Show My Gear, the Policeman Said

Posted on 16/03/2015 by Luke

I am standing in Seven Eleven, queueing up to buy my morning coffee. The man two before me in the queue smiles and nods as our glances cross. I don’t recognise him, yet he keeps his eyes fixed on mine, quietly staring. Eventually, he points to his eyes and says, “Your eyes are blue.” He seems to be in a state of amazement, “Europa?” he asks.
I decide not to correct him, despite me not being from one of the moons of Jupiter. “Yes,” I say, “England.”
He pauses for thought for a time before asking, “Are you happy?” His question catches me off guard, and I have to give it a certain degree of thought. Perhaps I look a little miserable because I am standing in Seven Eleven at 9 a.m. I eventually reply with a yes. “Good, you should be happy, have a nice day.” With that, he pays for his can of beer and leaves the store.

I cycle over to Asakusa, to Senso-ji Temple. To mark the four-year anniversary of the Great East Japan Earthquake, the temple has opened up its secret garden and gallery to the public. ¥300 to enter, and all the proceeds will be donated to support the ongoing recovery. A sign at the entrance says, “There, it is an old beautiful Japanese garden made 400 years ago, it can take a walk.”

I have often seen these gardens on the maps around the temple, and even tried to find them once or twice, but to no avail. Now it is clear to me why; they were a secret. I start queueing just before they open at 10 a.m. Waiting in line once again, but with nobody asking me about being from Jupiter, I stay calm. Eventually, the doors open, and I pay my ¥300 entry fee.

It isn’t just the gardens that are open to the public for the next two months, but also a gallery of artwork depicting samurai and legends. Good quality artwork; dated. No photography is allowed inside the gallery, but for anyone in Tokyo right now or in the coming months, I urge you to visit. It is for a great cause, and the artwork is stunning. After wandering around inside for a time, I head out into the gardens, where my breath is stolen away by the beauty.

Why these gardens are normally closed is beyond me. Prior to the earthquake, the gardens were visited exclusively by noblemen. One thousand square metres of garden, made by an eminent gardener in the early 17th century, sit behind hidden walls. A small building known as Denbou-in stands in the garden, a place where priests from the temple would train in Buddhist discipline. It also became a lodging place for the many nobles that came here to visit. I wander around the circuit, following the route of the signs, and take great care with the multiple signs instructing me to, “Please stop walking, drink in the garden!”

After enjoying the scenery, I head, as usual, to Cafe Byron Bay. Today, I am taking part in a television show starring Yoshio Kojima, a comedian I previously met back in August.

The show features a second comedian, Udai Iwasaki. Very little information can be found about this man. Apparently, he won an award in 2013 for being the funniest man in Japan. He is in a comedy group known as Kamomental, which translates to mean Duck Metal, and his blood type is AB. When researching Yoshio Kojima, I am not at all surprised to find a mention of his blood type, a slight obsession in Japan similar to horoscopes. For the record, his blood type is O.

The show is in English and is a tour of Yoshio Kojima’s favourite neighbourhood, Asakusa. “This coffee is very comfortable,” he says, sipping on his latte. Everyone gets interviewed about where they are from or why they came to Japan before Yoshio Kojima treats us to his famous catchphrase, performed again in English. After that, the show ends. I get a chance to talk to the comedians a little after the shooting. Both of them have excellent English ability and are both very nice people.

The show will air on CS TV Asahi on either May 10th or 24th, but the television people haven’t decided yet. Overall, the shooting was good fun, but I am not sure how much of myself will be included in the final cut.

I leave the cafe and start walking toward my house. As part of my application process to stay in Japan a little longer, I have to get my photograph taken. I find a photo booth that offers the size of photograph that I require, and after inserting my ¥900, I discover that the booth speaks two languages, Japanese and American. Call me naïve, but I didn’t know that there was a language called American. Regardless, a nice man speaks to me in English after I select this option, photographs are snapped, and finally, I am given the chance to modify my photographs. With summer just a few months away, I opt for the sun tan option. “Your photograph will be ready in nineteen seconds,” says the voice in English. Very precise.

