Robots, Androids, and Mechanical Oddities

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For many people in Japan, October is a time for Halloween festivities, including scary costumes, decorations, and excited children. However, for some, the most anticipated event this month involves forward chaining, service robots, degrees of freedom, and excitement akin to a child in a Halloween sweet shop. Today marks Japan Robot Week 2014, and I can’t wait to discover what it’s all about.

The event occurs biennially at the Tokyo International Exhibition Centre, known as Tokyo Big Sight. Halls one to three are packed with a wide array of exhibits, featuring a total of 480 companies across 926 booths. Here are the highlights of my day:

Kawada Industries, Inc.

Like many other companies present here, Kawada Industries focuses on creating robots designed to assist with menial tasks. A prime example is NEXTAGE, a Next Generation Industrial Robot.

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NEXTAGE can be effortlessly controlled using a cutting-edge global user interface. Equipped with image recognition, stereo vision providing three-dimensional coordination, and hand cameras for precision, NEXTAGE excels in performing tasks that might be challenging for Japan’s aging population. To showcase its remarkable abilities, employees at Kawada Industries have it brewing tea and coffee all day long.

Kobayashi Laboratory

Muscle Suit is an innovative design from Kobayashi Laboratory—a wearable robot back support unit designed to assist people facing lifting difficulties. Effectively an exoskeleton, the device naturally mimics human movements.

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Two models are set to hit the market soon: one weighing fifteen kilogrammes and the slightly larger model weighing thirty kilogrammes. While thirty kilogrammes might seem like a substantial weight to bear on your back, the demonstrator effortlessly lifts heavy boxes filled with bags of rice without breaking a sweat.

Tomy Company, Ltd.

I am fortunate enough to witness the Tomy Company unveiling their new toy for children. Arriving at the DeAgostini booth just before noon, I find quite a crowd already gathered. Three large cameras record every second of the action. Initially, there’s a demonstration of Robi, the build-it-yourself robot that comes with its own magazine. By purchasing the magazine each week, you receive the next part of the robot. Robi does a little dance, says “Hello” in Japanese, all while a mysterious purple cloth covers the forthcoming announcement.

tomyone[1]

After a lengthy discussion and multiple trailers displayed on various television screens, Robi is placed down, and eventually, the purple cloth covering something is removed. Finally, after a long wait, Robi Jr is revealed, but he appears frightened and doesn’t seem to behave very well at all. Initially, I wonder if this robot toy begins as a baby, and part of the enjoyment is teaching it to grow wiser and more capable, utilising some of the one-thousand pre-programmed phrases boasted by its creators.

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However, all Robi Jr seems capable of doing is turning its head from side to side (accompanied by loud creaking from its mechanical parts) and moving its arms up and down in what seems like a marching tantrum. Perhaps I am missing the point. If I were a child again, I might find the prospect of owning a Robi Jr somewhat compelling. However, these emotions no longer stir within me, and I leave the exhibit feeling confused.

Atsugi Monozukuri Brand Project

What do you get when you cross pig organs, sweetfish, wires, and a pile of cardboard?
ATSUMO!

atsumo[1]

This near life-sized robot, featuring a pig’s face, is based on Ayukoro, the mascot of Kanagawa Prefecture, particularly from the city of Atsugi. A fusion of local delicacies—ayu fish and pig organs—inspired this mechanical mascot, taking on Ayukoro’s form. ATSUMO has the ability to run, speak, shake hands, and do what all other robots seem to be capable of doing, and that is of course dancing. The cardboard looking robot even has its own cardboard Carnival Cutouts.

Project Team Atom

“Grab your dreams!” is the tagline for this next exhibit, the Power Assist Hand. The team behind the project was overly welcoming and spoke superb English. I was very surprised when they invited me over to try out their product hands-on.

