Japanese New Year’s Eve

New Year’s Eve in Japan differs significantly from the celebrations and lively scenes I’m accustomed to in England. We kick off the evening at our favourite izakaya, where the owner, in his broken English, warmly greets us with, “Good morning this evening.” The atmosphere is festive, with people enjoying drinks and exchanging smiles all around. Among the options on the extensive Japanese menu is ‘Smile, ¥10, limited to ten per day.’ Fortunately, the stocks are plentiful, so I toss the owner a ten-yen coin in exchange for his wonderfully elaborate smile.

The television set above the bar is broadcasting the 65th annual Kohaku Uta Gassen.

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Kohaku is a live talent battle between two teams of musical acts that have had a successful year in Japan. The white team consists of all male artists, while the red team is composed of all female artists. This exclusive, invitation-only event happens to be the most-watched show on NHK every year. Audience members cast their votes, and the only prize is pride for the winning team.

I was thoroughly enjoying a band of male vocalists singing, “La lalalala lalalala,” when out of nowhere, the owner of the izakaya switches channels to watch the latest episode of the popular pirate anime, One Piece. Food is then served to each of us in tiny bowls—traditional Japanese soba noodles, known as toshikoshi soba.

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Soba noodles are notably thin and long, with the belief that their length symbolises a long life. It is also said that consuming these noodles helps ward off any lingering ghosts as the New Year arrives. The seasoning for the meal is served from a salt shaker crafted from a light bulb. While I’m unsure if this is part of the traditional way to eat Japanese soba, I find it quite appealing.

One Piece comes to an end, and the owner channel-hops, briefly settling on boxing before switching back to Kohaku. On the television, Idina Menzel graces the stage, singing ‘Let It Go.’ It’s quite rare for a non-native Japanese artist to be invited to perform at the event, but given the immense success of the movie Frozen in Japan, her appearance comes as no surprise. It’s at this moment that I’m hit with my first Tokyo Disneyland flashback.

We continue to enjoy our drinks, with people singing along to ‘Let It Go.’ Suddenly, the owner begins handing out gifts in small white envelopes.

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Next year marks the Chinese zodiac year of the Ram, or ‘sheep’ as my Japanese friend corrects me. I suppose interpretations vary across countries. The pendant I receive, if I’m completely honest, looks more like a goat. Regardless, I appreciate the gesture and the unexpected gift.

As midnight rapidly approaches, we finish our drinks and take a wander over to Senso-ji for Joyanokane. At the stroke of midnight, a priest will ring the bell 108 times, symbolising the 108 sins of Buddhism. Unfortunately for me, sarcasm is one of those sins. By merely staying and listening to the tolls of the bell, your body and mind are believed to be cleansed—an excellent way to start the year, if only we could get close enough to hear them.

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It’s incredibly crowded here. People are queueing up to make their first prayer of the New Year. Others are here to shop at the many little food stores lining the route to the temple, while some are here to count down to the New Year. Our purpose is simpler—we are here to listen to the bells. Eventually, as the clock approaches midnight, we manage to get close enough to the temple, arriving at about two minutes to midnight.

The first bell chimes, and we cheer. Suddenly, as if a switch has been flicked, the plastic sheeting over the market stalls starts to shake. A ferocious wind appears out of nowhere, and the temperature drops to the lowest it has been since I arrived in Japan. It’s as if the gods are angry or trying to sleep, with the millions of people here disturbing their slumber.

It will probably take over two hours to queue and make our first prayer of the year, and the cold is too much to bear. We decide to postpone this ritual until tomorrow. Instead, we opt to get our fortunes for ¥100 each. Surprisingly, none of our group receives a bad fortune. I, personally, receive a ‘Good Fortune’ that says, ‘The linen robe turns into a green one.’ I’m not entirely sure what this means, but I presume it implies that I will turn into a kappa.

After receiving our fortunes, we go our separate ways. As I cycle home, the wind almost blows me off my bike.

