A Streetcar, Feigned Desire

I decide that despite the warm weather today, it would be a nice idea to explore the area around my own neighbourhood on foot, rather than heading further afield by bicycle. Looking at the map outside of my apartment, I notice a few points of interest that I had never previously given much thought. The first is the Toden Arakawa Streetcar, the last remaining streetcar that still operates in Tokyo. I wander five minutes from my home in that direction. As I approach, I follow the sound of silent electricity until I arrive at the tracks.

At the streetcar depot, nobody is waiting to ride. The only sign of life here, other than the movement of old trams, is a superabundance of starving pigeons waiting for their next meal. Opened in 1913, this streetcar somehow survived when all other streetcars were scrapped in Japan some fifty years ago. I consider taking the tram, but because there is no official timetable, I fear that if I do, I will end up in the middle of nowhere, with no way of getting back. Instead, I try to photograph this historic vehicle, but a blur of pigeon rudely interrupts my photography.

streetcar

My next stop is at the nearby Jokan-ji Temple, a historical site and cultural asset of Arakawa. It becomes apparent as I enter the temple grounds that this temple contains some rather dark history. The temple dates back to 1665, and with such close proximity to the nearby Yoshiwara red-light district, it became known to the locals as the throw-away temple. A place to dispose of unclaimed or discarded deceased prostitutes.

The temple itself looks like any other temple, but beyond the shiny temple walls is a memorial to the unknown dead and a hidden entrance that leads into a vast cemetery.

prostitutetemple

The 1854 Tokai earthquake claimed many lives, including young women who had been sold by their parents to the Yoshiwara district. These prostitutes were often forced into this trade, considering themselves as living in hell, destined to eventually die and join the other women in a mass grave at Jokan-ji Temple. The deceased women were not granted a proper funeral or burial; instead, they were wrapped in a straw mat and left outside the temple gates for someone else to collect, burn, and add to the pile of death and ash.

I stroll through the cemetery, and it becomes evident where the souls of the twenty-five thousand deceased prostitutes are laid to rest. A small tomb is adorned with artefacts related to prostitution. An inscription above the tomb reads, “Birth is pain, death is Jokan-ji.” Cosmetic products, hair clips, and makeup rest on top, leaving a haunting reminder of death. It is even possible to peer inside the tomb through an overly exposed metal grate, offering no dignity to the departed. Inside, a stacked pile of white urns extends down into oblivion.

cosmeticgrave

I depart from the tomb with mixed feelings. I question why I even visited here; perhaps I should have simply boarded the streetcar and escaped the sense of doom and gloom. Another notable presence is a monument dedicated to the novelist Kafu Nagai, who used these deceased women as a source for his satire. I ponder on the motivations of someone writing about such a macabre subject, only to realise that, in my own way, I am no different as I pen down these words.

I depart from Jokan-ji Temple and start walking toward Minami-Senju, an area my friends have deemed extremely dangerous. As I approach, it appears to be like any other place I’ve visited in Tokyo: a Seven Eleven, a few shrines, a clean park, an old woman feeding a cat, bullet holes, a train station … Bullet holes?

bullettemple

Entsu-ji Temple stands tall, featuring a twelve-metre-tall golden statue of Kannon. What is remarkable about this temple is that it proudly serves as the new location for the Black Gate. Kuromon was previously the gate at the entrance to Akizuki Castle, but after a gunfight during the Battle of Ueno, the gate was damaged, explaining the bullet holes. The gate was moved to this location in 1907. Not one to dwell on death and misery, I leave the temple in a rush and forget to take a photograph of the famous Black Gate.

I head back in the direction of Minowa, and with prostitution on my mind, I take a stroll through the Yoshiwara area. What always strikes me as odd about Yoshiwara is that at one entrance to the legalised brothel district is a police station, and at the other end, there is a shrine that houses a goddess that offers protection to women.

yoshiwarashrine

Every day, when a prostitute finishes her shift, she will walk past this shrine and bow deeply. I have seen it so many times, due to this shrine being on my route from my home to Asakusa. In fact, I pass this shrine twice a day, and almost always see women here, praying, bowing, and hoping to not share the same fate as those other twenty-five thousand abandoned dead women.