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The Power Assist Hand is incredible. The glove mimics finger joints, aiding those who have lost the ability to use their hand. For instance, individuals suffering from hemiparesis due to a stroke find it extremely challenging to use their hand effectively, and this product offers a much-needed solution. The glove fits comfortably and is controlled remotely. With a push of a button, my hand grasps firmly; even when I try to resist, my fingers snap open and closed. The device makes picking things up and gripping objects as easy as flicking a switch. A recent study suggested that repetitive movement can help regenerate behavioural patterns in the brain. Therefore, this device could assist stroke victims in both physical recovery and mental capacity.

Daiwa House

Daiwa House has fittingly named their crawlspace inspection robot after a cat: Moogle. This feline-shaped robot is slightly more cunning, equipped with an inspection camera, LED lighting, and various types of sensors. It boasts a fully operational tail that aids its ability to climb large objects or traverse uneven terrain.

moogle[1]

The demonstration of this robot has it climbing up stairs and crawling around, all the while projecting what it is seeing onto a large monitor. As far as remote-controlled cat tank torch camera robots go, Moogle is the best.

Aldebaran SoftBank

Most people in Japan are quite familiar with Pepper, a robot from SoftBank that appears on television almost every five minutes. Developed by Aldebaran for SoftBank, the next installation comes in the form of NAO. The tagline, ‘ASK NAO,’ is an acronym meaning Autism Solution for Kids. This creative, friendly teaching robot has been created as a way to help children learn.

nao[1]

I’ve been told that children with autism are often more drawn to technology. NAO has been designed to bridge the gap between technology and the human social world. Appearing slightly more polished than some of the other robots I’ve seen today, NAO boasts two cameras, an inertial measurement unit, capacitive touch sensors, freedom of movement, four directional microphones, two sonar channels for distance, and is powered by an Intel ATOM 1.6 GHz CPU. Just as I’m about to leave, the K-pop classic ‘Gangnam Style’ begins to play, and NAO joins in with a perfectly choreographed dance routine. If you have around ¥850,000 to spare, you can purchase your own NAO and use voice commands to ask it to kick a ball around, or something.

Okayama University

Tetsushi Kamegawa and his team from Okayama University are here to demonstrate their ‘As Seen on TV’ rescue robot. The robot crawls along the ground before coiling like a snake.

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With a helical rolling motion, this robot exhibits the ability to tackle unusual surfaces. Equipped with a front-mounted camera, it is an excellent creation designed to locate people trapped in hard-to-reach areas during disasters. The snakelike robot can impressively climb trees and almost unassisted, crawl up vertical pipes.

Everything Else

Japan Robot Week features an incredible variety of small robots freely wandering around. There are robots randomly washing cars, others engaged in fights, and some building small metal houses. It’s quite challenging not to get distracted; there’s simply far too much to see.

Besides Robot Week, three other exhibitions are simultaneously taking place in the same halls. Vacuum 2014 focuses on vacuum technology and equipment, with cleaning robots actively removing dust. Naoko Yamazaki, a former astronaut from the Japan Aerospace Exploration Agency, is giving a lecture on vacuum-related topics. The Pan-Exhibition for Wash and Clean showcases industrial washing and cleaning machinery, featuring an exhibition by the Fine Bubbles Industry Association. Monzukuri Matching Japan, the final exhibition, includes booths highlighting additives, manufacturing technology, and surface finishing. Notably, the WAS Cutting System in this section is impressive—a machine effortlessly cutting through metal using jets of water.

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If robots aren’t quite your cup of tea (although if they are, I’m sure NEXTAGE will make one for you), there’s an abundance of other technologies here to explore. From hydraulic devices designed to lift disabled people from toilets to machines aiding individuals getting in and out of hospital beds, a vast section on 3D printing techniques, an array of cutting devices, microsurgery tools, medical assistant droids, and much, much more.

Amidst the whirl of innovation and the buzz of cutting-edge tech, Japan Robot Week truly paints a vibrant canvas of tomorrow’s possibilities, leaving us all eagerly anticipating what the future holds in the realm of robotics and beyond.