Abandoned by Disney

The sun shines brightly as Christine and I make our way to Tokyo Disneyland, a 115-acre theme park located in Urayasu, Chiba Prefecture. It’s said to be a place where dreams come true, according to a somewhat poorly written but curiously popular guidebook. This guidebook suggests that the optimal time to visit Tokyo Disneyland is during the winter months, particularly toward the end of December. Today happens to fall within that timeframe, so off we go.

We change trains from the Yamanote Line at Tokyo Station to the hugely unpopular JR Keiyo Line. The Keiyo Line requires us to walk for twenty minutes through a busy train station and is highly inconvenient. Finally, after almost an hour on three trains, we arrive at the conveniently named Tokyo Disneyland Station. On the train, the windows and handles are shaped like Mickey Mouse.

Outside Tokyo Disneyland, what would usually cost ¥100 now costs over twice that. An early sign of the commercialism to come.

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Full of overpriced green tea and a pocket full of change, we queue to enter the park at around 9 a.m. Eventually, after twenty minutes in the queue, we pay ¥6400 each and enter.

We head for Critter Country to use our Fast Track ticket for Splash Mountain. Despite being here so early in the morning, our Fast Track ticket won’t allow us to ride this ‘Hair-raising flume adventure’ until quarter to six. A mere nine-hour wait. We can’t use another Fast Track ticket for two hours, so we decide to grab some breakfast.

It turns out that the only food on offer at Tokyo Disneyland is junk food and sugar. I buy a ¥310 strawberry sundae – the smallest ice cream in the world. In the bottom of the cup are Corn Flakes; something I’ve never associated with ice cream before, and something that I will never eat with ice cream again.

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After breakfast, we decide to go on a ride. We head over to Fantasyland to queue for “It’s a Small World Presented by Nippon Express Co., Ltd.” I write the name of the ride with capitalisation, but in the park, they don’t bother; and this annoys me. We queue for forty minutes, and with me not knowing Disney too well, I have no idea what to expect.

In the queue, I try to discuss the Pinocchio paradox, but Christine, who had previously worked in Disneyland Florida, tells me to, “Stop talking! Stop ruining Disney.”

Finally, we enter the ride and sit in a boat. Instructions in the boat say, “The boat may stop suddenly, so please sit well back.” I don’t really have a choice thanks to the length of my legs. The ride describes itself as the “Happiest cruise that ever sailed,” so presumably, it is well good.

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The overall experience is terrible; a riverboat cruise of rooms depicting dancing characters from various countries. In each room, the characters are singing the same song, Jingle Bells. At the end of the ride, we have to join a queue of boats to leave. If I am completely honest, after being on my feet for most of the morning, it is just nice to have a sit down.

Leaving the ride, a politically correct ‘happy holidays’ sign is also written in lower case, just to further add to my disappointment. Christine seems happy though; she was singing along during the ride. Afterwards, she waves at the other people queueing, and they wave back.

We accidentally stroll into a gift shop and find a crystal castle that costs an arbitrary ¥5,142,860.

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After “It’s a Small World,” we discover that it’s a small park. It actually takes us just ten minutes to walk the entire length of Tokyo Disneyland, despite having to push through the ever-increasing crowds of people.

We check out Thunder Mountain, but it seems there is a 300-minute queue for the ride. We wander around at a loss as more people appear from nowhere, the park now becoming extremely busy. Our second ‘attraction’ comes almost three hours since we arrived and is quite possibly the least popular attraction in Tokyo Disneyland, and perhaps the world.

We wander into a tipi with almost impeccable timing and take a seat on some padded benches around a stage.

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The ‘ride’ is the oddly named “The Enchanted Tiki Room: Stitch Presents, Aloha E Komo Mai!” Presented by Mizuho Securities Co., Ltd. The attraction describes itself as a fun-filled tropical music show.

Just like the photograph I took of the show before being told off for taking photographs, the whole thing was a disappointment. A few birds talking and singing in Japanese, a few flowers singing too. Just nothing that even offered the least bit of entertainment or anything that could be described as fun-filled or remotely tropical.

