Withdrawal & I

Today, I have a rough plan: a day trip to Nara with a stop in Uji. Last night, I arranged to meet my friend Slavek at noon. He’s planning on going to Nara anyway, so we decide to travel together. However, I wake up at 11 a.m. with a hangover; I shouldn’t have stayed up until 4 a.m. drinking whisky and teaching people magic tricks.

Slavek and I walk to Kyoto Station. I’m pleased to find that he is a fellow fast walker, and his pace matches mine perfectly. It takes us ten minutes at a brisk stride. On the way, I stop off at Seven Eleven to withdraw a ¥10,000 note. Seven Eleven cash machines are the only ones that accept my card in Japan, and the minimum withdrawal here is ten thousand yen. We pay ¥240 and head to Uji by train. Slavek is a very clever guy with great English skills, a keen eye for both nutrition and politics, and he’s an avid Haruki Murakami reader. We have decent conversations. In Uji, we’re off to see the temple that is depicted on every ten-yen coin.

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I’m fond of Japanese coins. The 100% aluminium ¥1 coin floats on water and sticks to any part of your face without falling off. The copper ¥10 coin brought us to Uji to see the temple. The ¥500 coin is the most valuable everyday coin globally, and it’s also the most interesting. When tilted at a certain angle, you can spot the kanji for ‘five-hundred-yen’ hidden in the grooved lines. Additionally, the word ‘Japan’ is discreetly engraved in 0.2mm across the coin’s face.

Amidst my blathering about coinage, we end up missing the stop for Uji. Getting off the train, we cross the platform and board another train bound for Kyoto Station. It’s an easy mistake, one forgiven by the Japanese train ticketing system. Finally arriving at Uji Station, we head to Byodoin Temple, the one featured on the ten-yen coin.

Byodin[1]

Byodoin is a UNESCO World Heritage Site, marking another off my list. It’s one of the few remaining examples of Heian temple architecture in Japan, dating back to its original construction in 998 AD. Surprisingly, it doesn’t seem to attract many tourists; in fact, most of the visitors I see here are Japanese. The temple features Japan’s most beautiful Pure Land Gardens among the few that remain, alongside a small museum, both covered by the entry fee.

The museum has won four architecture awards. Inside, it houses 52 wooden Bodhisattvas, the temple bell, the south-end Phoenix, and other historically noteworthy items. Additionally, the temple bell here is recognised as a national treasure. I discover that the golden phoenix here is the same one depicted on the rear side of the ¥10,000 note. More money musings. After exploring the museum, we hop onto a packed train filled with tourists heading to Nara:

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We arrive in Nara just after 3 p.m. It’s a warm afternoon, thankfully quite cloudy. Heading to Todaiji Temple, we pass a lovely pond with turtles swimming around. We also visit a few smaller temples and a five-storey pagoda. Kohfukuji Temple, part of the Historic Monuments of Ancient Nara, is sadly closed for reconstruction. Surprisingly, it closed in October 2010 and won’t be ready until 2018. Eight years to reconstruct a temple. Just nuts.

And then there are the deer. Sika Deer roam freely through the town, with an estimated 1,200 of them in Nara. You can purchase deer snacks and feed them to these creatures. I’ve been told that the deer bow when you feed them. We witness a herd waiting patiently at a red crossing light, only crossing when the light turns green. They’re remarkably tame.

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Todaiji Temple is the second-largest wooden structure on the planet. It was built during the Nara period on the instruction of Emperor Shomu. We pay our ¥600 entry fee and stroll through the gardens toward the temple. On the temple grounds, there used to be two 100-metre-tall pagodas, but they were destroyed during an earthquake. In 751 AD, these pagodas would have been the second tallest structures in the world, after the Egyptian Pyramids.

Some interesting facts about the temple: Emperor Shomu issued a law in Japan stating that the people should directly participate in the creation of new Buddhist temples across the country. Thanks to this law, 2,600,000 people were involved in the construction of the Great Buddha Hall and the statue inside.

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Another interesting fact: the Great Buddha Hall is 1/3 smaller than the original, as it burnt down in 1180 AD and again in 1567 AD. That’s what you get when you build it entirely out of wood. I’ve noticed that nearly every temple I’ve visited in Kyoto has suffered the same fate of burning down and being rebuilt. Inside the hall stands the statue of the Vairocana Buddha, also known as the ‘Buddha that shines throughout the world like a sun.’