Partly Mechanical, Hardly Human

Today I have a meeting with a robot. I take the Tokyo Metro Ginza Line to Aoyama-itchome Station. My destination is the Honda Aoyama Building. I arrive an hour early, so I decide to wander for a bit. I head to the NHK building but it doesn’t look like it’s for tourists, so I leave. I walk the length of Aoyama Cemetery. I kill time in the park. Eventually it is 3 o’clock, robot time!

I enter the Honda cafe. The ground floor of the building features a small stage, and a display of cars and motorcycles. As I wander around, every member of staff greets me with a cheery, “Hello,” and an overly practiced smile. The Honda Aoyama Building is free of charge to enter. There is a small shop selling surprisingly cheap drinks, the coffee is just ¥200 a cup, and hot too!

I take a seat five minutes before the exhibition is scheduled to begin. I am the only person here not wearing a business suit. Although there are thirty chairs, more than half remain empty. A factory construction line, depicting the process of building a car, plays on a large screen. I eagerly await its conclusion. Finally, when it ends, a woman appears, a door opens, and a strange machine drives itself onto the centre of the stage.

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The woman speaks only in Japanese, but luckily, the display screen shows English text. What I’m witnessing is a new Honda product called the ‘Uni Cub.’ This mobility device can travel at 6km/h. The machine cruises around the stage for a while before the woman giving the talk takes a seat on the device to demonstrate its capabilities.

I’m unsure of the control mechanism; she simply tilts her body in a particular direction, and the device responds by moving accordingly. It’s quite impressive, and I find myself wanting one. I snap a few photographs, but the other attendees seem less interested, probably here solely for the main event. After the Uni Cub’s display, the woman drives off the stage, vanishing into darkness through a doorway. The video screen then showcases some information about the Uni Cub. Two minutes later, ASIMO makes its appearance.

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ASIMO stands for Advanced Step in Innovative MObility, a humanoid robot integrated with Artificial Intelligence. Designed to assist people, ASIMO embodies Honda’s vision of harmonious coexistence between robots and humans. A concept drawing displayed on the screen illustrates a robot helping by carrying boxes up stairs—a representation of their goal. This aligns with Honda’s advertising slogan, ‘The Power of Dreams.’ However, despite their aspirations, ‘The Power of Dreams’ doesn’t seem to extend to comfortable seating. The chair I’m in during this demonstration happens to be the most uncomfortable seat I’ve ever experienced.

ASIMO demonstrates an array of skills: dancing, balancing on one leg, performing jumps with both feet off the ground, and showcasing impressive speed—he can run fast. His walking pace reaches 7km/h, slightly swifter than the Uni Cub. Interestingly, both ASIMO and the Uni Cub are constructed using the same technology. ASIMO stands at a height of 130 centimetres and weighs merely 50 kilogrammes.

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The presentation continues in Japanese, detailing Honda’s pioneering work in robotics, which commenced back in 1986. The earlier models—E1, E2, and E3—were primarily aimed at achieving human-like walking capabilities. Subsequent models, E4, E5, and E6, focused on mastering stair climbing. Gradually, a body, arms, and a head were integrated, culminating in Honda’s inaugural humanoid robot, P1. Subsequent iterations, P2 and P3, involved refining and automating various functionalities. Then, in October 2000, ASIMO made its debut, marking the pinnacle of Honda’s robotic advancements.

After additional discussions and visuals, ASIMO surprises us by showcasing its singing abilities. ASIMO’s remarkable skill in sign language communication comes to the forefront as it performs an original sign language song titled ‘Making Dreams Come True.’ A truly remarkable display of its multifaceted capabilities!

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“The sky looks lovely today, The clouds flying lightly above.
I wonder, will tomorrow’s sky will [sic] be just as nice?
And how will our sky look in the future?
Let’s cherish our dreams today, and fulfil our dreams tomorrow.
Let’s combine our strength, and achieve our dreams together!”