Outside, the queues have grown astronomically.

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With two hours now elapsed since we first used our Fast Track tickets, we head to some of the other participating rides. We discover that all of the Fast Track tickets have now been issued, so only one Fast Track ride for us today. We spend some time queueing for toilets, queueing for vending machines, queueing for queues.

One thing we find scattered around the park are popcorn stands; eleven in total. They sell flavors such as caramel, soy sauce and butter, honey, and curry. Each stand appears to have an hour-long queue. Lucky for me, my friend is also from England, so we do what English people do best and moan about everything, together.

We head back to Adventureland to queue for the Western River Railroad Presented by TOMY Company, Ltd. “Three hours,” the woman tells us, remarking on the queue times. We brave it anyway. I came all this way, and certainly don’t wish to pass up on an opportunity to climb aboard a real steam train for a trip around the wilderness.

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Once forever passes and time no longer exists, we eventually get on the ride. It is one of those annoying rides that hates tall people. The train passes through caverns and low-hanging beams of wood. Despite being in the safe, happy environment of Tokyo Disneyland, I can’t help but get the feeling I will hit my head. I end up ducking under every tunnel and beam.

After one minute of satisfaction and three hours in a queue, we leave the ride, bumping into Donald Duck. Close to one hundred people are waiting to take their photograph with what is basically a man in a duck costume. Ridiculous.

One of my biggest gripes with Tokyo Disneyland is the lack of shops selling vegetarian food, healthy options, and alcohol. Despite wandering to almost every restaurant, it is practically all junk. Eventually, we settle for food at Tomorrowland Terrace Presented by Coca-Cola (Japan) Company, Ltd.

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I order French fries, corn soup, and a salad, an overpriced ¥730. The salad has little jellied carrots in the shape of Mickey Mouse. I squeeze the packet of soy dressing, aiming for my salad, but the packet bursts and squirts my coat with sauce. Embarrassed and soaked, I go and wipe away my tears, and the dressing, before returning to my salad. Hidden beneath the Mickey Mouse carrots is bacon.

I can’t eat the salad due to dietary I hate Disney. Instead, I eat my lukewarm French fries with ketchup, dropping one on my leg to further add to my misery. The cup of French fries mocks me with the catchphrase, “Where dreams come true.” At least they remembered to capitalise; but at this moment, it does very little to appease my trauma. Meanwhile, Christine dines on her ¥1010 burger, fries, and a drink; she eats it smugly and without dropping a single crumb. I finish my soup and want to scream.

We head back outside for the Happiness Is Here Parade Presented by NTT DOCOMO, Inc.

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“This is the happiest parade ever! Enjoy the fun and excitement of this parade with all of your favourite Disney characters!” Right now, I am unhappy. I am not enjoying myself, but I try to remain optimistic. We try to get a decent viewing spot on the parade route, but keep getting told off by the unfriendly staff for sitting on benches or loitering. Eventually, we find a place to watch our favourite characters as they dance along the route, riding a series of increasingly elaborate floats.

All of the usual suspects are here. Snow White, Lilo and Stitch, Toy Story, a massive elephant, two giant six-armed caterpillars, Alice, a bright orange Tigger, Mickey Mouse with his stupid face that I want to punch, and my favourite float, Disney’s NTT DOCOMO, Inc. Presumably from the new Disney movie about mobile communication services.

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After the parade, nothing can get any more horrible. Perhaps this is the turning point of the day. We still have a few hours before we can queue jump Splash Mountain, so we contemplate killing ourselves, but instead, we decide to go on a ride to kill time.

We head back to Adventureland for the Pirates of the Caribbean ride Presented by Kirin Brewery. The jolly band of marauding Caribbean buccaneers is joined by Captain Jack Sparrow, or so I am told. We queue for ninety minutes before, for a second time today, sit on a riverboat ride. Pirates of the Caribbean describes itself as, “A thrilling adventure cruise through dark mysterious caverns where dead men tell no tales.”

