Necks, Lights, and Video Ape

Culture Day is held on the 3rd of November every year. It is an event to promote the arts and Japanese culture. Introduced in 1948, Culture Day is a public holiday. On this day, the people of Japan have a day off from work, and events will take place throughout Tokyo. An interesting fact I have learned is that it never rains on Culture Day; statistically, it is the clearest day of the year.

Outside, it is raining. I decide to head to Seven Eleven to buy a coffee. At the checkout, I am asked to place my hand in a box. I pull out a small piece of paper with a picture of a banana on it. Great! I’ve won a banana. This is quite possibly the best thing that will happen to me all day. I take my bicycle and head over to Asakusa, to Senso-ji. Today, I am here to satisfy my heron addiction. At the temple, the rain has all but stopped, and the crowds are slightly larger than usual. People on holiday have flocked to the temple to see the festival.

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Today marks the White Heron Dance festival, a one-thousand-year-old tradition. The event features eight women dressed as herons, gracefully making their way through Kaminarimon Gate toward the main temple. Following closely behind them is a small wooden cart, accompanied by drummers, a man carrying a huge umbrella, three percussionists, and another man with a baton. Additionally, a woman carries a box full of confetti.

The procession sets up just beside the temple, and a huge crowd of people forms a circle, watching attentively. The music starts, and the heron dance begins. The women move with elegance, their dance slow and precise. Wings expand and contract, and heron heads bob gracefully. The woman with the confetti tosses it to the birds, and they pretend to be fed. As the dance draws to a close, its cleansing ability purifies the souls of the deceased.

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After the event, I decide to explore a little. At the small nearby Awashi-do Temple, a monk sits chanting and hitting a drum every second. He maintains a steady, practiced rhythm and doesn’t appear to blink. Just outside, at a market stall, a man sits in a chair, waving his hands from side to side and singing, “Nice to meet you, where are you from?” I tell him England. “Aaaaah, Englandooo, Englandooo!” he joyfully sings.

As I wander around to see if any other Culture Day events are taking place, I stumble upon a small stage hidden away in one corner of the temple grounds—and a monkey.

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As I explore further, I discover not just one, but two monkeys. The first, accompanied by a man, showcases its natural ability to dive through hoops. The second monkey, with a woman, possesses impressive skills — it can jump really far, leap over hurdles whilst wearing stilts, and even walk on its hands. I applaud the performance, though I can’t help but question the potential cruelty involved. In an attempt to pay it forward, I give away the banana I won earlier.

I leave Asakusa and head over to Ueno Park to enjoy some light art. Today, the park is adorned with illuminations created by Ishii Motoko, the woman behind the lighting designs for Tokyo Tower, the Rainbow Bridge to Odaiba, and many other projects throughout Japan.

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The water fountains are lit up, and the sky is filled with colours from lasers projected from a small lighting booth. The Tokyo National Museum has transformed into a whiteboard for projected images; arts, antiques, and artefacts housed in the museum are displayed in full colour across one of its walls. Lanterns line the paths, and small stalls are set up, selling meat, sweets, fruits, and assorted Japanese snacks.

Similar to the other events today, this festival also showcases animals. Scattered throughout the park are many animals from Ueno Zoo, adorned with fairy lights. A significant effort has been put into this, making the festival a lot of fun. However, at times, it does feel like I am at a premature Christmas market.

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I learn that in the past, this day was a public holiday celebrating the birthday of the Meiji Emperor, who was the first person to eat meat in Japan back in 1872. After his death in 1912, the day ceased to be a public holiday until it was reinstated in 1948 as Culture Day. Interestingly, a significant aspect of Japanese culture today involves the consumption of animals, which might explain why every event I have visited today has some sort of animal theme.

I head back toward the water fountains, where a stage has been erected. It’s only quarter to six, and the park is bustling with parents and young children. On stage, a woman is dancing with a pole. The pole dancing eventually concludes, and a drum kit is set up. The band is scheduled to perform at 6 p.m., but at five minutes past, there is still no sign of a performance.

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Ten minutes pass, making the performance fifteen minutes late. Finally, the flowers begin to light up, water fountains dance once more, and a band takes the stage. Comprising a saxophonist, a hornist, two trumpet players, and a drummer, they kick off with a musical rendition of ‘When You Wish Upon a Star.’ As they consider playing their second piece, I notice some tempting lights in the distance.

The wall of the National Museum of Nature and Science is also lit up, featuring a dazzling light show depicting the story of evolution. The lights showcase the earliest eukaryotes to the animals of today. Volcanoes erupt, and monkeys transform into men. I stay for the entire show, enthusiastically applauding with the rest of the crowd at the end.

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After the illuminations, I meet my friend Khin, and we head to one of my favourite bars, Nui. At the bar, we join a group of Australians. One of the women, Claudia, grew up in Perth, the same place as Khin — quite the coincidence, maybe. When I mention where I’m from in England, I’m surprised to find that she has heard of it; most people haven’t. My surprise deepens when she takes out her passport and shows me the section displaying her birthplace. Oddly, it is my hometown — the same city, the same hospital, but more remarkably, we were born on the very same day. Such a small world. Our paths crossing in a Tokyo bar, woven together by the cosmic dance of a shared day.

