Around the Wards in Achy Days

To celebrate the 150-year anniversary of railways in Japan, and my own personal achievement of having finally explored and written about all 23 wards of Tokyo, I decide to pay tribute to the city in a meaningful way. I choose to do so by embarking on a journey to walk the entire length of the Yamanote Line, a challenge that will allow me to experience Tokyo in a way that I never have before.

As the early morning sun blazes brightly between the gaps in the skyscrapers, I set out to meet my friend Maki. Though not typically a fan of early starts, today will be a long day that calls for an exception to be made. The Yamanote Line, a loop line encircling central Tokyo, is approximately 34.5 kilometres in length. But on foot, without walking on the tracks, the journey becomes a formidable 44 kilometres – just a little over a marathon’s distance. Thus, the route earns itself a playful portmanteau: the Yamathon.

I meet Maki outside a small cafe in Sumida, and we cross the bridge over into Asakusa. She asks me if she can give up, to which I jokingly reply that it’s a bit early to be considering such a thing. After all, with the Yamanote Line constantly circling the city, it’s always possible to find a train station nearby in case the need to give up arises. Hence, with determination in our hearts, we set off from Ueno, the start and end point of our journey. Our first decision is whether to walk clockwise or anti-clockwise. After some deliberation, we opt for the latter, as the prospect of navigating through the eerie streets of Uguisudani at night seems daunting. And so, we set off in the direction of Ikebukuro.

As we approach Nippori, the road runs out and we are forced to venture into the familiar territory of Yanaka Cemetery (still no sign of the ‘snow-protective lifting tool’). While meandering amongst the empty graves, we become momentarily lost, but the distant rumble of a Yamanote Line train eventually guides us back to the tracks. We continue on, making our way through Tabata and eventually reaching Otsuka Station. It is here, three hours into our quest, that our journey takes an unexpected detour in the form of an interesting discovery: the first and only Green Lawson in Tokyo.

The thing that makes this store so unique is that it is fully staffed by digital avatars of Lawson employees, rather than human staff members. As we wander into the store, intrigued by the novelty of it all, we decide to explore further. As we pass by one of the avatars, she greets us with a cheerful “Happy New Year” in Japanese. As Maki chats with the AI about our epic journey along the Yamanote Line and my documenting it in a blog, the clever machine quips that it would be happy to strike a pose for a photograph. It suggests three options: a cheerful “wave,” a universal “peace” sign, or a self-deprecating “loser” sign.

Eager to learn more, I take the opportunity to ask the AI about the philosophy behind Green Lawson. To my surprise, the machine responds in fluent English, explaining that the store aims to reduce food waste, support the local economy, and contribute to world peace.

As we resume our walk, the towering buildings along the route create pockets of shade on the pavement. It’s cold in the shadows, but warm in the sun. Maki explains that there are two words in Japanese that both describe these respective conditions, but I find myself struggling to come up with the antonym for “shade.” This lack of an opposing word begins to bother me, and I consider the possibility that it might be a failing of my memory.

We continue on, passing a large group of people running along the street dressed as rabbits, a nod to the Chinese New Year’s chosen animal. At Ikebukuro, we are treated to the sight of sculptures that litter the streets. As we enter Shin-Okubo, we find ourselves wandering through the bustling streets of Korean Town. And at Shinjuku Station, we are greeted by a television screen that displays words in a mesmerising three-dimensional phenomenon.

Almost five hours into our walk, we arrive at the halfway point of our journey: Harajuku Station. Here, people stand in line, eagerly waiting to purchase tapioca from a street vendor. A little further up the street, we see a similar scene, but with people queueing up along the entire length of a road to buy shoes. In Shibuya, we encounter yet another line, this time composed of people waiting to take a photograph of Hachiko the dog, adorned with a special wreath to mark the New Year.

After hours of constant walking, our legs begin to feel sore. We decide to take a well-deserved break at a small, charming cafe. In contrast to the bustling, three-dimensional imagery of Shinjuku Station, the atmosphere at the cafe is a tranquil, two-dimensional one.

With the night falling and the wind picking up, a chill fills the air as we resume our journey through the darkening city. Despite the challenges presented by the fading light and the increasing cold, we persevere, striding forward on our journey. Close to Meguro Station, we are treated to a beautiful distraction in the form of the Meguro River Cherry Blossoms Promenade, a scenic riverside path lined with cherry trees that are illuminated by beautiful pink lights.