Our boat is called Patience, which I like. Irony being the least American thing we’ve found today. The ride passes by a restaurant, and Christine and I miss the first section of the cruise, as we are too busy peering in to see if anyone in the restaurant is drinking alcohol. Just soft drinks with straws.

When we started queueing for the ride, it was daylight. As we exit, night has fallen, and the castle in the middle of the park is illuminated.

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We pass people asleep on benches, including a guy sleeping with his whole face covered by a three-eyed Alien mask from Toy Story. In the toilets, two unhappy ‘cast members’ are directing people to cubicles and urinals. It is almost quarter to six, and it is nearly time to finally use our Fast Track tickets.

As we walk toward Critter Country, four fireworks are let off above the castle. Perhaps the worst firework display I have ever seen. A projection mapping show is taking place, so presumably, the budget has been spent on that instead.

We arrive at Splash Mountain (not sponsored). As we flash our Fast Track tickets, we get to walk along, passing people who are enduring the three-hour queue; the most satisfying feeling of the whole day. The ride claims to have, “The wettest drop ever!” It doesn’t. “No splash, Captain.” This is the third ride on a boat today and is the best one I’ve experienced.

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The excitement on my face sums up the day nicely.

In just under two hours time, the final parade of the day is taking place. With two-hour queues for every ride, we risk it and head to Fantasyland for the Haunted Mansion (not sponsored). “Ride through an eerie Gothic mansion with 999 ghostly inhabitants.” While we wait for 110 minutes to ride the Haunted House, I teach Christine some basic Japanese, until she feels the need to repeat the same one phrase over and over. Not irritating in the slightest.

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The Haunted Mansion turns out to be a Nightmare Before Christmas ride. It starts with two rooms where our group has to stand around. We listen to speeches from Jack Skellington. It turns out Jack Skellington is fluent in Japanese. Next, we take a seat in a chair shaped like a chocolate egg. This isn’t a roller coaster though, more of a tour through the animatronic world of the Nightmare Before Christmas.

After the ride, we head out into the crowded carnival that is the Tokyo Disneyland Electrical Parade, Dreamlights Presented by Nihon Unisys, Ltd. “Don’t miss this spectacular night-time parade when the Park comes alive with millions of dazzling lights to the magical tunes of Disney music.”

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Sadly, we only catch the last three floats of the parade, including the one for Nihon Unisys, Ltd.

After the parade, the park begins to empty out. We decide to sit down for a time and dine on more sugar in the form of a strawberry-filled Mickey Mouse-shaped cake, which tastes frankly weird. As we head toward the exit, we find that the queues for the popcorn stands have completely vanished. I order a box of regular-sized ¥360 Orange Marmalade popcorn. The serving size is actually quite generous for something that costs about ¥10 to make.

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We explore one of the many gift shops, stocked with needless rubbish for a high price. Despite being almost closing time, the gift shops are packed full of people, and Frozen merchandise has almost sold out. Not that I care. We eventually leave empty-handed. The noise of fourteen hours in Tokyo Disneyland, the constant flashing of lights, cartoon characters, and the overall brightness leaves me with only a headache.

As we endure the one-hour train ride back to Asakusa, I drift into dark Disney nightmares. If all of this was a bad dream, this day, and I woke up again this morning having never been to Tokyo Disneyland, I would certainly keep it that way.

At home, I feel tired and disjointed. I am angry and disappointed. I am certainly disgusted. Disney is a commercial success that exploits children and adults alike. Heavy sponsorship, overpriced snacks, no consideration for the queueing that people have to endure, a lack of drink vendors, no quality food, and a complete lack of alcohol. These things all add to the horror that is a trip to Tokyo Disneyland.

Fins Can Only Get Batter

Today, Christine and I head over to Tsukiji to visit a fish market. Outside the train station, the outer market is crowded with mostly tourists. It is fair to say that along the small streets lining the market, we are literally packed like sardines. Many small food stores sell fish caught fresh this morning, and the smell of fish is pleasant and anything but overpowering. The freshness of the food here can really be noted.