After his song, ASIMO bids us farewell with a wave and a ‘Thank you.’ An opportunity arises for me to take a photograph alongside the humanoid robot. ASIMO stands, exhibiting human-like head movements and occasional speech. It appears that ASIMO can discern between Japanese and non-Japanese individuals. When a Japanese person approaches for a photographs, ASIMO addresses them in Japanese. However, when it’s my turn, he speaks to me in English, encouraging me to ‘Smile, smile,’ in a voice reminiscent of Pinocchio, the beloved Disney character, before counting down, ‘3 … 2 … 1 …’

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The entire presentation lasted about twenty-five minutes. It was gratifying to witness the most advanced robot in existence. Following the presentation, I explore the small souvenir shop, which offers ASIMO stuffed toys, key rings, and other assorted junk.

On the train ride back to Asakusa, I think about the future of robotics. I really hope that someday in the near future, I will be cruising around on my Uni Cub with my very own ASIMO running alongside me.

“But Sir, it’s Only a Model”

Today is the third and final day of a street performing arts festival in Asakusa. Outside, it’s a clear day and a wonderful 28°C. I spend the best part of the morning wandering between the many different stages. I see a magician, a group of jugglers, a yo-yo master, people dressed in Halloween costumes, and a guy who specialises in tricks using crystal balls. Every performer seems to draw a strong but silent crowd.

crystalballs[1]

At lunch, I head back to Koto, to Tokyo Big Sight. Today, the venue hosts The 54th All Japan Model and Hobby Show. Alongside this event, there are many other exhibitions at Tokyo Big Sight, including the Trend Fashion EXPO and a free show about female auto racing drivers. I head to West Hall Two where the entrance fee is ¥1000.

The event today is organised by the Japan Radio-Controlled Model Manufacturers Association and the Japan Plastic Model Manufacturers Association. Inside, there are almost ninety different stalls representing various branches of the hobby and model industry. Upon entering, I’m greeted by a display of scaled-down model warships.

iseenoships[1]

All the major model companies are present. Kyosho proudly claims to produce ‘The Finest Remote Control Models.’ Nippon Remote Control showcases their latest flying helicopters, while Tamiya demonstrates their new remote control car. Besides remote control products, the exhibition features model trains, warships, cars, toys, hobby crafts, painting supplies, and character figures.

A woman in cosplay is signing various publications, while other individuals in cosplay attire are attempting to attract visitors to their stalls; women pose for photographs and entice men to buy tanks. Thousands of items are on display, including models of famous historic sites in Japan. Among them is a to-scale model of Kaminarimon Gate at Senso-ji Temple, priced at ¥38,000. Additionally, various figurines featuring characters from famous Japanese anime make an appearance

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As I mentioned, there’s a substantial section dedicated to remote control flying machines. While some machines are more impressive than others, the skill level of the operators varies. I observed a guy attempting to elegantly guide a helicopter through a hoop, but instead, he spectacularly crashed it, causing one of the wings to snap off. This unfortunate incident promptly led to the closure of the exhibition. However, amidst these mishaps, some machines stand out for their superior performance. I watched another person skilfully manoeuvre a large drone vertically, achieving somewhat impressive speeds.

flyingmachines[1]

I visit a shooting range where individuals are aiming at targets with fake plastic guns. Several talks are ongoing throughout the venue. A woman delivers a speech on a large stage, captivating the attention of many eager attendees. However, as is customary in Japan, I notice the restriction against taking photographs of people on stages, a common practice here.

Bandai’s presence here is immense. A massive crowd gathers to watch a special viewing of a new episode of Gundam or something similar. They’ve set up a stall showcasing figurines aligned with the upcoming release of their new film, Space Battleship Yamato 2199. Additionally, serving as the representative for Star Wars in Japan, Bandai offers an extensive array of merchandise. A giant screen plays footage from one of the Star Wars movies, drawing people to photograph models of Darth Vader and the Millennium Falcon. It’s a bit overwhelming with the sheer volume of offerings.

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I decide to leave and head to the train station, taking the Yurikamome Line to Shinbashi before transferring to the Ginza Line. However, I get distracted and end up missing the Tawaramachi stop. Instead, I disembark one stop later at Asakusa Station, which happens to be the last stop.