This is the world’s largest bronze image of the Buddha, towering at 14.98 metres. The construction of this Buddha nearly bankrupted the Japanese economy at the time, as it consumed all of the available bronze in the country. Sadly, behind the statue, there are many small gift shops that seem out of place and frankly spoil the ambiance of the scene.

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It’s just after 5 p.m., so Slavek and I decide to grab some food in Nara. We end up eating far too much sushi, spending a total of ¥6436 at the restaurant. Later, we hop on the express train back to Kyoto, mistakenly using our tickets intended for the local train. During the journey, the conductor asks us to pay an additional ¥510 as a surplus charge for the express train. The express train takes about twenty minutes, half the time of the local train. Finally, we walk back to the hostel from Kyoto Station.

In the hostel bar, I enjoy ¥500 glasses of Suntory whisky highball. It’s not until my third drink that I inquire about the price of a double, as the standard highball is a bit weak for my taste. “It’s ¥500,” explains Daiki, the barman. So, after being here for five nights, I discover that a double whisky and soda costs the same as a single. If this holds true in all Japanese bars, I’m in luck. I also order some bar snacks—¥100 for mixed nuts. Daiki places a small bowl on a tiny set of scales, pouring nuts into the bowl until they reach the specified weight. Just nuts.

Bike to the Fuchsia

A cloudy yet hot day, with a cool breeze—a perfect setting for cycling. Today, I’m filled with motivation. My first stop is a small park along the way to yesterday’s failed destination, Dazaifu.

Inside this lovely park, three old ladies play bowls on a synthetic lawn while beautiful fuchsias wave in the wind near a natural stream. Japan currently recognises almost 110 species of fuchsia. These particular flowers boast the classic blend of purple and red hues.

As I arrive at Dazaifu around 3 p.m., the first thing catching my eye is a hill crowned with ruins. Parking my bicycle, I decide to climb it. From the hilltop, I’m greeted with a view of traditional Japanese houses in the distance. At the bottom of the hill lies Gakugyouin Temple.

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I cycle around, admiring the greenery and scenery. In Tokyo, the greenery was often overshadowed by the buildings, but here, the mountains seem adorned with temples. A swarm of dragonflies gracefully drifts above an open allotment. This place exudes tranquillity, likely absent from any guidebooks. This is precisely the Japan I’ve yearned for since my arrival—a serene experience I hadn’t yet encountered.

Kanzeon-ji is a seventh-century temple, once the chief Buddhist temple in Kyushu. It houses a multitude of historical, artistic, and religious treasures. Beside it lies the ruins of the once-marvellous seven-story high pagoda.

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Dazaifu is starting to remind me a lot of Kyoto. In eight days, I’ll be heading to Kyoto for one week. Then, I have two weeks without plans before I head back to Tokyo. The thought has crossed my mind to cycle back to Tokyo from Kyoto, stopping off at interesting places along the way. The two cities are only 367 kilometres apart.

The sign next to the temple mentions that the pagoda was restored in 741 A.D. at a scale of 1/10. Conveniently, that’s available to see outside the Dazaifu City Fureai Cultural Hall. That’s my next stop.

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I enter the cultural hall, and the woman at the desk seems startled by my presence. Politely, I ask if I can look around, and she agrees—it’s also free. Inside, there are various objects encased in glass, mostly old roof tiles. After a brief tour of the building, I take my leave.

Next, I cycle to Komyoten-ji Garden to see the Government Ruins—the remnants of the medieval Dazaifu Administrative Buildings. They rest within a vast public park at the foot of Mount Ono. As I arrive, I notice some boys playing football, using jumpers for goalposts. The goalkeeper rushes forward, expertly dribbling the ball past six players before scoring an excellent goal. Applause erupts from everyone watching.

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All the children in Dazaifu say ‘Hello’ to me. Surprisingly, there’s a distinct lack of tourists for such a historic place. Maybe I’m the first Westerner they’ve ever seen. With a wry smile, I reply to them, ‘Konnichiwa.’

As I cycle by, insects chirp loudly near one of the men employed to direct traffic. However, there’s no traffic on this road; I don’t sense a car has come this way for hours. He smiles warmly at me, signalling with a wave of his hand and a deep nod for me to continue.

As I pass Kaidan-in Temple, I see a sign for an Exhibition Hall. Carnival Cutouts wait for me outside. Inside, there’s no one present—no tourists, no staff members, no one to take my money. It’s just more objects enclosed in glass. A sign prohibits photography, but I snap a cheeky shot; no one will ever know.