Buckets of huge tuna sit soaked in blood and ice. Live crabs try to escape their fate by crawling from weighing scales, and the hustle and bustle of the market is present at every turn.

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We wander the outer market and into what looks like a giant warehouse. This is the wholesale section of the market, and the biggest wholesale fish and seafood market in the world. People carrying huge white polystyrene boxes of frozen fish cruise past on electric bikes. Tuna that costs more than a house is on sale and on display. People are rushing. Market traders are yelling. It is all a bit overwhelming.

We wander the entire length of the wholesale market, which takes about twenty minutes at a hurried pace. At the other side of the market, we wander into a shrine to receive our fortune in the form of a sacred lot. One of the traditional cultures in Japan that you can experience at Japanese shrines and temples. We both pay ¥200 and both receive a ‘Very lucky’ fortune. We wonder if they are all the same.

After Tsukiji, we take the train over to Tokyo Big Sight. Outside Tokyo International Exhibition Centre, there are about one thousand people in cosplay, dressed as their favourite comic book characters.

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Men dressed as women pose for photographs for a queue of excited otaku. A guy in a schoolgirl outfit follows us as we enter the main building. Today is Winter Comiket, a comic market event with a focus on independent manga artists. Ninety percent of the people here are men wearing glasses and conform seamlessly to the stereotype of a comic book fan.

Entry is free. Inside the West Halls, there are rows upon rows of small stands, each selling individual comic books. There is no stage. No other entertainment. Only comic books. I can understand the appeal to those who read manga, but for me, the event gives me very little satisfaction. In fact, Christine and I agree that it is all a little too much. The crowds are insane, and oddly, most of the comic books seem to feature covers that can only be described as pornography.

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After ten minutes of wandering along endless rows of comics, we decide to leave. On the way out, we bump into Jeff. He is standing around playing with his ‘selfie stick’ with a disappointed look on his face. He only bought the stick today, but already, it has broken; perhaps through overuse, perhaps it was cheaply made.

We leave Tokyo Big Sight and walk across the Dream Bridge and the Teleport Bridge before arriving at Decks, Odaiba. We grab some cheap food at Yoshinoya, one of my favourite chain restaurants because it sells grilled eel with a bottle of beer at an extremely low price. After food, Jeff heads off, and Christine and I explore the area.

We are handed a flyer for the Tokyo Trick Art Museum. It looks interesting enough and is only ¥900, so we decide to take a look.

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The flyer says, ‘Do you want to play with Japanese ghosts and monsters? You can take funny photos. Don’t be scared. It is fun.’ The queue is mostly populated by families with children. Perhaps this isn’t for adults at all. Trapped in the queueing system, there is no going back, and eventually, we’re inside and being given a guided group tour of the museum, in Japanese.

We wander through the Edo area and the ninja house. At one point, we have to find a secret door; perhaps the most interesting thing in the museum. We take photographs in various positions, but they all turn out looking poor. We solve optical illusions, look at drawings from different angles, and get eaten by a whale. The best illusion is one of a vampire with a wine glass.

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After the Tokyo Trick Art Museum, we head back to Asakusa, to Cafe Byron Bay, to drink wine. We opt for a relatively early night, tired from five days of constant walking around and sightseeing. Tomorrow, an eagerly anticipated trip to Tokyo Disneyland awaits.

Paint and Gunpowder

The four of us from last night absorb a new person into our group, a guy called Josh. We head out on foot toward Ueno Park. Today, the National Museum of Western Art is having a free admission day, and despite being in Japan, we consider it worth a look. We stroll inside and are asked to show our tickets. “Free admission day,” I tell the lady.
“You still need to get a ticket,” she informs me. We head out of the museum and to the ticket office. We ask for five tickets, and hand over no money before heading back inside and handing over the tickets to the lady. A rather trivial exercise.