I decide to stroll through Senso-ji on my way home while the sun is still shining. Amidst my walk, I come across a shrine I’ve never seen before—Hikan Inari Shrine. It’s notably small but carries a profound symbolism of recovery. What strikes me as unusual, though, is the presence of over three hundred small statues of foxes inside the shrine. I notice an important-looking sign in Japanese and decide to photograph it.

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Back at the hostel, I ask my friend Hiro to translate the sign. It reads, ‘Please don’t ring the bell at night, as our neighbours in the area are trying to sleep. Be careful not to wander around too much in the evening because you might be possessed by a fox.’ The concept of being possessed by a fox is quite intriguing. Apparently, there’s a traditional folktale in Japan about a condition called ‘Kitsunetsuki,’ which refers to a form of madness caused by fox possession.

I decide to explore this superstition further. I spend the evening wandering around the temples and shrines of Asakusa, until I turn into a fox.

Robot Women, Fast Cars, Voodoo Dolls, and Dinosaurs

The queue for the Nagoya City Science Museum spills from the door. Inside, there is a snaked queue that runs eight rows deep. A screen on the wall tells me that every time slot for the world’s largest Planetarium has sold out, and it isn’t even 11 a.m. A shame, this was probably my best chance of seeing stars in Japan. The museum also has a special exhibit on at the moment, the Dragon Ball Science Event, and this is most likely the reason for all of the queueing chaos I am witnessing today.

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To avoid wasting a day in a queue, I decide to take a look at the Electricity Museum, some two blocks away. I follow the signs and even find a map listing the museum, but for some reason, I can’t find it. I swing by the nearest Seven Eleven and connect to their free wireless Internet. Google Maps directs me to where I had just been walking, but nope. It doesn’t appear to be here. Perhaps closed down, who knows.

I swing by the Nagoya Musical Theatre to see what’s showing: the 5,000th performance of Beauty and the Beast. One thing I notice on my walk back toward Nagoya Station is that on nearly every street, there’s a building called ‘Toyota’. They seem to have infiltrated even the darkest Nagoya alleyways. Continuing my walk, it takes a somewhat dark turn. I wander into a lonely shopping arcade. All of the shops are closed or boarded up. Everywhere is silent. It’s as if this arcade is part of some other world. There hangs some incredibly macabre imagery.

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A giant voodoo doll hangs from part of the roof, its belly split open, multi-coloured intestines bursting out, its mouth sewn up, and a giant needle stabbing into its neck. I have no idea what it begins to represent. The voodoo doll isn’t the only horrific image on this street. There’s also a giant multi-coloured face with a top hat and a satanic grin, a sinister-looking golden unicorn with eyes that seem to watch my every movement, and plenty of vampiric bats scattered around. As I pass through the arcade, my footsteps leave behind an echoed creak.

My next stop is a place called ‘Midland Square’. Inside there are many shops and restaurants. The official name for this skyscraper is the Toyota-Mainichi Building. This building is tall. The elevators take an alarmingly quick forty seconds to rise all the way to the top of this 247 metre structure. It also boasts the highest open-air observation deck in Japan.

Inside, there are posh restaurants, two car showrooms, a cinema, and sixty big brand stores such as Louis Vuitton and Vulcanize. These are all places where I’d never shop. Instead, I go and look at some cars. Displayed are a Toyota TS010 and a Toyota TS030 Hybrid.

toyota[1]

There’s an attractive young woman in a light brown suit wearing a mouthpiece. She speaks in Japanese, presumably about the vehicles. Something about her strikes me as odd—her voice doesn’t match her appearance, and her movements are very rigid. It’s entirely possible that she isn’t a human being but a very cleverly designed or disguised robot.