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My final stop in Dazaifu is the Kyushu National Museum, seemingly tucked away in the woods. I leave my bike; I really should lock it up, but I don’t bother. There are more temples around here too.

A sign simply saying ‘Museum’ points up a mountain path. I follow the path for a good ten minutes before encountering a new sign, indicating that the museum is 2.1 kilometres away. Quite odd. I retrace my steps to my bicycle and head off in the new direction.

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I cycle up into the mountain and reach the museum car park; a sign indicates ‘last entry 4:30 p.m., exhibitions open until five.’ Glancing at my watch, it reads 4:28 p.m. Swiftly, I park my bicycle in one of the bays intended for cars and start running up the many steps to the museum.

A man with a red lightsaber appears out of nowhere. He insists that I must cycle all the way to the top and park my bike in the designated parking area. I protest, saying, “But the museum closes in two minutes, and I came all the way from Hakata!”

He makes a phone call and speaks in Japanese for a few minutes. Afterward, he tells me they can still let me in. Lucky me. As I make the final approach to the Kyushu National Museum, its sheer size almost knocks me off my bike.

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Opened in 2005, it stands as the first new National Museum to open in Japan in over 108 years. It’s also the first to emphasise history over art and boasts an on-site conservation centre, the largest in Kyushu. The museum primarily focuses on prehistory to the Meiji era.

Once inside, I ride the escalator to the 4th floor and pay a ¥420 entry fee. The rooms are impeccably clean; the glass seems polished on the hour. The museum is enormous. Separate rooms display various collections of historic artwork or fossilised ruins. Photography isn’t allowed here—not even an opportunity for a quick shot; two staff members stand guard in every section. With just twenty-five minutes to look around, I leave dead on closing time.

After the museum, I cycle 18.2 kilometres back to the hostel. It takes me an hour, stopping once for a bottle of Pocari Sweat, and a second time to photograph this building:

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At the hostel, I realise that I’m starving. I decide to keep my stomach empty and write up some of the day’s events. At 8 p.m., I head back outside and run on my empty stomach, finding the red lights of traffic intersections providing nice little rest stops from time to time.

I run for almost fifty minutes, passing packed restaurants offering any choice of cuisine imaginable. Even though it’s been twenty-three hours since I had any food, nothing really draws me in; my appetite is oddly missing.

I see a random square:

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As I run, I notice some red lights in the sky that resemble a tower. Intrigued, I head in that direction. As I get closer, I spot planes floating by in the distance. A sinking feeling hits me; I might have circled back to Fukuoka Airport, recognising the tower used for Air Traffic Control. Oddly, I didn’t see any signs indicating the airport, though.

To my relief, my assumptions were false. I arrive at Hakata Pier, realising that the tower I saw was Hakata Port Tower. Calculating the distance, I note I ran for 5.7 kilometres to get here. Earlier today, I cycled at least forty kilometres. It’s surprising—I’ve never had so much energy.

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Fishermen line up along the pier, and finally, my appetite for food returns, specifically for fish. However, the only fish I find here are sandwiched between glass in another small, free aquarium. I scout out the area and stumble upon another temple—I seem to have come across quite a few of these today.

The pier looks picturesque at night, adorned with its myriad of lights. Entering the food court, I find that the only place with any appeal is a French restaurant. However, as I approach, the lights suddenly go out. Closed at nine o’clock sharp.

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I head back to Hakata and unexpectedly stumble upon the all too familiar Reisen Park. Spotting other runners doing laps around the park, I decide to join them for a while. When I finally locate the camera shop, I get my bearings.

The area around the park is bustling at night, with outdoor izakayas lining the streets. The enticing aroma of barbecued meats fills the air. I’m rather fond of the monument in the park, so I try to take a photograph, but unfortunately, it doesn’t turn out so well. Quickly, I make my way back to Hakata Station.

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I undo all the hard work of the day and opt for McDonald’s. It feels like I’m a death-row inmate having his last meal, as I’ve decided this will be my final indulgence in junk food for a while. It costs me ¥986, effectively for fish and chips.

As I walk back from the station to the hostel, it unexpectedly starts to rain—for a grand total of exactly five seconds. Umbrellas shoot up, and just as quickly, they come down. Since I don’t usually carry an umbrella on hot days, I get ever so slightly wet.

Back at the hostel, I find I still have an abundance of energy. It’s been a remarkably productive day. I spend a few more hours writing, followed by some reading. Then, I head to bed—stone cold sober.

