The Tooth Without Enamel

Today marks the final day in Japan to admire the autumn leaves. Abscission has commenced, and the leaves are poised to fall. It’s as if some secret internal clock, powered by nature, instructs the trees that today is the day to part ways with their foliage. Cascading like clockwork, fading like time. Today, the leaves will begin their descent, and there is no changing that fact. The Japanese people inform me that it starts today. The trees, too, are aware that it starts today. The ground outside is a wash of greens, yellows, and reds. A reflecting traffic light on a rain-swept road would complement the scene perfectly. Today is clear with sunshine, dry but with a light breeze. No rain, no reflections. I step outside for one last time to relish in the autumn colours. Tomorrow, there will be nothing left.

autumntrees[1]

Despite my obvious fascination with the tranquil joy of autumn colours, I am distracted—still suffering silently from a toothache. The dentist doesn’t open until half-past two, and with an afternoon lunch planned, I decide on a 4 p.m. appointment. I take the train to Harajuku. Today, two very different festivals are taking place in the space outside Yoyogi Park. The first is a vegan food festival, and the second is a Spanish food festival.

I exit the train at Harajuku Station. On the other side of the ticket barrier, a young Japanese man with a microphone awaits. Like an animal waiting to catch its prey, he stands silently until I draw near. Suddenly, he rushes into my path, stopping me in my tracks and interrupting my thoughts of dental disquiet. “Excuse me, can you speak English?” he asks, holding the microphone rather intrusively beneath my chin before pushing it toward my mouth, seeking a reply. I hesitate for a moment, unprepared for his question.
“No, sorry,” I tell him.
“Oh,” he says, looking at me with a mix of confusion and wry disappointment. “Okay, sorry then.” With that, he scans his Suica card on the ticket machine and heads through the barrier in the direction of the platform; his outline lost in seconds as he is swallowed up by the reckless crowds.

I arrive at Yoyogi Park to find the Spanish festival in full swing: various food stalls, eleven of which are selling paella, traditional Spanish clothing, and flamenco dancers performing on the large stage. The dancers appear to be genuinely enjoying themselves, their souls lost to the rhythm of the music.

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I didn’t come all this way to be harassed by men with microphones or to listen to Spanish music, though. Today, my purpose is the vegan festival. As I wander from Spain, I inadvertently end up in Germany. Somewhere between the two food markets, car manufacturer BMW has a stage showcasing their newest electric car, the BMW i8. I can’t quite see what this has to do with the Spanish festival or a diet free from animal products. The BMW stage looks incredibly out of place; it is mostly ignored by the many people clearly here to eat food.

At the vegan food festival, there is a lot less hot food than I expected. Most of the stalls are selling organic and Fair Trade products—coffees, chocolates, teas, sugars, and various types of bread. There are only about ten hot food stalls, but almost all of the food has already sold out. I am spoiled for choice between a shop selling Indian curry and another selling vegan burgers.

¥500 later, and I’m sitting on a park bench, eating a burger, surrounded by fallen leaves that probably taste better than my food. If not for the sauce that adds at least a hint of flavour, I would likely discard the burger and rush back to Spain for some lukewarm paella instead. As I leave the festival, I notice that the people browsing the vegan stalls seem less happy than those over at the Spanish festival.

vegefestival[1]

Literally full of beans, I head back to Asakusa and to the dentist. I’ve chosen to visit a much smaller surgery than the one I had been to previously—an English-speaking dentist I met in a bar, and I’ve kept her business card for a day like today. At the dentist, I endure four separate x-rays before a quick fix is done on my tooth. I make an appointment to return in two weeks’ time. It looks like my tooth will face the same fate as the autumn leaves—an abscission of sorts. After an hour at the dentist, I pay ¥9720 and receive another packet of little yellow pills. I am told that if I apply for a Japanese insurance card, I can reclaim two-thirds of the cost of this treatment and all subsequent treatments—a welcome bonus and information they didn’t really have to disclose.

Tooth sorted, I head over to Cafe Byron Bay to play at an open mic night—my second time today before a microphone. At some point during the evening, I receive a phone call from my dentist. She is calling to check how my tooth is doing. I am surprised she made the effort to see how I am—an excellent example of customer service in Japan. Despite knowing that in two weeks, I’ll have my tooth severed without anæsthesia, her compassion somehow relaxes me. I forget about my fate and enjoy the rest of the evening, virtually pain-free.