Befall Upon The Watchtower

For whatever reason, someone has suggested to me that I check out the area where the Arakawa River and the Sumida River flow into one. As I head out into what feels like a spring afternoon, I realise that my destination today might offer little excitement to anyone, including myself. Somehow, I feel drawn in the direction of Arakawa, the shackles of free will severed from my legs. Part of me feels like there is a demon possessing my very soul, controlling my destiny as I cycle at rapid speeds in the direction of Arakawa.

I see the remnants of a temple or shrine, but it looks as though perhaps it is trapped within the confines of an industrial site. Not letting that stop me for one moment, I park my bicycle and wander in. Seconds later, I am cornered by a security guard. He shouts angrily in Japanese as he waves his hand in the direction of the street. A strong urge to not give up consumes me, and I quickly find myself on the other side of the complex.

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It is a strange sight. I am standing along the Sumida River, and there is nothing but tall yellow grass stretching off in every direction. No cars pass along the road in front of the shrine. No people are walking. It is silent, yet only ten minutes away are the tall residential buildings that make up my neighbourhood. Looming over the Shinto shrine are three huge green balls, presumably part of a sewerage station. Perhaps the god of water treatment resides here.

I carry on my journey, not wanting to disturb the sewer gods, and eventually find a map. Sure enough, the place I had just visited is marked as ‘Sewer Station Shirahige Nishi Pump Place.’ However, there is no mention of any temple or shrine on the map. There is, however, one other interesting point of interest labelled as ‘Ballpark for boy Ground of using combinedly.’ I excuse the terrible English and carry on along the river.

Ten minutes later, my fanciful difficulty fades away, offering me some karmic resolve.

thewatchtower[1]

A watchtower. The best thing that has happened to me all week. It somehow feels like I am stumbling through an episode of the television drama ‘Lost’. For no apparent reason, there is a massive wooden watchtower sitting guard at the entrance to one of the bridges that traverses the Sumida River. What is it doing here? Who built it? Is this real? My mind floods with questions and possibilities, as if somehow collecting fragmented pieces of information and forming them into ideas in my head.

I park my bicycle, and ignoring the sign that tells me to stay away, I enter the wooden doorway. My body filled with an emotion that is yet to be given a name. As I climb the watchtower, I begin to wonder if all of this is just some giant metaphor for something else, something that can’t be explained with words. Each step toward the top tests me, as if life is testing me at this very moment. Eventually, as I near the top, the cracks in the surface become wider, making way for sunbeams.

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The view from the top is of nothing of note. Tokyo Skytree hangs in the distance, slightly masked by concrete surroundings. In the direction I came from, I can see the water treatment plant and the barren riverbed. I stand at the top of the tower in silence for a while, watching the blue hue of the river for a time, before the sound of footsteps echo from below. A man appears. He looks devious, something very odd about him; like he means to cause trouble. He stands atop the watchtower with me, blissfully staring out into a void. The man doesn’t speak to me, and something about him makes me incredibly uneasy. I decide that I can’t stand here any longer, so I head back down the steps to my bicycle below.

I cross the river as fast as I can, somewhat unnerved. On the other side of the river, I take a right, following its path back toward what looks like civilisation. After twenty minutes of cycling, I realise I am slightly at a loss. I don’t really know where I am, and I’m not sure if the river I crossed was the Arakawa River or the Sumida River. Perhaps I have already cycled beyond the confluence.

deserted[1]

I try to check the map on my camera, but nothing appears to work. I stop for a moment, take a deep breath, and take in my surroundings. Desolate. Empty. Nothing. Everything here looks abandoned, and it begins to reflect on me. Right now, even I feel completely abandoned; which is the strangest feeling I have suffered in a while. As I stand here, lost in the middle of something that might or might not be nothingness, a certain fear destroys my usual calm demeanour, and I begin to panic.