Next, I decide to visit the local gardens near my hotel—Noritake Gardens, to be precise. A sign at the entrance informs me that all animals must be kept in a cage; who exactly brings their caged dog to a public garden? This place is very famous as it’s the birthplace of modern pottery in Japan. There’s a spot marked on the map called ‘Chimney Gardens,’ so I head there and find six tall chimneys shrouded in foliage—the remnants of the pottery plant. The view of these historic chimneys is unexpectedly spoilt by a dinosaur.

chimneys[1]

For no reason that I can see, on the old grounds of this historic and award-winning site, stand three robotic dinosaurs. They move around, opening and closing their mouths, roaring at the children. This site holds industrial heritage significance, showcasing the conservation of a 110-year-old kiln that was used to develop the first Noritake plate. The company continues to trade today, and Noritake tableware remains a household name throughout Japan.

The remains of the factory wall can also be seen, reconstructed from the bricks of old kilns. Bricks were imported into Japan at the end of the Edo period, and the remnants of the red brick plant hold significant value as industrial heritage. However, this time, the remains of the wall are obstructed by a Tyrannosaurus Rex and Carnival Cutouts. Unbelievable.

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Also, for reasons I can’t explain, there are thousands of dragonflies here too. I’m not sure what it is about bricks that dragonflies like, but there are so many that everywhere I walk, I have to avoid being hit by one of these stray insects as they dart about without a care. No cages for the dragonflies.

My final stop today is Nagoya Castle. Every city I visit seems to have its own tower and castle. Nagoya Castle is probably a twenty-minute walk from Noritake Gardens. By the time I arrive, it’s 5 p.m., and the Genkan closed thirty minutes ago, bolted shut. The sign on the stone walls tells me not to climb, so it looks like I’m out of options. At least I can see the entire castle from a walkway over a busy intersection.

Nagoyacastle[1]

After visiting the castle, I return to the hotel and rent a laptop for three days for ¥3000. I spend three or four hours writing, and time drifts by. I’ve arranged to meet Nick at half past ten, a Canadian guy I met back in Asakusa who lives in Nagoya.

A guy in the Irish bar last night suggested I try Nagoya-style udon noodles. So, I decide to give them a second chance. I order a simple bowl of noodles with an egg mixed in for good measure. It’s a very cheap meal, ¥400 with a glass of water. On reflection, I still prefer every other type of noodle over udon.

I meet Nick outside Nagoya Station, and we walk half an hour across town to an international bar called ‘Shooters’. We drink and chat until last orders are called at half-past twelve, before walking back to Nagoya Station.

Nagoya is a huge city, yet I discover that Nick’s apartment is in the building directly across the road from my hotel.

When Haricot Met Celery

I wake up at 9 a.m. and head down to the lobby for my Japanese-style breakfast. The food is almost identical to yesterday. The grilled fish of the day is once again salmon. The only change is that my cooked seasonal vegetables today are haricot beans and peppers, mixed in with natto. My side salad includes corn on the cob, celery, and red onion. I gaze out of the window whilst I struggle with my breakfast, a meal I am not used to eating.

After breakfast, I take the subway from Shin-Osaka Station to Namba Station. Getting off the train, I head toward the famous Namba Grand Kagetsu Theatre, hoping to catch some manzai comedy. Osaka actually produces most of the comedians in Japan. Manzai is a type of stand-up comedy where two comedians perform a routine together. Even if in Japanese, good manzai can be very funny to watch because a big part of the show is the timings and actions on stage. Sadly, there is no performance happening at the moment.

I check my map and decide to head to a place called ‘Americamura.’ I wonder what I will find there.

america

Shops here sell American clothing, some entirely dedicated to selling baseball hats or soccer jerseys. Mixed in with this madness are shops selling skate, punk, and retro clothing. I enter a bookshop that sells herbal teas, skateboards, and, of course, books.

All of the big brands have their own ‘flagship’ stores here. Mixed in with the clothing are some really cheap-looking bars selling inexpensive drinks. Surprisingly, all the tourists and shoppers here are Japanese; there isn’t an American in sight. I’m not quite sure how this place came to be. After a few blocks, I see a Tokyu Hands; the store marks for me where America ends and Japan begins again.