The tranquil scene is a welcome respite from the pain in my calves, and Maki and I take a moment to simply savour the beauty around us.

With weariness setting in, we consider the possibility of giving up, but in the end, we decide that we cannot allow ourselves to quit, for the fear of regret is too great. If we can push through and complete this challenge, we tell ourselves, then we can conquer anything. And so, we push on, determined to see our journey through to the end.

We pass through Shinagawa and the newly built Takanawa Gateway Station, the most recent addition to the Yamanote Line. At 5 p.m., the “Yuyake Koyake” bells ring out from speakers at every intersection, beckoning us to return home. But we do not heed their call, for the end of our journey is nearly in sight. In the distance, I am heartened by the sight of the bright illuminations of Tokyo Tower.

Built from the remains of United States military tanks damaged in the Korean War, Tokyo Tower was designed to mirror the iconic Eiffel Tower in France. However, in a show of competitive spirit, Japan deliberately made its tower 2.6 metres taller, earning it the title of the tallest freestanding tower in the world (a title now held by Tokyo Skytree).

As we near the end of our journey, we are mesmerised by the bright lights of Ginza, Tokyo, Kanda, and Akihabara, all of which are transformed into a neon nirvana at night. It is at this moment that I am struck by the realisation that Japan has not just four, but five seasons – one that is marked not by the changing colours of nature, but by the way in which the country’s cities and towns are transformed by the darkness of night.

After a grueling nine-hour journey that saw us take a total of 55,454 steps, we finally arrive at Ueno Station, exhausted but triumphant. Our legs ache and our feet throb with pain, but the sense of accomplishment helps to outweigh the discomfort. Upon returning to Asakusa, I allow myself the indulgence of an ice-cold beer – the best I’ve ever tasted – as a way to celebrate and relax after our achievement. As Maki and I bask in the afterglow of our journey, the fatigue slowly starts to fade away.

Paint and Gunpowder

The four of us from last night absorb a new person into our group, a guy called Josh. We head out on foot toward Ueno Park. Today, the National Museum of Western Art is having a free admission day, and despite being in Japan, we consider it worth a look. We stroll inside and are asked to show our tickets. “Free admission day,” I tell the lady.
“You still need to get a ticket,” she informs me. We head out of the museum and to the ticket office. We ask for five tickets, and hand over no money before heading back inside and handing over the tickets to the lady. A rather trivial exercise.

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The Museum of Western Art is the primary institution of its kind in Japan, emphasising paintings with a few sculptures thrown in for good measure. The museum is adorned with an abundance of macabre Baroque works, where death and torture seem to be popular themes. Amidst the horror, notable pieces include ‘The Last Supper’ painted by Marten de Vos, Vincent van Gogh’s ‘Roses’, and a rather disappointing collection of Claude Monet paintings. Not one to truly appreciate art, I find that Monet’s work looks terrible up close, especially ‘Water Lilies’, which, in my opinion, looks plain awful.

My favourite piece on display is Pablo Picasso’s ‘Couple’. Abstract expressionism has always been a preference of mine; I’ll take this over a bowl of fruit or a basket of flowers any day. Picasso painted this incredible piece at eighty-eight years old.

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We leave the museum and take a Yamanote Line train from Ueno to Ikebukuro. Outside the station, we need to head east. Josh turns out to be well-prepared, pulling out an actual compass and casually guiding us in the direction of east. This earns him the nickname ‘Compass Josh’ for the rest of the day, and he seems to take to the idea quite fondly.

The reason we are here is to visit a shop run by a company that has faced criticism for its practices, including accusations of contributing to infant mortality in underdeveloped countries due to its reluctance to spend extra profit on proper labelling for its baby milk formula. The shop sells a specific type of confectionery that is hugely popular in Japan. This two-fingered chocolate-covered wafer bar confection is available in many remarkable flavours, such as wasabi, strawberry cheesecake, and sakura.

While the others queue for their chocolate, I wander around outside and admire the street art.

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We head to a small coffee shop before making our way back to the train station. On the platform, two men are fighting. One guy stands up and walks away, his face dripping with blood, his eyes bruised. This is the first time I witness violence like this in Japan, and it comes as a bit of a shock.