As I near my house, two policemen surround me, and in broken English, they ask me for my identification, look at every card in my wallet, search my pockets, write things down, look at me with suspicion, then they apologise, get back on their one-speed bicycles, and disappear; presumably to harass somebody else. A part of me questions their selection process, and for whatever reason, I become adamant that it has something to do with me being from Europa.

Necks, Lights, and Video Ape

Posted on 04/11/2014 by Luke

Culture Day is held on the 3rd of November every year. It is an event to promote the arts and Japanese culture. Introduced in 1948, Culture Day is a public holiday. On this day, the people of Japan have a day off from work, and events will take place throughout Tokyo. An interesting fact I have learned is that it never rains on Culture Day; statistically, it is the clearest day of the year.

Outside, it is raining. I decide to head to Seven Eleven to buy a coffee. At the checkout, I am asked to place my hand in a box. I pull out a small piece of paper with a picture of a banana on it. Great! I’ve won a banana. This is quite possibly the best thing that will happen to me all day. I take my bicycle and head over to Asakusa, to Senso-ji. Today, I am here to satisfy my heron addiction. At the temple, the rain has all but stopped, and the crowds are slightly larger than usual. People on holiday have flocked to the temple to see the festival.

Today marks the White Heron Dance festival, a one-thousand-year-old tradition. The event features eight women dressed as herons, gracefully making their way through Kaminarimon Gate toward the main temple. Following closely behind them is a small wooden cart, accompanied by drummers, a man carrying a huge umbrella, three percussionists, and another man with a baton. Additionally, a woman carries a box full of confetti.

The procession sets up just beside the temple, and a huge crowd of people forms a circle, watching attentively. The music starts, and the heron dance begins. The women move with elegance, their dance slow and precise. Wings expand and contract, and heron heads bob gracefully. The woman with the confetti tosses it to the birds, and they pretend to be fed. As the dance draws to a close, its cleansing ability purifies the souls of the deceased.

After the event, I decide to explore a little. At the small nearby Awashi-do Temple, a monk sits chanting and hitting a drum every second. He maintains a steady, practiced rhythm and doesn’t appear to blink. Just outside, at a market stall, a man sits in a chair, waving his hands from side to side and singing, “Nice to meet you, where are you from?” I tell him England. “Aaaaah, Englandooo, Englandooo!” he joyfully sings.

As I wander around to see if any other Culture Day events are taking place, I stumble upon a small stage hidden away in one corner of the temple grounds—and a monkey.

As I explore further, I discover not just one, but two monkeys. The first, accompanied by a man, showcases its natural ability to dive through hoops. The second monkey, with a woman, possesses impressive skills — it can jump really far, leap over hurdles whilst wearing stilts, and even walk on its hands. I applaud the performance, though I can’t help but question the potential cruelty involved. In an attempt to pay it forward, I give away the banana I won earlier.

I leave Asakusa and head over to Ueno Park to enjoy some light art. Today, the park is adorned with illuminations created by Ishii Motoko, the woman behind the lighting designs for Tokyo Tower, the Rainbow Bridge to Odaiba, and many other projects throughout Japan.

The water fountains are lit up, and the sky is filled with colours from lasers projected from a small lighting booth. The Tokyo National Museum has transformed into a whiteboard for projected images; arts, antiques, and artefacts housed in the museum are displayed in full colour across one of its walls. Lanterns line the paths, and small stalls are set up, selling meat, sweets, fruits, and assorted Japanese snacks.

Similar to the other events today, this festival also showcases animals. Scattered throughout the park are many animals from Ueno Zoo, adorned with fairy lights. A significant effort has been put into this, making the festival a lot of fun. However, at times, it does feel like I am at a premature Christmas market.

