Around the Wards in Achy Days

To celebrate the 150-year anniversary of railways in Japan, and my own personal achievement of having finally explored and written about all 23 wards of Tokyo, I decide to pay tribute to the city in a meaningful way. I choose to do so by embarking on a journey to walk the entire length of the Yamanote Line, a challenge that will allow me to experience Tokyo in a way that I never have before.

As the early morning sun blazes brightly between the gaps in the skyscrapers, I set out to meet my friend Maki. Though not typically a fan of early starts, today will be a long day that calls for an exception to be made. The Yamanote Line, a loop line encircling central Tokyo, is approximately 34.5 kilometres in length. But on foot, without walking on the tracks, the journey becomes a formidable 44 kilometres – just a little over a marathon’s distance. Thus, the route earns itself a playful portmanteau: the Yamathon.

I meet Maki outside a small cafe in Sumida, and we cross the bridge over into Asakusa. She asks me if she can give up, to which I jokingly reply that it’s a bit early to be considering such a thing. After all, with the Yamanote Line constantly circling the city, it’s always possible to find a train station nearby in case the need to give up arises. Hence, with determination in our hearts, we set off from Ueno, the start and end point of our journey. Our first decision is whether to walk clockwise or anti-clockwise. After some deliberation, we opt for the latter, as the prospect of navigating through the eerie streets of Uguisudani at night seems daunting. And so, we set off in the direction of Ikebukuro.

As we approach Nippori, the road runs out and we are forced to venture into the familiar territory of Yanaka Cemetery (still no sign of the ‘snow-protective lifting tool’). While meandering amongst the empty graves, we become momentarily lost, but the distant rumble of a Yamanote Line train eventually guides us back to the tracks. We continue on, making our way through Tabata and eventually reaching Otsuka Station. It is here, three hours into our quest, that our journey takes an unexpected detour in the form of an interesting discovery: the first and only Green Lawson in Tokyo.

The thing that makes this store so unique is that it is fully staffed by digital avatars of Lawson employees, rather than human staff members. As we wander into the store, intrigued by the novelty of it all, we decide to explore further. As we pass by one of the avatars, she greets us with a cheerful “Happy New Year” in Japanese. As Maki chats with the AI about our epic journey along the Yamanote Line and my documenting it in a blog, the clever machine quips that it would be happy to strike a pose for a photograph. It suggests three options: a cheerful “wave,” a universal “peace” sign, or a self-deprecating “loser” sign.

Eager to learn more, I take the opportunity to ask the AI about the philosophy behind Green Lawson. To my surprise, the machine responds in fluent English, explaining that the store aims to reduce food waste, support the local economy, and contribute to world peace.

As we resume our walk, the towering buildings along the route create pockets of shade on the pavement. It’s cold in the shadows, but warm in the sun. Maki explains that there are two words in Japanese that both describe these respective conditions, but I find myself struggling to come up with the antonym for “shade.” This lack of an opposing word begins to bother me, and I consider the possibility that it might be a failing of my memory.

We continue on, passing a large group of people running along the street dressed as rabbits, a nod to the Chinese New Year’s chosen animal. At Ikebukuro, we are treated to the sight of sculptures that litter the streets. As we enter Shin-Okubo, we find ourselves wandering through the bustling streets of Korean Town. And at Shinjuku Station, we are greeted by a television screen that displays words in a mesmerising three-dimensional phenomenon.

Almost five hours into our walk, we arrive at the halfway point of our journey: Harajuku Station. Here, people stand in line, eagerly waiting to purchase tapioca from a street vendor. A little further up the street, we see a similar scene, but with people queueing up along the entire length of a road to buy shoes. In Shibuya, we encounter yet another line, this time composed of people waiting to take a photograph of Hachiko the dog, adorned with a special wreath to mark the New Year.

After hours of constant walking, our legs begin to feel sore. We decide to take a well-deserved break at a small, charming cafe. In contrast to the bustling, three-dimensional imagery of Shinjuku Station, the atmosphere at the cafe is a tranquil, two-dimensional one.