I head home for a while to prepare for a performance this evening before meeting the others in Odaiba. Compass Josh’s partner, Jessica, has joined us, expanding our group to six. We explore the giant statue of Gundam before settling in the food court of Diver City, enjoying overpriced wine in undersized glasses. Outside Diver City, an extraordinary bus stop catches my eye, begging to be photographed.

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Tonight in Odaiba, a special fireworks display is scheduled for 7 p.m. We wander around the area, with the evening darkness stolen by extravagant illuminations. There’s a feeling of forgotten Christmas lights here, and decorations that will likely remain year-round. Trees glisten, Tokyo Tower in the distance shines orange, and the Rainbow Bridge is bathed in a spectrum of light from red to violet.

We position ourselves on the balcony of the Decks building, a vast shopping mall offering a spectacular view of Tokyo Bay. At exactly seven o’clock, fireworks shoot into the sky, creating a dazzling display that lasts for ten minutes. Below us, boats are illuminated in various colours, their reflections shimmering on the water alongside the radiant Rainbow Bridge. Tokyo Tower continues to shine in the distance. The backdrop consists of a sea of lights from office buildings, adding to the immersive experience. In the foreground, the glow from the massive firework display warms the air, completing the enchanting scene.

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After the fireworks, we take the train back to Asakusa, passing by the Fuji TV building as it displays bright flashing text: ‘What a cool we are!’

Back in Asakusa, we part ways. I head to Cafe Byron Bay for a bonenkai, a ‘forget the year’ party widely celebrated here. The tap-dancing balloon artist, whom I first saw performing on the streets of Asakusa during my first week in Japan, is here to entertain. A belly dancer is also putting on a show. I perform with trumpet and guitar. Food is free and all-you-can-eat. Everyone gets very drunk. After the entertainment, we each give a speech about the year we’ve had and what we hope to achieve in 2015. My resolution and absolute aim are to publish a science-fiction novel.

After the end-of-year party, I head out with seven Japanese friends for a second night in a row of karaoke.

Fuji in the Sky with Diamonds

Today marks an event that occurs only twice a year. In just five minutes, the sun will set behind the peak of Japan’s most well-known volcano, Mount Fuji, creating a phenomenon known as ‘Diamond Fuji.’ This rare event happens when the sun aligns perfectly with the summit of Mount Fuji during both sunrise and sunset. I’m not quite sure what to expect, other than the enchanting sight of diamonds.

I eagerly wait amongst the crowds of people gathered at the windows along the full length of the south side of the building. As the sun quietly begins its descent, a collective sense of disappointment fills the air.

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Today has been relatively clear in terms of the sky, but the air above Mount Fuji is filled with clouds, making it challenging to discern even the slightest outline of the mountain. No diamonds today, just a rather attractive sunset hanging above the miniature buildings that compose the endless Tokyo skyline. I can’t complain, though; I am witnessing a fantastic sunset. The sky looks amazing as it becomes illuminated by the setting sun.

I wait around for a while amongst other photographers and Japanese people making peace signs for their ‘sunset selfies.’ In one hour, the sky will be dark, so to make the most of my ¥620 ticket, I decide to linger. The observatory provides a fantastic vantage point for observing Tokyo, offering romantic and exotically beautiful views. The building remains open for night viewing, and my plan now is to spend some time at 251 metres, hoping to capture a few shots of Tokyo illuminated at night.

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The night sets in, and I snap a few photographs before taking a leisurely stroll around the observatory. A vending machine catches my eye, offering an inexpensive blueberry cheesecake cone that I can’t resist. Nearby, a small cafe named ‘Air Ship’ sells food that, frankly, looks terrible. There’s also a small art gallery, a gift shop, and a place where professional artists draw caricatures—typical money-spinning attractions. Oddly, there are several small heart rate monitoring machines here, each costing ¥100. The idea of coming all this way just to check one’s heart rate seems beyond me.

After my exploration, I head back down the oddly named ‘Shining Elevator.’ As the lift descends at six hundred metres a minute, I can’t help but half-expect Jack Nicholson to burst through the door at any moment. However, the elevator surprises me by transforming into a planetarium, showcasing a light show that could be stars or underwater sparkles. The visuals are accompanied by relaxing space and ocean music.

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At the bottom of the lift, a photograph mockingly displays the spectacle we all came here to view. Regrettably, what I witnessed was far from the captivating display promised by the poster – just another sunset.

Welcome to Jazz Club … Groovy!