I learn that in the past, this day was a public holiday celebrating the birthday of the Meiji Emperor, who was the first person to eat meat in Japan back in 1872. After his death in 1912, the day ceased to be a public holiday until it was reinstated in 1948 as Culture Day. Interestingly, a significant aspect of Japanese culture today involves the consumption of animals, which might explain why every event I have visited today has some sort of animal theme.

I head back toward the water fountains, where a stage has been erected. It’s only quarter to six, and the park is bustling with parents and young children. On stage, a woman is dancing with a pole. The pole dancing eventually concludes, and a drum kit is set up. The band is scheduled to perform at 6 p.m., but at five minutes past, there is still no sign of a performance.

Ten minutes pass, making the performance fifteen minutes late. Finally, the flowers begin to light up, water fountains dance once more, and a band takes the stage. Comprising a saxophonist, a hornist, two trumpet players, and a drummer, they kick off with a musical rendition of ‘When You Wish Upon a Star.’ As they consider playing their second piece, I notice some tempting lights in the distance.

The wall of the National Museum of Nature and Science is also lit up, featuring a dazzling light show depicting the story of evolution. The lights showcase the earliest eukaryotes to the animals of today. Volcanoes erupt, and monkeys transform into men. I stay for the entire show, enthusiastically applauding with the rest of the crowd at the end.

After the illuminations, I meet my friend Khin, and we head to one of my favourite bars, Nui. At the bar, we join a group of Australians. One of the women, Claudia, grew up in Perth, the same place as Khin — quite the coincidence, maybe. When I mention where I’m from in England, I’m surprised to find that she has heard of it; most people haven’t. My surprise deepens when she takes out her passport and shows me the section displaying her birthplace. Oddly, it is my hometown — the same city, the same hospital, but more remarkably, we were born on the very same day. Such a small world. Our paths crossing in a Tokyo bar, woven together by the cosmic dance of a shared day.

Withdrawal & I

Posted on 02/08/2014 by Luke

Today, I have a rough plan: a day trip to Nara with a stop in Uji. Last night, I arranged to meet my friend Slavek at noon. He’s planning on going to Nara anyway, so we decide to travel together. However, I wake up at 11 a.m. with a hangover; I shouldn’t have stayed up until 4 a.m. drinking whisky and teaching people magic tricks.

Slavek and I walk to Kyoto Station. I’m pleased to find that he is a fellow fast walker, and his pace matches mine perfectly. It takes us ten minutes at a brisk stride. On the way, I stop off at Seven Eleven to withdraw a ¥10,000 note. Seven Eleven cash machines are the only ones that accept my card in Japan, and the minimum withdrawal here is ten thousand yen. We pay ¥240 and head to Uji by train. Slavek is a very clever guy with great English skills, a keen eye for both nutrition and politics, and he’s an avid Haruki Murakami reader. We have decent conversations. In Uji, we’re off to see the temple that is depicted on every ten-yen coin.

I’m fond of Japanese coins. The 100% aluminium ¥1 coin floats on water and sticks to any part of your face without falling off. The copper ¥10 coin brought us to Uji to see the temple. The ¥500 coin is the most valuable everyday coin globally, and it’s also the most interesting. When tilted at a certain angle, you can spot the kanji for ‘five-hundred-yen’ hidden in the grooved lines. Additionally, the word ‘Japan’ is discreetly engraved in 0.2mm across the coin’s face.

Amidst my blathering about coinage, we end up missing the stop for Uji. Getting off the train, we cross the platform and board another train bound for Kyoto Station. It’s an easy mistake, one forgiven by the Japanese train ticketing system. Finally arriving at Uji Station, we head to Byodoin Temple, the one featured on the ten-yen coin.

Byodoin is a UNESCO World Heritage Site, marking another off my list. It’s one of the few remaining examples of Heian temple architecture in Japan, dating back to its original construction in 998 AD. Surprisingly, it doesn’t seem to attract many tourists; in fact, most of the visitors I see here are Japanese. The temple features Japan’s most beautiful Pure Land Gardens among the few that remain, alongside a small museum, both covered by the entry fee.