A Tale of Two Squids

I wake up to the birds cheeping outside and the sun blazing through the window. An early start today in the far too hotter than I’m used to 30°C Tokyo sunshine finds me out and about for 9 a.m. I head across to the bar I had been the previous evening, which luckily for me, doubles up as a vegan and vegetarian restaurant in the day time; and only a 45 second walk from my hostel too. After a breakfast of beans, egg, and toast, washed down with a damn fine cup of coffee, it’s time for a stroll.

I take a five-minute walk to Senso-ji, a Buddhist Temple in Asakusa and the oldest temple in Tokyo. The entrance to the temple is marked by a giant red and white lantern, and probably the largest lantern I have seen in my life. This section is known as Kaminarimon, or the Thunder Gate. Standing either side of the gate are two large statues, the one on the left, I am told, is Fujin, the god of wind; and to the right, Raijin, the god of thunder.

Continuing towards the temple, there’s a line of over 80 stalls offering fans, umbrellas, souvenirs, and an array of food items (bean paste buns and rice crackers seem to be popular today), along with clothing, handbags, and even a stall claiming to sell tortoise shell and coral. Known as Nakamise-Dori, this stretch forms a beautiful lantern-lit pathway of stalls leading to the temple.

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In the temple courtyard stands Goju-no-To, a five-story pagoda that stands at 53 metres tall, making it the second-highest pagoda in all of Japan. Prior to the temple entrance, there’s a massive cauldron emitting thick incense smoke. This cauldron marks the threshold before the entrance to the Hondo, or Main Hall. Inside the Main Hall, a striking golden statue of Kannon, the goddess of mercy, awaits. Legend claims the statue was retrieved from a lake in the year 628 AD by two fishermen.

After some sightseeing around the temple, I head to a nearby shaded indoor market. After a short while, I notice a woman who, for no apparent reason, is strolling through the market balancing a bottle of green tea on her head. As she passes by, I stop and turn around to confirm what I had just witnessed – indeed, a woman balancing a bottle of green tea on her head. In the process, I almost get knocked over by a passing cyclist.

Upon returning to the hostel, I start feeling somewhat tired: a touch of jet lag, extended periods of wakefulness, and my newfound, albeit very healthy diet of Suntory Black Boss Coffee being the obvious causes. I opt to take a nap.

I awaken. It’s 8 p.m., and outside, the darkness of the sky has been replaced by the brilliance of vibrant neon lights. I realise that Japan takes on a strikingly different appearance in the evening. I begin my walk back toward Senso-ji, passing by pachinko parlours, game arcades, and brightly lit restaurants that seemed non-existent earlier today. The streets are now bustling with people seated at tables, dining. Shutters down, shutters up—there isn’t a clothing shop in sight; everything has been transformed into restaurants.

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I return to Senso-ji to witness the Pagoda and Temple illuminated at night—an impressive sight. Strolling back through Nakamise-Dori, almost all of the 80 stalls are now closed with their shutters down. Only a single food stall remains open; it’s time to find something to eat.

I opt for a tempura restaurant that proudly boasts an English menu. According to the menu, their prawns are exceptionally tasty due to being raised using extensive aquaculture—an environmentally friendly method. They exclusively use 100 percent vegetable oil with no cholesterol. Ordering a tempura set with noodles and a pint of Kirin Beer, I indulge in tempura sweet potato, lotus root, squid, and prawn, all served on a bed of rice. While the squid tempura is remarkable, the standout, confirming the menu’s claim, happens to be the most delectable prawn I’ve ever tasted.

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The meal, including the beer, costs me ¥1060—an incredibly reasonable price indeed.

Deciding to conclude the night back at the hostel, my appetite is thoroughly satisfied. I purchase a few affordable cans of Asahi from the vending machines and head to my room, where I’m greeted by a few fellow roommates. A lady from Taiwan offers me some squid on a stick. ‘Try it,’ she says with a grin, ‘it’s nice and a little bit spicy too!’ For some reason, I agree to give it a try.

Two minutes later, I’m still at the tap, trying to wash away the taste of what must have been the most disgusting food I have ever tasted. The texture was chewy, the taste was off, the regret was apparent.

My second day in Japan oddly mirrored by both morning and evening visits to Senso-ji Temple: walking the same streets once bathed in the brightness of a hot sunny day and then again in the neon-lit darkness of the night; and some food to remember, followed by food to forget.