The televised bike tour of Sumida has been cancelled due to the bad weather. The hostel manager says it will be rescheduled for the 17th of June. Last night I spent time with friends from last week returning from their travels across Japan. We used magnetic chopsticks to eat ‘old-fashioned style prawns’, drank plenty of beer, and finished the evening off at an all-night karaoke bar.

Today I meet up with a hungover Grant and a hungover Edwina. We walk to Ueno and take the Yamanote Line to Ikebukuro. Here we pass a restaurant named Spazio, before finally arriving at Namco Namja Town; an indoor theme park inside a shopping complex. We see a crane claw machine offering an ice cream as a prize. The machine costs ¥100. The ice cream is the same sold in Seven Eleven for ¥100. We walk through Gyoza Town which boasts 18 different stalls all selling the same thing, and head to an ice cream shop.

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For ¥520 we buy six scoops of ice cream chosen from a menu of about fifty strange flavours. We order salt of Okhotsk (seawater flavour), Aomori apple sherbet, double cheese, beef tongue, rose, and my favourite, coal ice cream. It contains ‘real’ coal, and leaves my mouth full of a strange coal dust.

We decide to order six more. Hokkaido Shirataki potato ice cream, shark fin noodle ice cream, Indian curry ice cream, tulip gelato, white shrimp gelato, and eel ice cream. Grant and Edwina don’t like the shark fin noodle ice cream, with its chunks of real shark fin. I pretend that I like it and eat the remainder of the scoop.

Leaving Namco Namja Town we see a Christmas tree, I remind myself that it is currently June. I have shark fin stuck in my teeth and start to feel a little sick. I buy a bottle of Milk Tea to wash away the bad taste.

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Changing at Ueno to the Tokyo Metro Ginza Line, we see three guys dressed all in white, and a sign inviting us to take photographs; I have no idea why they are here or what they are doing. Back at Tawaramachi Station I say goodbye to Edwina for the last time, and head back to the hostel with Grant. We arrange to meet at 7 p.m. to head out for some food.

Grant and I find a nearby sushi restaurant online. Inside there are no stools, just space for seven people to stand at a counter. Behind the counter are two sushi chefs. You shout your order, fish is sliced, rice is prepared, and food is placed on a wooden plate. Fresh fish, fresh seaweed, all prepared fresh within ten seconds of ordering. It is my first ever sushi in Japan and my first ever meal in a standing restaurant. The restaurant has an English menu and also offers whale meat, much to my disappointment.

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The restaurant is called Magurobito, literally translating to mean ‘Tuna Man’. I eat Sardine, Mackerel, Yellow Tail, Tuna Roll, and Soy Sauce Marinated Tuna. Seven pieces of fresh raw fish on rice, four California rolls, and a pint of beer. The meal costs us ¥1420 each. The best meal I have had in Japan so far.

We pay for an amazing meal and leave the restaurant. We get about two minutes away and Grant notices his receipt only includes the price of his fish. We head back to the restaurant and using Google Translate, we explain that we don’t think we’ve paid for our beer. The chef is very appreciative of our honestly, we pay for our beer, and he thanks us profusely.

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Gomez has recommended to me a bar that will be open all night and showing the football. We get there at 8 p.m. and it is closed. Just as we are leaving, a man on a bike shouts for us to stop. He is the bar owner and says he is just about to open. We decide to stay for one beer. Inside, there are two projectors and both will be showing every World Cup game, nothing to worry about. The bar also offers a selection of over 150 different cocktails, nothing to worry about. The owner reveals the bar’s name—A.S.A.B., an acronym for As Soon As Beerable.

On the way back to the hostel there is a full film crew. About twenty people holding microphones, lights, cameras, and action. I take out my camera and am instantly given a ‘no photograph’ hand gesture from a man who appears to be there to tell people not to take photographs. Back at the hostel Grant and I catch the last two songs from tonight’s Jazz trio.

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After the Jazz Club is over, the bar stays open. I make some new friends, including a cool guy from Iceland who has toured with Sigur Rós, and a Chilean guy who is thoroughly looking forward to his team beating Australia in the World Cup. The guitarist from the band hangs about, and the Jazz Club becomes an open mic night. My plan to go to bed early and get up at 4 a.m. shattered by whisky and live music. I eventually head to bed, shattered, at an indistinguishable hour.