Everything will be fine, though. As if saved, I can just make out the silhouette of Tokyo Skytree on the horizon; so I point my bicycle in the direction of the structure. After what seems like an hour of following the river, I reach a bridge and am finally free to cross. This bridge takes me over the Arakawa River, so it appears that I never reached my destination, never found what I sought out to find. Regardless, I am finally back within familiar territory, heading back toward life. I stop to photograph a sign that probably has no relevance here, but perhaps it does. The sign appears to have been written by Yoda from Star Wars.

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As the day continues to distract me, I inadvertently end up in Akihabara. Tired from three or four hours of intemperate exploration, I decide to leave my bicycle at the train station. Inside, I stand at the platform, waiting for the train to take me back to Minowa. It is here that I see yet another strange vending machine.

The machine offers four shelves of items, two of which are toys for children: two sets from the Nature in Japan series. Small models of various different animals native to the country. It is what is contained within the other two shelves that I find strange. At a bargain price of ¥200 per purchase, I can buy office ladies that sit on the edge of my coffee cup; legs open, underwear exposed.

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Akihabara Station famously has signs at each escalator, warning women to watch out for ‘upskirting.’ Apparently, it is a law in Japan that all cameras must make a sound when a photograph is taken. With Akihabara being the home of electronics and comic books, lonely men have often been known to pry on women as they ride the escalator, sneakily taking photographs from below.

This vending machine perhaps tries to solve that problem. These coffee cup women are clearly exposing their undergarments, with no shame. The only shame is possibly when your co-workers see you with a decorated coffee cup featuring this type of imagery. ‘Make your office fun!’ ‘Happiness in your cup!’ are just some of the explanations on offer, scrawled in Japanese across the machine.

There are certain times in my life when my mind is simply not capable of understanding something, and this is certainly one of them.

A Wild Frog Chase

My morning starts with an unexpected knock at my bedroom door. Upon opening it, I find one of the Japanese men who live in my house standing there with a white carrier bag full of bread. Normally, I would find this unusual – a man at my door, giving me bread at 10 a.m. when I should be sound asleep. However, nothing is usual in my apartment. This same man, two weeks ago, gave me a box of laundry powder for no particular reason. Moreover, he believes I am fluent in Japanese. Not once has he engaged in a conversation with me in English. I simply nod, mutter some of my limited Japanese in his direction, and accept the loaf of bread.

With the thought of the donated bread weighing on my mind, I decide to hop on my bicycle and head to the nearby Arakawa Park, a place I haven’t visited before.

Arakawapark

This park seems to have somehow partially escaped the shedding of its leaves. On one side, it is skeletally bare; on the other side, it flourishes with nature. Laundry powder and bread. It is no secret that since being in Japan, I have lost an extreme amount of weight. Week by week, I find myself becoming skinnier, although previously, I didn’t think such a possibility could even exist. Perhaps that offers an explanation for the bread. However, my clothes are in no way dirty and in need of additional laundry powder.

I park my bicycle and take a seat on a bench to read my book: Murakami’s ‘Super-Frog Saves Tokyo.’ After consuming the book from start to finish, I take a little wander around the park. I come across a sign that says, ‘Do not feed the cats or pigeons.’ Oddly enough, I’ve seen multiple signs about feeding pigeons, often adorned with amusing text in speech bubbles, such as, ‘Don’t feed me; I can get my own foods.’ However, this is the first time I’ve seen a sign specifically addressing not feeding felines. With perfect timing, a cat appears from nowhere and takes a seat directly in front of the sign.

dontfeedthecat

The ginger cat decides to follow me around the park, meowing at me for food. Cats of this colour seem to have a habit of trailing behind me. I wander amongst the threadbare trees and reach a stone gazebo. Beneath the shelter, the homeless roam – about ten in total, walking around seemingly without purpose, wearing threadbare clothing to match the trees. They resemble characters in the starting area of an online role-playing game: lost, confused, and not knowing where they’re supposed to go. It strikes me that these people, much like the poor cat, actually don’t have anywhere to go.