I decide to take a break from the heat and head to the fifth floor using the Tokyu Hands elevator. The shop describes itself as a ‘Creative Life Store’, offering a vast array of products. On this floor, they have party supplies, a variety of items, magician supplies, and bicycles. A song from the film ‘Frozen’ is playing, the Japanese version. I check out some of the cool gadgets, then glance at the prices of bicycles; they’re quite expensive here.

happytime

If you’re not particularly interested in shopping, today probably isn’t for you—or for me. I head into the Shin-sai-bashi shopping arcade. This is one of Osaka’s oldest and busiest shopping areas, stretching for approximately 600 metres. Everything you ever wanted is in this arcade.

There is a shop that only sells ‘Hello Kitty’ goods, and another named ‘Pancakes, Teas, Coffee, and Happy.’ I’ve noticed that in Osaka, the word happy is used an awful lot. SoftBank, a Japanese telecommunications company, has its own robot. It moves around and engages in a conversation with me about their new products. His name is Pepper.

softbank

Also in the shopping arcade are the usual clothes shops, restaurants, and souvenir shops. I head into my second bookshop of the day, Junkudo. I’m searching for two specific books. I find one of them, ‘Pinball 1973,’ but it’s only available in the Japanese version. I’m trying to get hold of the English version printed for Japanese people to practice their English skills.

As I leave the bookshop, I’m taken slightly aback by a sign. At the bottom of the escalator, there’s an advertisement for ‘Meets,’ the bar I mentioned a few days ago. It displays a price list along with some other Japanese text. I take a photograph and add it to my folder of coincidences. Back in the arcade, that same song from the film ‘Frozen’ is playing.

arcade

Next, I visit a place called Dotonbori. The pavement here is littered with small restaurants and pachinko parlours. Each restaurant is stacked high, adorned with brightly coloured signage that becomes illuminated in the evenings. It’s the sort of street that I imagine looks just like a scene from Blade Runner at dusk, especially when it’s raining.

On the other side of Namba Station are shops selling manga and anime in an area known as Den Den Town. I spot two or three shops exclusively dedicated to selling Magic: The Gathering playing cards. Other shops offer model figurines and electronics. It reminds me of Akihabara, but on a much smaller scale. Girls dressed as maids stand on street corners, attempting to lure people into the many maid cafes.

maidcafe

I waste a quick ¥500 in a Sega video game arcade before heading back to the train station. At the station, I have to walk through even more shops to reach the platform. I take the Koya Line just one stop to Shin-imamiya Station. I decide to check out a place called Spa World, but it seems luck isn’t on my side as there’s a fence around it, and it appears to be closed for construction.

Instead, I head toward a tower in the distance. To reach the tower, I have to walk down yet another shopping street.

towerstreet

Unlike the other shopping streets, this one boasts a 103.3-metre-tall tower right in the middle—Tsutenkaku Tower, meaning ‘Tower reaching heaven.’ I also admire the Carnival Cutouts; one depicts what seems to be a sumo wrestler devouring a skewer of meat or wielding a rolling pin. It’s a bit ambiguous, but my guess would be a skewer, considering that’s all the restaurants in this area seem to be selling.

I choose a completely empty restaurant, taking a seat wherever I want, and order a Suntory whisky highball with lemon. With the number of times I’ve mentioned their whisky and coffee, I should probably get some commission money from Suntory. I opt for three salmon skewers and three white fish skewers. While I wait, I snack on the complimentary fresh lettuce and sip my highball.

skewers

The white fish turns out to be haddock, while the salmon is fresh, served with a light tartare sauce dressing. The skewered meat is already prepared on the counter; all the chef needs to do is cover each fish with flour, egg, and breadcrumbs before deep frying each stick in oil. This restaurant has all sorts of crazy ideas, but the ones that stand out are cheesecake skewers, ice cream skewers, and banana skewers. I’d eat fried fish on sticks every day if it weren’t for the fact that it would probably kill me. At ¥1050, not bad with a drink.