The museum has won four architecture awards. Inside, it houses 52 wooden Bodhisattvas, the temple bell, the south-end Phoenix, and other historically noteworthy items. Additionally, the temple bell here is recognised as a national treasure. I discover that the golden phoenix here is the same one depicted on the rear side of the ¥10,000 note. More money musings. After exploring the museum, we hop onto a packed train filled with tourists heading to Nara:

We arrive in Nara just after 3 p.m. It’s a warm afternoon, thankfully quite cloudy. Heading to Todaiji Temple, we pass a lovely pond with turtles swimming around. We also visit a few smaller temples and a five-storey pagoda. Kohfukuji Temple, part of the Historic Monuments of Ancient Nara, is sadly closed for reconstruction. Surprisingly, it closed in October 2010 and won’t be ready until 2018. Eight years to reconstruct a temple. Just nuts.

And then there are the deer. Sika Deer roam freely through the town, with an estimated 1,200 of them in Nara. You can purchase deer snacks and feed them to these creatures. I’ve been told that the deer bow when you feed them. We witness a herd waiting patiently at a red crossing light, only crossing when the light turns green. They’re remarkably tame.

Todaiji Temple is the second-largest wooden structure on the planet. It was built during the Nara period on the instruction of Emperor Shomu. We pay our ¥600 entry fee and stroll through the gardens toward the temple. On the temple grounds, there used to be two 100-metre-tall pagodas, but they were destroyed during an earthquake. In 751 AD, these pagodas would have been the second tallest structures in the world, after the Egyptian Pyramids.

Some interesting facts about the temple: Emperor Shomu issued a law in Japan stating that the people should directly participate in the creation of new Buddhist temples across the country. Thanks to this law, 2,600,000 people were involved in the construction of the Great Buddha Hall and the statue inside.

Another interesting fact: the Great Buddha Hall is 1/3 smaller than the original, as it burnt down in 1180 AD and again in 1567 AD. That’s what you get when you build it entirely out of wood. I’ve noticed that nearly every temple I’ve visited in Kyoto has suffered the same fate of burning down and being rebuilt. Inside the hall stands the statue of the Vairocana Buddha, also known as the ‘Buddha that shines throughout the world like a sun.’

This is the world’s largest bronze image of the Buddha, towering at 14.98 metres. The construction of this Buddha nearly bankrupted the Japanese economy at the time, as it consumed all of the available bronze in the country. Sadly, behind the statue, there are many small gift shops that seem out of place and frankly spoil the ambiance of the scene.

It’s just after 5 p.m., so Slavek and I decide to grab some food in Nara. We end up eating far too much sushi, spending a total of ¥6436 at the restaurant. Later, we hop on the express train back to Kyoto, mistakenly using our tickets intended for the local train. During the journey, the conductor asks us to pay an additional ¥510 as a surplus charge for the express train. The express train takes about twenty minutes, half the time of the local train. Finally, we walk back to the hostel from Kyoto Station.

In the hostel bar, I enjoy ¥500 glasses of Suntory whisky highball. It’s not until my third drink that I inquire about the price of a double, as the standard highball is a bit weak for my taste. “It’s ¥500,” explains Daiki, the barman. So, after being here for five nights, I discover that a double whisky and soda costs the same as a single. If this holds true in all Japanese bars, I’m in luck. I also order some bar snacks—¥100 for mixed nuts. Daiki places a small bowl on a tiny set of scales, pouring nuts into the bowl until they reach the specified weight. Just nuts.