One Zoo Over; the Panda Impressed

Today I once again decide to stay within the boundary of Taito Ward. Taito is where I am technically living. It is one of the 23 municipalities in Tokyo. It is home to five districts, one being Asakusa and another being Ueno; where I will be heading to this morning. Since arriving in Asakusa I have only ventured out of Taito Ward once, which was yesterday’s trip to the other side of the Sumida River.

I set off from my hostel about 9 a.m. It is 33°C today in Asakusa, and I am incredibly thankful that every building in Japan is heavily air‐conditioned. I start walking, remaining on the same road for ten minutes, before arriving at Ueno. A short stroll later and I am near the entrance to Ueno Park.

The park is home to the Tokyo National Museum and the National Museum of Nature and Science, both closed at the moment; probably because it is Sunday morning. Ueno Park is also home to many temples, statues, art galleries, and a concert hall. I hear a crowd in the distance and decide to see what’s happening. Deeper into the park I walk, until I find the source of the noise, a baseball field. Baseball is a very popular sport in Japan, and a crowd of about forty people gather here to watch what is probably some amateurs practicing. After watching for about ten minutes, I decide to check out the Shinto shrine, Tosho-gu.

Another thing that Ueno Park is famous for is Ueno Zoo. I arrive at the entrance and am surprised to find it is open. I use the automatic ticket machine, with its English option, pay the bargain price of ¥600, and enter the zoo. The zoo is home to many animals, including the Asian elephant, the hippo, toucans, kangaroos, pelicans, puffins, flamingos, crocodiles, the reticulated giraffe, the red panda, and of course the two giant pandas, Siennyu and Shinshin. Unfortunately, the giant pandas are inside an annoyingly reflective glass enclosure making it very difficult to get a good photograph. This one was my favourite:

PANDA

After the zoo, I walk back to the hostel and rest for a while. I caught the sun quite badly and my face is a little red with sunburn. Eventually it is time to head out to get some food.

It’s lunch time in Japan, and most of the restaurants are very busy. I have a desire to eat fish today so take a while wandering around until I see a restaurant with plastic models of sushi and sashimi bowls outside.

The cool air conditioned restaurant is very busy and I am seated opposite a Japanese man. I order a big bottle (660ml) of Asahi, costing ¥550. It is served in the smallest glass I have ever seen; so small in fact, that I probably had to refill the glass no fewer than ten times during my meal. Browsing the menu I notice the restaurant also offers my favourite Japanese whisky, Hibiki. They offer both the 17 year old and the 21 year old for ¥700, much cheaper then back home. I order the tuna sashimi rice bowl set, served with a tofu based Miso soup, Daikon and seaweed. It is delicious. The tuna some of the freshest I have ever had. The food is ¥1550, making the total cost of the meal, a very good value for money ¥2100.

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On the way back from the restaurant I take a detour through the market streets of Asakusa and see yet more outdoor street performers. The first act features a man playing The Entertainer by Scott Joplin on a keyboard, as a male and female clown play musical chairs. There is no dialogue, just over exaggerated hand gestures and some convincing facial expressions. The duo of clowns eventually invite a woman from the audience to play musical chairs with them. The audience member wins the game, after a large amount of clowning about. The acts finish, pass around their hats, and move aside to let a second act set up.

The second act is a female balloon artist, tap dancer, and comedian. Again, much like the first act there is no dialogue. She is being filmed by two people with professional looking cameras. After making some balloon animals and flowers and doing pranks on the children of the audience, she randomly brings out some bright and colourful boards and starts to tap dance. She then starts doing tricks with her hat; she starts by rolling it down her back, then catching it. Tossing it over her body, catching it with her foot, before flipping it back up into the air, where she catches it in her hand. Next she rolls it up her arm and flips it back into the air before catching it on her head. It is actually very impressive.

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After she is finished, and her hat is passed around, the camera people leave, the performers leave and the crowd disperses. I decide to go for a few beers in the English bar next to the hostel. Here I end up talking to a Japanese man. He asks me where I am from, and I tell him England. “You know Oasis and The Beatles?” He asks. I tell him I don’t like Oasis. The very next thing he asks me is, “Do you know Radiohead?” After about an hour of talking about Radiohead, the Japanese man has to go.

Next an attractive Japanese lady comes into the bar and sits next to me. She is thirty years old and spent 7 years in England as a child. Her accent is incredible. She goes from sounding like a Japanese person speaking English, then her accent randomly changes into a posh sounding London accent, just for the odd sentence or word. After a few beers and a decent conversation, I decide it is time for me to sleep. I ask to pay my bill, which should have been ¥2320, but I am only asked to pay ¥1000. I have no idea who, if anyone has paid for any of my beer tonight. I don’t argue, pay my ¥1000, say goodbye to everyone and leave.