I leave the park and stop off at a nearby shrine, only to be chased away by two massive guard dogs on leashes. Clearly, this shrine doesn’t welcome tourists. A little further up the road, I realise that as this day becomes more about animals, a better choice of reading material today would have been Agatha Christie’s ‘Cat Among the Pigeons’ because, for a second time in an hour, that’s exactly what I see.

catsandpigeons

Leaving the stray cats behind, I cycle toward Nippori. One of my favourite things to do to keep myself occupied in Tokyo is cycling on warm days and exploring new areas. Without any real destination, I often pedal along, discovering random things that interest me. Today, the low winter sun provides the heat, and the opportunity to explore is seized.

I cycle through Fabric Town, passing a couple of interesting shops along the way. Highlights include a leather shop called ‘Touch of Fleather,’ a shoe store named ‘And Shoes,’ and a textile shop simply called ‘Tomato.’ After arriving at Nippori Station, I carry my bicycle up some steps and over the tracks. On the other side of the tracks, I am greeted by another bird in the form of a giant stone owl.

owlmonument

The owl describes itself as a ‘Memorial Monument for Takamura Kotaro,’ a famous Japanese poet and sculptor. Why they chose to honour his life with a statue of an owl is beyond me, but it looks nice, so I thought I would include it. The owl sits on Suwadai Street, a peculiar street that is at an elevation higher than the skyscrapers beyond. Additionally, the street boasts fifteen different temples and shrines.

I check the GPS on my camera to make sure that I’m still in Tokyo. Up here, even though I am just twenty minutes from my house, it feels like I am in the middle of the countryside. The nature in this area is simply stunning. I see a few signs with directions to a viewing point. On a clear day, I can witness the spectacle of a Mount Fuji sunset, where the sun and the mountain share the horizon. Unfortunately, I can’t see Mount Fuji — the story of my life. Nevertheless, I do get to witness the setting sun over a distant Tokyo skyline.

Nipporisunset

I cycle away from the temples, shrines, and stunning views, heading into Yanaka. The area is still uphill and features many old houses surrounded by leafless trees. I end up at a small market along some narrow streets: Yanaka Ginza Street. Conveniently downhill, the opportunity to cruise along, engaging in window shopping, controlling the flow of bicycle wheels with intermittent braking, is an enjoyment in itself. Navigating between the crowds of people, I narrowly miss shoppers who are presumably there to buy things they don’t need to impress people they don’t care about. As I try to remember a quote from Palahniuk’s ‘Fight Club,’ I get distracted and almost crash into a woman carrying a baby. Naturally, the baby starts screaming in fits of hysteria, so naturally, I cycle away as fast as I can.

I continue cycling until I arrive at another new place, Nezu. The streets here are adorned with beautifully crafted old lampposts and festive Christmas lanterns.

Nezu

Apart from a full-size train carriage parked randomly on the footpath, there isn’t much else to see in Nezu, so I head back toward familiarity. Outside Ueno Park, I study the map, desperately looking for something of interest. Four museums, but all presumably closed today; that’s how these things usually go. Then, something on the sign catches my eye. Perhaps it’s because I read about a character called ‘Frog’ today, or maybe some other intuition takes over, but the moment I spot a tiny dot on the huge map of Ueno Park below a caption saying ‘Fountain of Frog,’ I know that this will be my final destination today.

I search the park, passing dying crops and concrete views. After thirty minutes, the sun has completely set, and the weather has turned cold. Fierce winds chill the air but aren’t strong enough to dissuade my search. I cycle around the park, and each time I spot a map, I stop to double-check the location of the fountain. I often find that the fountain has changed its location from one map to the next, and on other maps, it has disappeared completely. Not one to give up on a personal challenge, I persist in my search for the elusive Fountain of Frog. Eventually, after forty-five minutes of cycling around Ueno Park, I find what I’ve been looking for.

frog

As it turns out, the Fountain of Frog is exactly what it sounds like: a small statue of a frog spitting water into an even smaller fountain. I head home, my mind filled with a sense of disenchantment. It’s a rather disappointing end to the day, but at least I have bread.