Twelve Hundred Monkeys

Posted on 07/07/2014 by Luke

Super Typhoon Neoguri is planning to slam into Kyushu in two days time. Bringing with it rain, wind, high tides, and destruction. Looking at the predicted trajectory, the eye of the storm is where I was yesterday, Nishioita Station. All of last night I was woken up by heavy thunder and flashes of lightning all around me. Since 4 p.m. yesterday afternoon it hasn’t stopped raining. Water on the pavement outside pours downhill toward the ocean. Typhoon ‘Wild Raccoon’ is coming.

On a much lighter note, I spend about half an hour drying my shoes with a hairdryer; before heading to the station. My shoes are still soaking wet. What a waste of time. At Beppu Station the rain suddenly stops and a little bit of sun comes out. I decide that I should probably go to the Monkey Park and Forest Therapy Road, while I still have the chance.

As I wait for my bus a 68-year-old Japanese woman approaches me and asks me the usual questions. “Where are you from?” “What is your age?” “Do you know Elizabeth, the Queen?” She is quite polite about it, however, and I am somewhat relieved when my bus finally arrives. The 68-year-old woman thanks me for that chat, and apologises for bothering me. I reply with my favourite Japanese phrase, “Tondemo gozaimasen.” It is a super polite expression meaning ‘no problem’. She is surprised to hear me say it.

The entrance to Mount Takasaki Monkey Land National Park is at the bottom of a mountain. The mountain is 628 metres high, and the monkeys are about half way up. I pay my ¥510 entrance fee and begin to walk the rather easy path. There was an option to pay to take a small train to the top, but I would rather walk, immersing myself in the atmosphere of the woods.

I get to some stairs and there are wild monkeys wandering around all over the place. A sign tells me, “If you look into their eyes, they will perceive this as a threat and they will attack.” Not looking into their eyes is actually harder than you might think. At the Monkey Park there are Japanese monkeys everywhere. Just over 1,200 monkeys, to be almost exact. They wander around by my feet, pretending not to notice me, or just not caring about me being here.

There is a staff member speaking Japanese on a microphone. Randomly all of the monkeys in every direction scream, this occurs maybe every minute or so. The sound is deafening. It turns out I have arrived just before feeding time, and the monkeys are screaming because they know this and want their food.

A crate of food is brought out and the screams get even more intense. From every direction monkeys run toward the food. The member of staff takes the makeshift wheelbarrow carrying the crate of food, and runs away from all the monkeys. They chase him, jumping into the crate to grab food before jumping out again, satisfied.

The monkeys find their own little private spots to enjoy their food. One sits down right next to my foot and munches on a miscellaneous vegetable; another monkey swings back and forth on a swing. I wander around taking photographs of monkeys before heading back down the mountain. I was hoping to go to Forest Therapy Road, but it turns out that the path up the mountain was the magical healing forest.

The next bus to Beppu is in forty-five minutes time. Not as lucky with the bus as I was yesterday. Through the mask of clouds in the distance I can make out Beppu Tower. It doesn’t look too far away so I begin to walk. Some 4.3 kilometres later and I arrive at the supermarket near my hostel. Inside, I head to a restaurant and have a delicious lunch of raw tuna and fried salmon on a stick.

Back at the hostel I watch the television show that aired on Fuji TV on Saturday, Moshimo Tours. I am on screen during the very opening scene of the show. I also appear in the background at the very end. I was going to share the link but it has already been removed from YouTube. Instead, here is another poor quality photograph of my computer monitor. I promise the next photograph will be better.

After watching the show, I take a bicycle and travel for a few hours with no real destination. It suddenly becomes really foggy in Beppu. I start to head back to the hostel, just as the first few drops of rain begin to fall. I grab a snack (a cake) from Seven Eleven and retire to the hostel computer to research typhoons.

Reid Wiseman is an American astronaut living on the International Space Station. He took this photograph of Typhoon Neoguri. In a few hours it will hit the tiny island of Okinawa. Then a day after that it will come to Kyushu, the island I am on. If its course stays the same, it will pass directly through Beppu.