I head back out into the scorching sunshine. At the end of the shopping street is a zoo, complete with a Snow White Clock Tower. The time is now ten to three in the afternoon, so I decide to wait and see if anything happens on the hour. My life is that exciting. Sure enough, at three, everything starts moving, singing, and dancing, and then Snow White emerges from the clock. Not to be missed—the Tennoji Zoo.

snowwhite

At Tennoji Station, I board what I believe is the Osaka Loop Line. As it turns out, it isn’t. After three stops, everyone disembarks. I find myself disoriented; there are no signs indicating my location. I board the train across the platform, which indicates it’s the Rapid Service bound for Nara. Fortunately, it stops back at Tennoji Station. Returning to where I started, I board the Osaka Loop Line to Osaka. From there, I transfer trains to Shin-Osaka, before deciding that six trains in a day are plenty.

Back at the hotel, I read for a while before sorting through my photographs of the day. I stare at the sign I saw in the bookshop, advertising that same bar. I decide to head out and see if it is open tonight. I walk ten minutes to the bar and am pleased to see its shutters up.

meets2

I first visited Meets when I was in Osaka in July 2012. The bar is L-shaped and has a total of seven seats. That night two years ago remains my favourite nightlife experience in Japan. Despite its small size, there were two members of staff working there: a man, and a young woman who bore a striking resemblance to Jennifer Aniston. I spent the whole evening talking to her. However, she didn’t speak a word of English, so we conversed in turns using her smartphone translation application. She would speak in Japanese, I would read the text, and then reply in English, and so on.

Anyway, back to today. Only one member of staff is working, a Japanese man called Ken. He’s the same guy who was working that night two years ago. I order a Suntory whisky highball and take a seat. I’m the only customer; a baseball game is playing on the television. At 8:50 p.m., Ken switches the television channel from baseball to the ending credits of a random show whose name I might never know. On-screen for no longer than three seconds appears Micaela Braithwaite, the woman I greeted in Fukuoka. I can’t snap a photograph fast enough.

The bar I saw advertised in a bookshop today, and he changes the channel at that exact moment. Ten seconds later, the credits stop and the adverts begin. What are the chances? Sometimes, it feels like I’m living inside my own memories. “I’ve worked here for three years now,” Ken tells me, chipping in with small talk.

Next, a girl named Mana enters the scene. She is from Taito, the same ward in Tokyo as Asakusa; we are practically neighbours, though a million miles away from home. We drink. Ken writes all of our names in kanji, while I write them in hiragana and katakana. We continue drinking. Mana and I talk about Asakusa, although our conversation is limited to basic English and basic Japanese. Unfortunately, there’s never a smartphone translation application around when you need one.

meets3

At 10 p.m., I finish my final highball, bid goodbye to Mana, and say farewell to Ken. My bill comes to ¥2500 for four singles and a double. “See you in two years,” I tell Ken, jokingly.

After Meets, I attempt to find some food; I haven’t eaten anything since the fish on sticks. The area around Nishinakajimaminamigata Station is littered with touts, neon lights, and shady massage parlours. I’ve been craving curry for perhaps a week. The first restaurant, simply named ‘Indian Restaurant,’ displays ‘Last Orders at 11:30 p.m.’ As I approach, the Japanese chef who’s taking in the sign informs me that they are closed.

The second restaurant is owned by a Nepalese family and is open. Inside, I order a bottle of ‘Nepal Ice,’ having never tried it before; do as the Nepalese do, and all that. The beer boldly claims to be the ‘coolest beer.’ It’s pale with a slight bitterness, just like me.

I order the classic vegetable curry, egg rice, and garlic naan. The Nepalese waiter speaks English but habitually addresses me in Japanese. “Poppadom,” he says as he hands me a spicy poppadom.
“Arigatou gozaimasu,” I reply in Japanese, out of habit. The poppadom is a little stale but spicy; it will do. Hopefully, it isn’t a taste of things to come. The muskiness is slightly drowned out by the spice, and the spice itself is drowned out by the Nepal Ice.

nepalcurry

My food arrives, and I order a second bottle of beer. The spice level is almost perfect—perhaps it could be a tiny bit hotter, but I don’t mind much. I pay ¥2350 for two drinks and a really good curry.