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The Museum of Western Art is the primary institution of its kind in Japan, emphasising paintings with a few sculptures thrown in for good measure. The museum is adorned with an abundance of macabre Baroque works, where death and torture seem to be popular themes. Amidst the horror, notable pieces include ‘The Last Supper’ painted by Marten de Vos, Vincent van Gogh’s ‘Roses’, and a rather disappointing collection of Claude Monet paintings. Not one to truly appreciate art, I find that Monet’s work looks terrible up close, especially ‘Water Lilies’, which, in my opinion, looks plain awful.

My favourite piece on display is Pablo Picasso’s ‘Couple’. Abstract expressionism has always been a preference of mine; I’ll take this over a bowl of fruit or a basket of flowers any day. Picasso painted this incredible piece at eighty-eight years old.

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We leave the museum and take a Yamanote Line train from Ueno to Ikebukuro. Outside the station, we need to head east. Josh turns out to be well-prepared, pulling out an actual compass and casually guiding us in the direction of east. This earns him the nickname ‘Compass Josh’ for the rest of the day, and he seems to take to the idea quite fondly.

The reason we are here is to visit a shop run by a company that has faced criticism for its practices, including accusations of contributing to infant mortality in underdeveloped countries due to its reluctance to spend extra profit on proper labelling for its baby milk formula. The shop sells a specific type of confectionery that is hugely popular in Japan. This two-fingered chocolate-covered wafer bar confection is available in many remarkable flavours, such as wasabi, strawberry cheesecake, and sakura.

While the others queue for their chocolate, I wander around outside and admire the street art.

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We head to a small coffee shop before making our way back to the train station. On the platform, two men are fighting. One guy stands up and walks away, his face dripping with blood, his eyes bruised. This is the first time I witness violence like this in Japan, and it comes as a bit of a shock.

I head home for a while to prepare for a performance this evening before meeting the others in Odaiba. Compass Josh’s partner, Jessica, has joined us, expanding our group to six. We explore the giant statue of Gundam before settling in the food court of Diver City, enjoying overpriced wine in undersized glasses. Outside Diver City, an extraordinary bus stop catches my eye, begging to be photographed.

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Tonight in Odaiba, a special fireworks display is scheduled for 7 p.m. We wander around the area, with the evening darkness stolen by extravagant illuminations. There’s a feeling of forgotten Christmas lights here, and decorations that will likely remain year-round. Trees glisten, Tokyo Tower in the distance shines orange, and the Rainbow Bridge is bathed in a spectrum of light from red to violet.

We position ourselves on the balcony of the Decks building, a vast shopping mall offering a spectacular view of Tokyo Bay. At exactly seven o’clock, fireworks shoot into the sky, creating a dazzling display that lasts for ten minutes. Below us, boats are illuminated in various colours, their reflections shimmering on the water alongside the radiant Rainbow Bridge. Tokyo Tower continues to shine in the distance. The backdrop consists of a sea of lights from office buildings, adding to the immersive experience. In the foreground, the glow from the massive firework display warms the air, completing the enchanting scene.

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After the fireworks, we take the train back to Asakusa, passing by the Fuji TV building as it displays bright flashing text: ‘What a cool we are!’

Back in Asakusa, we part ways. I head to Cafe Byron Bay for a bonenkai, a ‘forget the year’ party widely celebrated here. The tap-dancing balloon artist, whom I first saw performing on the streets of Asakusa during my first week in Japan, is here to entertain. A belly dancer is also putting on a show. I perform with trumpet and guitar. Food is free and all-you-can-eat. Everyone gets very drunk. After the entertainment, we each give a speech about the year we’ve had and what we hope to achieve in 2015. My resolution and absolute aim are to publish a science-fiction novel.

After the end-of-year party, I head out with seven Japanese friends for a second night in a row of karaoke.

Tokyo and the Emperor of the Night

Christine and I meet up at 10 a.m., catching the Tokyo Metro Ginza Line to Shibuya. Today is once again warm, and all traces of Christmas Day are gone. There are no longer decorations outside shops, and the music of the festive season has been replaced by Taylor Swift, Oasis, and, of course, AKB48. Inside Shibuya Station, we spot another random horse.