With the night falling and the wind picking up, a chill fills the air as we resume our journey through the darkening city. Despite the challenges presented by the fading light and the increasing cold, we persevere, striding forward on our journey. Close to Meguro Station, we are treated to a beautiful distraction in the form of the Meguro River Cherry Blossoms Promenade, a scenic riverside path lined with cherry trees that are illuminated by beautiful pink lights.

The tranquil scene is a welcome respite from the pain in my calves, and Maki and I take a moment to simply savour the beauty around us.

With weariness setting in, we consider the possibility of giving up, but in the end, we decide that we cannot allow ourselves to quit, for the fear of regret is too great. If we can push through and complete this challenge, we tell ourselves, then we can conquer anything. And so, we push on, determined to see our journey through to the end.

We pass through Shinagawa and the newly built Takanawa Gateway Station, the most recent addition to the Yamanote Line. At 5 p.m., the “Yuyake Koyake” bells ring out from speakers at every intersection, beckoning us to return home. But we do not heed their call, for the end of our journey is nearly in sight. In the distance, I am heartened by the sight of the bright illuminations of Tokyo Tower.

Built from the remains of United States military tanks damaged in the Korean War, Tokyo Tower was designed to mirror the iconic Eiffel Tower in France. However, in a show of competitive spirit, Japan deliberately made its tower 2.6 metres taller, earning it the title of the tallest freestanding tower in the world (a title now held by Tokyo Skytree).

As we near the end of our journey, we are mesmerised by the bright lights of Ginza, Tokyo, Kanda, and Akihabara, all of which are transformed into a neon nirvana at night. It is at this moment that I am struck by the realisation that Japan has not just four, but five seasons – one that is marked not by the changing colours of nature, but by the way in which the country’s cities and towns are transformed by the darkness of night.

After a grueling nine-hour journey that saw us take a total of 55,454 steps, we finally arrive at Ueno Station, exhausted but triumphant. Our legs ache and our feet throb with pain, but the sense of accomplishment helps to outweigh the discomfort. Upon returning to Asakusa, I allow myself the indulgence of an ice-cold beer – the best I’ve ever tasted – as a way to celebrate and relax after our achievement. As Maki and I bask in the afterglow of our journey, the fatigue slowly starts to fade away.

Paint and Gunpowder

The four of us from last night absorb a new person into our group, a guy called Josh. We head out on foot toward Ueno Park. Today, the National Museum of Western Art is having a free admission day, and despite being in Japan, we consider it worth a look. We stroll inside and are asked to show our tickets. “Free admission day,” I tell the lady.
“You still need to get a ticket,” she informs me. We head out of the museum and to the ticket office. We ask for five tickets, and hand over no money before heading back inside and handing over the tickets to the lady. A rather trivial exercise.

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The Museum of Western Art is the primary institution of its kind in Japan, emphasising paintings with a few sculptures thrown in for good measure. The museum is adorned with an abundance of macabre Baroque works, where death and torture seem to be popular themes. Amidst the horror, notable pieces include ‘The Last Supper’ painted by Marten de Vos, Vincent van Gogh’s ‘Roses’, and a rather disappointing collection of Claude Monet paintings. Not one to truly appreciate art, I find that Monet’s work looks terrible up close, especially ‘Water Lilies’, which, in my opinion, looks plain awful.

My favourite piece on display is Pablo Picasso’s ‘Couple’. Abstract expressionism has always been a preference of mine; I’ll take this over a bowl of fruit or a basket of flowers any day. Picasso painted this incredible piece at eighty-eight years old.

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We leave the museum and take a Yamanote Line train from Ueno to Ikebukuro. Outside the station, we need to head east. Josh turns out to be well-prepared, pulling out an actual compass and casually guiding us in the direction of east. This earns him the nickname ‘Compass Josh’ for the rest of the day, and he seems to take to the idea quite fondly.

The reason we are here is to visit a shop run by a company that has faced criticism for its practices, including accusations of contributing to infant mortality in underdeveloped countries due to its reluctance to spend extra profit on proper labelling for its baby milk formula. The shop sells a specific type of confectionery that is hugely popular in Japan. This two-fingered chocolate-covered wafer bar confection is available in many remarkable flavours, such as wasabi, strawberry cheesecake, and sakura.

