of the train station and find an arcade the size of a train station. Here I pay ¥100 for one hundred pachinko balls, I lose. I am surprised to see AKB48 machines. They are next to the smoking area. Getting children addicted to pachinko makes me a little annoyed.

Akb48pachinko[1]

There is a section of the arcade with fourteen Tekken machines. As I take photographs, a staff member tells me I am not allowed to photograph in here. I play another round of ¥1 a ball pachinko, before leaving with my losses.

Heading back to the hostel, I count seven convenience stores. One Seven Eleven, three Lawson Stores, two Family Mart, and one Daily Yamazaki. All on the same road. Where I am standing right now, I can see three Lawson Stores. A panoramic view of signs bright blue. So many convenience stores. If you played the Konbini Hop drinking game here, you would be dead in an a hour. I see a confectionery shop that simply makes me smile:

Sweetyou[1]

Back at the hostel it is 8 p.m. It really is nice here, the atmosphere superb. Everyone greets you with a ‘Hello’ when you enter a room, as it should be. I assist a Korean man who has a job interview tomorrow with his English; his pronunciation is good but slightly off. I spend six hours in the common area, engaging in conversations with other guests, the hostel boss, and the numerous cleaning staff who work here for three hours a day in exchange for accommodation—a pretty good deal.

Tomorrow I make plans to meet a friend I know from England, I am quite looking forward to seeing her. She has been in Fukuoka for a few weeks now. The plan is to do karaoke until the early morning, then head to Hakata Gion Yamasaka Festival for exactly one minute to five, the start time for the main event. A very odd time to start a festival.

The Train Station at the End of the Universe

Today I am going to an aquarium. As I walk to the train station the lampposts are playing the Beatles, ‘You Never Give Me Your Money’. Lampposts in Japan often play random music, usually relaxing classical pieces, but today is Sunday so I suppose that explains it. At the train station I get on a train bound for Oita.

It turns out I am on the wrong train. I don’t realise until it passes the first stop. I check my instructions. Bus. It clearly says to take the bus bound for Oita, not the train. The mistake costs me ¥230 each way. Trains by habit. Bus to habitat. I get off at the second stop, Nishioita Station. Here, there is a solitary ticket gate manned by a solitary person.

theendoftheworld[1]

I exit the station so it doesn’t look like I got on the wrong train, not that anybody is watching. Outside the station I see a sign for the ferry terminal and think about escaping. I decide to make the most of my error and take a stroll around Nishioita. There isn’t much here. They have a Lawson Stores, that is it. A road sign says that Umitamago Aquarium is 5 kilometres away.

A sign at the ocean says, “Welcom.” I take a stroll to the pier. It is a nice view, maybe Nishioita is not as bleak as I first thought. Two lighthouses guard the pier, one red, one white. There isn’t really much else here though. I sit for a while drinking my Pocari Sweat, enjoying the sounds of birdsong and the shimmer of the ocean, before turning around and heading back to the station.

Pier[1]

Back inside the station and taking a seat, I see there is a bin for plastic bottles but there are no vending machines. Maybe people come to Nishioita to dispose of their rubbish. I wait but no train shows up. Behind me the tracks lead to Oita. In front of where I am sitting, the trains head back in the direction of Beppu.

I watch two massive fork lift trucks move crates around. They don’t look to be moving them with any purpose; it seems they are just tidying up the stacks. There is an announcement through the speakers about standing near the tracks. Seconds later a limited express train whizzes by before disappearing in the direction of Oita. They don’t stop here, at the Train Station at the End of the Universe.

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The surrounding area is somewhat pretty I suppose. Tranquil. There are many bushes of purple flowers, full bloom. Cicadas drone on in the background. I gaze into the mountains. They gaze back. Another announcement and an express train passes in front of me in the direction of Beppu. Fifteen minutes pass me by. Although I expect time passes differently here. It feels like I’ve been here for days.

An old woman enters the platform and sits down next to me. There are four unoccupied seats to the left of me, yet she chooses to sit beside me. I think to myself that the old woman being here suggests that a train will be here soon too. Nope. I wait a further fifteen minutes as a rapid train whizzes by. The woman sneezes. The fork lift trucks beep as they reverse disturbing the serenity. Perturbing my sanity.

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I start to wonder, maybe the old woman isn’t here for the train. Maybe she is here for the flowers and the mountains and the fork lift trucks. The joke is on me. Maybe she knows that the next train isn’t for another two years. A young man with glasses enters the station. He stands facing the tracks that lead away from Beppu. He lights up a cigarette and smokes it in one go. He lights up another.

I get excited when I hear an announcement about a train, but my excitement is short lived. The train to Oita stops and the man gets on. Nobody gets off. The doors to the train linger open for a tempting few seconds longer than they should. I hesitate for too long and the train is gone. I somehow feel I have wasted my morning as the train to Beppu finally arrives. The woman remains seated. I get on the train. As it departs, it squeaks and splutters like an old animal waiting to die.