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We head outside and into the scramble of people as we cross Shibuya Crossing. My opinion of the crossing remains unchanged; it’s just a road. Many tourists are gathered here, taking photographs of people walking along the intersection. This once again demonstrates the power of the guidebook — a simple mention of any place, and tourists flock there.

We wander through the chaos of Shibuya, passing bright lights and television screens practically shouting at us to buy things. However, there isn’t the usual post-Christmas shopping frenzy going on here; this is just a normal day in Shibuya. We decide to explore a building shaped like a castle, which turns out to be the Disney Store. The place is filled with stuffed toys and Italian puppets.

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With nothing worth buying and a planned trip to Tokyo Disneyland later this week, we leave the Disney Store empty-handed. Next, we walk to Harajuku Station and take a stroll down the trendy Takeshita Street, full of teen fashion and crêperies, before heading over to Meiji Shrine. While waiting to cross the road, I notice the monk who tried to scam me almost six months ago is still here, attempting to lure in tourists. I simply laugh at him and shake my head as he tries to hand me his gold Siddhārtha Gautama card

We wander into Meiji Shrine, a serene Shinto shrine dedicated to the spirit of Emperor Meiji. As we stroll along the path, absorbing the tranquil atmosphere, a friendly Japanese person notices us and begins to wave, their warm greeting adding a touch of local hospitality to our visit.
“Hello, welcome to Japan,” he says enthusiastically. “Are you American?”
“No, from England.”
“Ah, England! Where in England?”
“Close to Manchester,” I tell him, avoiding the need to explain the location of my unknown town.
“Ah, Manchester United,” he says, “Soccer.” He makes a kicking gesture, emphasising that soccer means football. The man modestly plays down my remarks about his English ability before going on his merry way.

We pass through wooden torii gates and by massive barrels of donated sake before heading to the main shrine.

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The cleansing ritual has become second nature to me now, and Christine manages it perfectly, despite having only done it once before. We wander around looking for a place to get our fortunes, hoping to rectify the ‘Bad Fortune’ from yesterday, but it doesn’t appear that this service is offered here.

We wander the length of the shrine and exit on the other side, finding ourselves amidst the vibrant carnival that is Shinjuku. We stroll through Shinjuku Park Tower, the building that houses the Park Hyatt Hotel, famous not only in its own right but also well-known for its feature in the movie Lost in Translation.

We head to the Tokyo Metropolitan Government Building, only to be unexpectedly attacked by a masked assailant inside.

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The oni, a demon in Japanese folklore known as a ‘Blue Devil,’ surprisingly works for the Japanese Government. Guiding us, he directs to the lift, and we swiftly ascend to the 45th floor of the building.

From the panoramic observation deck, I can see Mount Fuji in the distance. Its snowy white peak blends seamlessly into the clouds, and if you didn’t know where the mountain sits on the horizon, you would never know it was there. Huge office buildings sprawl in every direction, making Tokyo look endless from this height.

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I check out the tacky souvenirs and discover that my name in Japanese kanji can mean ‘Lapis Wings Eternal.’ However, given the multiple meanings kanji can have, I opt for a more impactful name. From the available possibilities, I decide that my name actually means ‘Nine Immortal Dragons.’

We leave the government building and make our way to Shinjuku Station. After queueing at the ticket office for about ten minutes, we hand over the tickets from our Narita Express debacle yesterday. We successfully manage to get ¥3800 of our ¥6780 refunded, a welcome bonus. With a sense of triumph, we decide that the Japan Railway Company will be covering the cost of our tempura lunch.

We wander through Shinjuku for a while before deciding to head back to Asakusa. I consider buying a coffee but can’t decide whether I want black coffee, black coffee, or black coffee.

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Back in Asakusa, we meet up with some of the other people staying in the hostel, Jeff and Ajitan. The four of us head out for a quick drink at Nui before taking a taxi over to Ryogoku. We find ourselves at a bar called ‘Popeye,’ a delightful place boasting seventy-four different craft beers on tap. Following the bar, we return to Asakusa for some affordable Chinese food before ending the night with karaoke and all-around merriment.