Mascot, Mascot, Mascots

The elevator stops at a random floor. I stick my head out, but there’s nobody there—very odd indeed. Outside, the rainy season has decided to take a day off; the weather forecast for Tokyo today is ‘scorchio!’ I am up quite early so I decide to do my laundry. I chill out in the ball bath for a while whilst waiting.

Once finished I leave the hostel and decide to check out Kappabashi Street; a road I have walked past at least thirty times since being here but have never bothered to venture down. It is a shopping street selling many specialty goods, mostly kitchen products. This street is littered with pink lanterns. It also has its own special mascot, the kappa, a Japanese river imp.

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After walking the full length of Kitchen Street, I arrive at Ueno Station. Here I take a train to Ikebukuro.

I visit an art gallery, only to find a sign inside stating ‘closed today.’ I start to ponder if anything in Japan is ever open. Outside, I notice a sign reading ‘パフォーマンス中’, with ’12:15′ scribbled below it on a whiteboard. Translating the sign, I discern it means ‘performance at 12:15’. It feels like my Japanese learning is finally paying off.

I head across to a nearby McDonald’s to kill half an hour and to kill my healthy diet. I sit down in a private booth, there is a screen in front of me so nobody else can watch me eating. All very strange.

Back outside the performance is about to start. A man appears dressed as a type of Godzilla human statue. He walks slowly to the middle of a large open area and stands on a slightly raised platform. Here he remains perfectly still. Two minutes later someone puts a coin in his collection bucket. It is at this moment he comes back to life to give the person a ‘thumbs up’, before returning to his original position.

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It is a hot day. The sun burning in the sky, but there is not a bead of sweat on the man. There is a moment of comedy when a woman poses next to the statue for a photograph, presumably she thinks the statue is real. The man steps off his raised platform and sneaks up on the lady; when she finally notices him she lets out a loud scream and everybody laughs. After a while of literally standing around, I decide to grab the train bound for Harajuku.

At Harajuku Station there is a sign with arrows pointing to nearby tourist attractions. Takeshita Street, Yoyogi Park, the NHK Building, and Meiji Shrine. All four are within five minute walking distance from the train station. I toss a coin and it lands in the gutter. I toss another and it directs me to the NHK Building.

NHK is Japan’s national public broadcasting organisation, its equivalent being the BBC. Inside I see everything from props and set locations, the history of NHK, quiz machines to test my knowledge of NHK, a machine that lets you be a nature cameraman, and my favourite activity, a mock up television studio.

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At the mock up studio I am seated at a news desk and instructed to look at the camera. Next, I take part in a fake weather broadcast. I stand behind a Tokyo skyline and point at things which are being projected onto a large television screen. It is all very exciting.

I get the chance to witness a live broadcast. Behind a large glass screen, NHK is airing a television show called ‘Studio Park Kara Konnichiwa.’ It’s a live chat show featuring two hosts, a guest, a producer, and four cameramen. I stand and watch for a while, probably fifteen feet away from the show’s hosts, before eventually realising I can’t understand a word of what is being said. So much for my Japanese learning finally paying off.

Leaving the NHK media theme park, a statue of Domo-kun waves me goodbye. Domo-kun has been the broadcaster’s mascot since 1998, and is described as ‘a strange creature that hatched from an egg’. Goodbye Domo-kun! The exit leads out into Shibuya. I am surprised just how close together everything is in Japan and wonder why people waste so much time here on trains.

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On the train, I see an advertisement for the FIFA World Cup; it shows the mascots for the Japanese National team. They are the Pokémon characters Bulbasaur, Charmander, Chespin, Fennekin, Froakie, Helioptile, Litleo, Meowth, Pancham, Pikachu, and Squirtle. I am looking forward to the World Cup and think Japan are worth a punt at 200/1. Back at the hostel I discover that England’s game against Uruguay is at 3 a.m. here. I am no longer looking forward to the World Cup.

I eat Wasabi flavoured crisps, watermelon, and my favourite food, Cheese Mushi Cake. I then head out to the English bar where I practice my teaching skills. Much to my delight, the English bar is playing Beatles Radio; a mix of original and cover versions of Beatles songs. I stay until last orders and head back to the hostel to find a party going on and a guitar.

I play ‘Give up the Ghost’ by Radiohead. After I finish a man says that the way I play reminds him of Thom Yorke. His comment makes my day. Later, three ladies from Thailand who had heard me playing earlier approach me and start talking to me in Radiohead; the perfect end to an evening.