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Back at Beppu Station I change from train to a bus. I take the bus bound for Oita and get off at Umitamago Aquarium. The bus stops right outside. Across the road from the aquarium are two other attractions. There is a Monkey Park and a place called, ‘Forest Therapy Road’. The sign outside the forest claims to, “Help you stay healthy mentally and physically and prevent disease while immersing yourself in the atmosphere of the woods.”

At the aquarium, I pay the steep entry fee, ¥1950. I am handed my ticket and a nice brochure that says, “The friendly aquarium welcomes you!” At least they can spell ‘welcome’. Inside, the aquarium is massive. Animals living here include seals, otters, dolphins, penguins, sharks, sea lions, frogs, sea turtles, walruses, and various fish.

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After spending far too long looking at dolphins, it is time to leave and get some food. I consider checking out the forest but the once-every-hour bus literally pulls up as I cross the road and it has just started to rain. I might come back here to check out the Monkey Park and forest when the weather is nicer.

I eat back at the hostel and relax for an hour or so before heading to Nagahama Shrine Summer Festival. This is the very first summer festival held in Oita Prefecture every year. It is famous for rice cakes and merchants selling hand made dolls, pictures, and other unique works.

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At Nagahama Shrine Summer Festival, summer is probably the wrong word to have used. The rain is heavy in Oita. There are market stalls selling various foods spread all along the side of the road, however, the road isn’t closed. I walk through the streets avoiding cars and following my ears. I find the main ceremony in full swing; around fifty people dressed in purple clothing carrying portable shrines. People bang drums and play flutes. Spirit levels are quite high, in spite of the weather.

After following the procession for a good twenty minutes, I find that I am soaking wet. I decide that I’ve seen enough and head back to Beppu. I take the limited express train. As it whizzes past Nishioita Station, I peer out of the window half expecting to see the old woman still sitting there. No surprises really, but the station is completely empty.

Cat Cafe, Cats and Dogs, Square Enix

I wake up at 9 a.m. to the sound of rain. It is very loud. I head downstairs, I drink two cans of Boss Coffee Sweetened Rainbow Blend and write for a few hours, until I am finally ready to venture out into the monsoon that is the streets of Japan. I buy an umbrella, pleasantly, before taking the Tokyo Metro Ginza Line to Shibuya.

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In Shibuya, vans drive around all day advertising new albums from random Japanese artists. There are three AKB48 vans that circle around, blazing out pop classic, Labrador Retriever. I wander the Dogenzaka district in the pouring rain until at last I find the sign I am looking for; it reads Neko, the Japanese word for cat.

Hapineko is a cat cafe. For ¥1180, I order peppermint tea with sweets and spend 30 minutes with the cats. Inside, there are literally tens of cats. Most of them are hiding or sleeping. I spend some time taking photographs until eventually I find a cat that sits with me and allows me to stroke her. It’s an odd concept, really, and how it came about, I really don’t know. As I leave, I playfully change the Japanese word for ‘thank you’ by one letter, “Aricatou gozaimasu!” The staff member gives me a puzzled look.

catcafテゥ[1]

I hop on the Yamanote Line and 4 minutes later I hop off in Shinjuku. If Tokyo is the capital of Japan, I would say Shinjuku is the capital of Tokyo. It is massive and boasts the worlds largest train station. An average of 3.64 million passengers per day pass through the station, which has over 200 different exits. After an hour of searching, and a trip to a Metro Station to ‘borrow’ some free Internet, I manage to get directions and find that I am only eleven minutes away from where I need to be.

Eleven minutes later I arrive at Artnia, the official restaurant of Square Enix. I order two desserts from a Final Fantasy themed menu; the first I order is the Strawberry Pancakes, served with ice cream, strawberries, blueberries, raspberries, and a Cactuar. After finishing my huge portion of pancakes, I instantly regret ordering two desserts.

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The second dessert is a parfait. It is in the shape of Cloud Strife from Final Fantasy VII and contains an edible chocolate Buster Sword. It also features chocolate panna cotta, with coffee jelly and vanilla ice cream, all topped with a layer of whipped cream, bananas, and chocolate sauce. The total cost for both is a pricey ¥1910.

The restaurant also sells a selection of Square Enix official goods. They include games, stuffed toys, trading cards, necklaces, perfumes, and models of popular characters. Here are Tidus and Yuna from Final Fantasy X:

ff2[1]

After the restaurant I head back to the hostel where I meet up with Andy, an Australian I had first met at the karaoke night, and Matt, the guy I went to the izakaya with a few nights ago. We decide to go to the English speaking bar across the road. Because of the rain, the bar is quiet and there are only two other customers. A Japanese man here says I look like a famous person, and after five minutes of searching on his phone he reveals that I look like a young Barry Manilow, I strongly disagree.

After last orders are called, Andy, Matt, and I head to another bar with the owner of the English bar and the Japanese man. Here we drink more and more beer and snack on Japanese omelette and smoked salmon served with Daikon. The Japanese man eventually leaves, but not before paying the whole bill. It turns out the three of us haven’t paid for a thing all evening. Thank you very much, Saito-san.