While the others queue for their chocolate, I wander around outside and admire the street art.

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We head to a small coffee shop before making our way back to the train station. On the platform, two men are fighting. One guy stands up and walks away, his face dripping with blood, his eyes bruised. This is the first time I witness violence like this in Japan, and it comes as a bit of a shock.

I head home for a while to prepare for a performance this evening before meeting the others in Odaiba. Compass Josh’s partner, Jessica, has joined us, expanding our group to six. We explore the giant statue of Gundam before settling in the food court of Diver City, enjoying overpriced wine in undersized glasses. Outside Diver City, an extraordinary bus stop catches my eye, begging to be photographed.

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Tonight in Odaiba, a special fireworks display is scheduled for 7 p.m. We wander around the area, with the evening darkness stolen by extravagant illuminations. There’s a feeling of forgotten Christmas lights here, and decorations that will likely remain year-round. Trees glisten, Tokyo Tower in the distance shines orange, and the Rainbow Bridge is bathed in a spectrum of light from red to violet.

We position ourselves on the balcony of the Decks building, a vast shopping mall offering a spectacular view of Tokyo Bay. At exactly seven o’clock, fireworks shoot into the sky, creating a dazzling display that lasts for ten minutes. Below us, boats are illuminated in various colours, their reflections shimmering on the water alongside the radiant Rainbow Bridge. Tokyo Tower continues to shine in the distance. The backdrop consists of a sea of lights from office buildings, adding to the immersive experience. In the foreground, the glow from the massive firework display warms the air, completing the enchanting scene.

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After the fireworks, we take the train back to Asakusa, passing by the Fuji TV building as it displays bright flashing text: ‘What a cool we are!’

Back in Asakusa, we part ways. I head to Cafe Byron Bay for a bonenkai, a ‘forget the year’ party widely celebrated here. The tap-dancing balloon artist, whom I first saw performing on the streets of Asakusa during my first week in Japan, is here to entertain. A belly dancer is also putting on a show. I perform with trumpet and guitar. Food is free and all-you-can-eat. Everyone gets very drunk. After the entertainment, we each give a speech about the year we’ve had and what we hope to achieve in 2015. My resolution and absolute aim are to publish a science-fiction novel.

After the end-of-year party, I head out with seven Japanese friends for a second night in a row of karaoke.

On a Clear Day I Can See Forever

Summer surrenders to autumn, and the weather swiftly turns cool, as if overnight. My can of Boss Coffee falls from the vending machine piping hot. Today, I decide to explore the Toei Oedo Line. I walk twenty minutes to Kuramae Station. En route, I pass the Bandai Headquarters; a huge banner informs me that Tamagotchi is making a comeback at the end of this month. At Kuramae Station, I wait patiently for the train and receive strange looks as I laugh at the following sign:

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I hop on the train without taking any notice of the time. It is, of course, 9 a.m. — rush hour. The train is packed. Today, I learn that this train goes all the way to Shinjuku. At every stop, more people get on. The crowding worsens, and the oxygen levels deplete. After about ten minutes, it becomes too much, so I squeeze my way out of the train at Kachidoki Station. I need air.

Kachidoki is in Koto and is the nearest station to the Tokyo Port Terminal. Whilst I’m here, I decide to take a little wander around the docks and the small interconnected islands. Dengue fever has now spread throughout Tokyo, and this area is a terrible place to be. All the streets here are lined with shrubbery and swarming with mosquitoes. A sign warns me to ‘Be careful with mosquitoes!’ Joking aside, it’s actually pretty serious, and I take the warning seriously

I head toward the Harumi Railway Bridge.

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The bridge is no longer in use. Barbed wire warns me not to cross, although I wouldn’t anyway as it doesn’t look very safe. What’s interesting here is that from this bridge, I can see both Tokyo Skytree and Tokyo Tower. I suppose it makes the trip worthwhile, maybe not. After I photograph the bridge and Tokyo Tower in the distance, I head back to Kachidoki Station. Rush hour is now long gone.