Mascot, Mascot, Mascots

The elevator stops at a random floor. I stick my head out, but there’s nobody there—very odd indeed. Outside, the rainy season has decided to take a day off; the weather forecast for Tokyo today is ‘scorchio!’ I am up quite early so I decide to do my laundry. I chill out in the ball bath for a while whilst waiting.

Once finished I leave the hostel and decide to check out Kappabashi Street; a road I have walked past at least thirty times since being here but have never bothered to venture down. It is a shopping street selling many specialty goods, mostly kitchen products. This street is littered with pink lanterns. It also has its own special mascot, the kappa, a Japanese river imp.

PINKS[1]

After walking the full length of Kitchen Street, I arrive at Ueno Station. Here I take a train to Ikebukuro.

I visit an art gallery, only to find a sign inside stating ‘closed today.’ I start to ponder if anything in Japan is ever open. Outside, I notice a sign reading ‘パフォーマンス中’, with ’12:15′ scribbled below it on a whiteboard. Translating the sign, I discern it means ‘performance at 12:15’. It feels like my Japanese learning is finally paying off.

I head across to a nearby McDonald’s to kill half an hour and to kill my healthy diet. I sit down in a private booth, there is a screen in front of me so nobody else can watch me eating. All very strange.

Back outside the performance is about to start. A man appears dressed as a type of Godzilla human statue. He walks slowly to the middle of a large open area and stands on a slightly raised platform. Here he remains perfectly still. Two minutes later someone puts a coin in his collection bucket. It is at this moment he comes back to life to give the person a ‘thumbs up’, before returning to his original position.

Stone[1]

It is a hot day. The sun burning in the sky, but there is not a bead of sweat on the man. There is a moment of comedy when a woman poses next to the statue for a photograph, presumably she thinks the statue is real. The man steps off his raised platform and sneaks up on the lady; when she finally notices him she lets out a loud scream and everybody laughs. After a while of literally standing around, I decide to grab the train bound for Harajuku.

At Harajuku Station there is a sign with arrows pointing to nearby tourist attractions. Takeshita Street, Yoyogi Park, the NHK Building, and Meiji Shrine. All four are within five minute walking distance from the train station. I toss a coin and it lands in the gutter. I toss another and it directs me to the NHK Building.

NHK is Japan’s national public broadcasting organisation, its equivalent being the BBC. Inside I see everything from props and set locations, the history of NHK, quiz machines to test my knowledge of NHK, a machine that lets you be a nature cameraman, and my favourite activity, a mock up television studio.

NHK1[1]

At the mock up studio I am seated at a news desk and instructed to look at the camera. Next, I take part in a fake weather broadcast. I stand behind a Tokyo skyline and point at things which are being projected onto a large television screen. It is all very exciting.

I get the chance to witness a live broadcast. Behind a large glass screen, NHK is airing a television show called ‘Studio Park Kara Konnichiwa.’ It’s a live chat show featuring two hosts, a guest, a producer, and four cameramen. I stand and watch for a while, probably fifteen feet away from the show’s hosts, before eventually realising I can’t understand a word of what is being said. So much for my Japanese learning finally paying off.

Leaving the NHK media theme park, a statue of Domo-kun waves me goodbye. Domo-kun has been the broadcaster’s mascot since 1998, and is described as ‘a strange creature that hatched from an egg’. Goodbye Domo-kun! The exit leads out into Shibuya. I am surprised just how close together everything is in Japan and wonder why people waste so much time here on trains.

mascot[1]

On the train, I see an advertisement for the FIFA World Cup; it shows the mascots for the Japanese National team. They are the Pokémon characters Bulbasaur, Charmander, Chespin, Fennekin, Froakie, Helioptile, Litleo, Meowth, Pancham, Pikachu, and Squirtle. I am looking forward to the World Cup and think Japan are worth a punt at 200/1. Back at the hostel I discover that England’s game against Uruguay is at 3 a.m. here. I am no longer looking forward to the World Cup.

I eat Wasabi flavoured crisps, watermelon, and my favourite food, Cheese Mushi Cake. I then head out to the English bar where I practice my teaching skills. Much to my delight, the English bar is playing Beatles Radio; a mix of original and cover versions of Beatles songs. I stay until last orders and head back to the hostel to find a party going on and a guitar.

I play ‘Give up the Ghost’ by Radiohead. After I finish a man says that the way I play reminds him of Thom Yorke. His comment makes my day. Later, three ladies from Thailand who had heard me playing earlier approach me and start talking to me in Radiohead; the perfect end to an evening.