After a discussion with some of the locals, I’m undecided on whether to stay here in Beppu or take the train further north. Beppu has mountains behind it, which might act as a shield against the onslaught of wind. The exact path of the typhoon can easily change. Considering its size, most of Japan is likely to face the worst of it anyway, so attempting to escape it might have the opposite effect.

I think about the people in Okinawa. I also think about the monkeys on Mount Takasaki. Probably two of the worst places you can be during a Super Typhoon; on a tiny island, and half way up a mountain.

In a City of the Future it is Difficult to Concentrate

Posted on 05/06/2014 by Luke

Breakfast from a Seven Eleven. The quality and selection of food in Japanese convenience stores is amazing. The Cheese Mushi Cake was actually quite pleasant; soft with a very light texture, softer than a sponge cake with a subtle hint of cheese. I wash it down with a blueberry yogurt drink. It is a wonderful time.

Today is laundry day; I grab some of the ‘free’ detergent from the reception and head up to the 4th floor of the hostel. The laundry room here is amazing. It costs me ¥200 to wash my clothes. Also in the laundry room random plugs litter the floor, there is a stone water fountain, and a bathtub full of colourful plastic balls.

I see Daisuke here, he is on his break and just chilling out in the laundry area. I ask him to take my photograph. Afterwards, he starts to pick up some of the balls and begins to throw them at me. We have a ‘fight’ for a short while before tidying up our multicoloured mess.

After laundry, I take a six minute train ride to Akihabara Electric Town. I go into a few of the shops looking specifically for models of Final Fantasy characters for a friend back home. In one shop I see Magic the Gathering cards next to the pornography. In another shop the lift is playing House of Cards by Radiohead. Elsewhere in Akihabara the girl idol band AKB48 are doing a meet and greet, the queue of adult males is insane.

Inside the Club Sega arcade, elderly individuals sit alone whilst playing computer games, while men in suits attempt to win stuffed Pikachus from crane claw machines. Elsewhere, a woman dressed in a maid costume hands out flyers for a maid cafe.

Akihabara is a little too much and the humidity is high today. I begin to feel a little dizzy so I head back to Asakusa. On my way back I see a sign saying, ‘In the stations, please refrain from putting a thing on the floor.’ At the hostel it’s 5 p.m. and Daisuke has just finished his shift. I join him in the lounge for a beer and he once again emphasises that I should go to the Robot Restaurant. Soon, I tell him.

I am invited out for a trip to Shibuya for some sightseeing and food. A group of six of us is randomly formed, including Conor, Grant, and Edwina from previous evenings; and we head out to Shibuya. This time I get the chance to see if people crossing the road looks any better during a busy evening surrounded in neon lights. I admit, it is a little better than the day time, but it is still just people crossing a road.

There are some quality English signs here in Shibuya. The highlights for me are a restaurant called the Raj Mahal, a dress shop called 1000% Wedding, and a drinking establishment called Gaspanic.

We search a while in Shibuya until we find a restaurant that we all agree on. We buy our meal tickets from the vending machine outside; I order the ‘no pork’ vegetarian ramen and a beer for ¥1380. After ordering we go inside, sit down and hand over our ticket. Eventually our food comes out. It looks pretty good and tastes pretty good. My ramen contains cabbage, spring onions, beansprouts, and noodles in an unidentifiable broth.

After lunch, the group splits. Conor and the others head off to check out a love hotel. Edwina, Grant and I head back to the hostel. On the train there is a sign advertising Suntory Strong Zero. The sign, for no apparent reason says, ‘Suntory Strong Zero 9% Wash You!’ On the way back to the hostel we stop off at the five-storey convenience store. At the store I buy a 135ml can of Asahi for ¥95. It is the smallest can of beer I have ever seen. I also buy a bottle of my favourite Japanese whisky.

At the hostel we do some drinking. Eventually the others return and we regroup for a few games of cards and some bad magic tricks. The night ends at around 2 a.m. We make plans for the following morning then go our separate ways to sleep.

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