I take the Toei Oedo Line all the way to Shinjuku. I end up getting lost in the station, then get back on the same train as before, taking it to Tochomae Station. Here, I change trains but stay on the same line and head to Higashi-Shinjuku Station. Outside, I walk around looking for something to do. There isn’t a lot here—just restaurants, shops, and plenty of bars; a good place for a night out if I didn’t live so far away. I cross under the Yamanote Line and see children painting the wall beneath the tracks.

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I follow the wall of graffiti to the entrance of Shin-Okubo Station and take the Yamanote Line to Ueno, changing trains once more before heading to Tawaramachi Station.

When I arrive back at the hostel, Hiro tells me that tonight we are having a soba party. “Not again!” I quip. The flyer for the party is the same as last time but with a different date. I relax for a while, killing time, before heading out for my seventh train of the day.

I take the Tobu Skytree Line just one stop to Tokyo Skytree Station. If I’m completely honest, I could have just walked it; it isn’t far. I blame the convenience of Japan for my laziness. I’ve been here almost four months now, and with Tokyo Skytree practically on my doorstep, I decide I might as well take the plunge. ‘Plunge’ probably isn’t the best word to have used.

I pay ¥2060 and wait anxiously for the lift. Surprisingly, there is absolutely no queue. The lift travels so fast that it makes my ears pop. 350 metres later, I arrive at the Tembo Observation Deck. The view is staggering.

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Skytree Radio blares through the speakers. As I gaze over the Sumida River, I can see my hostel. “From the top of the tower, radio buzz in my ears, I can see my house from here, I can see my house from here.” The Owen Pallett song, ‘The CN Tower Belongs to the Dead,’ gets stuck in my head, and it will most likely stay there for the remainder of the day; not necessarily a bad thing though.

I wander the massive observation deck for a while, being careful not to get too close to the edge. There’s an option to pay an additional ¥1030 to go up to the next deck, another one-hundred metres higher. I think it’s terrible that this was never advertised to me until I’m already 350 metres in the sky—a sneaky trick to try and make me pay more. I decide not to bother; I’ve already spent a small fortune today as it is. Instead, I take the escalator down ten metres. Here, there’s a glass viewing point where I can stare at the traffic on the street below. Oddly, it doesn’t look like I’m too high up from here.

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There’s another area where I can actually stand on a glass platform and have my photograph taken by the staff, although I can’t use my own camera. All I want to do is take a photograph of my foot on the glass panel, but I’m not allowed. Another trick: if you like the photograph, you can spend even more money and buy it.

I take the lift back down to the inescapable 5th floor. It would be unfair to say that the most exciting part of the Tokyo Skytree experience is the lift, but then again, I am quite the unfair person. As I had imagined, the exit to the lift leads into the gift shop. The train station is on the first floor, and surprisingly, I am forced to exit through not just one gift shop, but three. After three floors of tacky goods, I then have to walk all the way through a huge indoor food market just to get to my train.

Back at the hostel and with an hour to kill, I write whilst listening to Owen Pallett, or at least I try to write. At some point, all hell breaks loose: a monsoon. Tokyo is issued a flood and heavy rain warning—a red warning. I have honestly never seen rain so hard; I can’t possibly explain it without appearing to exaggerate. The hostel floods. I spend an hour helping out: moving furniture from flooded rooms to dry rooms, and mopping. Mopping until I have no energy to mop anymore. It’s just lucky that my laundry is comfortably drying on the 4th floor, so I don’t mind getting my clothes soaked in dirty floodwater. Eventually, the rain stops, and with a lot of hard work from the team here, everything is high and eventually dry.

It is fair to say that the soba party is a bit of a washout. Eventually, after an hour delay, it finally gets started. I shower and change clothes before enjoying some free noodles and beer. Deserved beer.

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After the party, I take a wander outside to catch the end of the Harvest Moon. Somewhat fittingly, the moon hovers just behind Tokyo Skytree. An apposite end to the day.