The Amazing Kanda Adventure

I exit Kanda station and walk toward the area known as Jinbocho. On the way, I stroll along a street featuring thirty-six sports shops, all lined up next to each other. There is also a small festival taking place here, the 20th Kanda Sports Festival. I continue walking until I see a sign that suggests pluralisation came as an afterthought.

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Jinbocho is named after Nagaharu Jinbo, a samurai who used to live here in days gone by. Although they took his name, there is little to no information about him on the Internet. Perhaps I can find something about him in one of the many history books on sale here today.

Book Town is great. One side of the street is exclusively used book shops. Little lanterns line the length of the street, and outside the usual stores, a massive corridor of small bookcases stretches the length of the event. On a typical day of book shopping, you would be spoiled for choice, but today, at the 55th Kanda Used Book Festival, the sheer number of used books in one area surpasses that of anywhere else in the world.

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There is a shop specialising in only fashion books, another selling just manga comics, and another selling rare history books; they even have one book for sale for ¥350,000. There is something I find calming about walking the aisles of a bookshop. Nobody is here trying to lure me into their shop, nobody asks me to enter when I am already inside, and nobody inside is speaking. The squeaking sound of my wet shoes is the only thing disturbing the silence.

The bookshops seem to stretch endlessly. I notice some arrows painted on the floor, so I follow them to a small charity-run street festival. Rows of stalls offer various foods. One man sits at a table, seemingly designated for people to leave their used plates and cutlery. I glance at the man, and he just shrugs his shoulders; he doesn’t know why he’s sitting there either.

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At the other end of the festival, more bookshops await. I browse a little longer before heading in the direction of Ogawa Square for my fourth street festival of the day. Today’s event is the Kanda Curry Grand Prix, where twenty different shops are all selling ¥500 curry in the hopes of attaining the grand prize. A polling station with an honesty policy is in place; if I wanted, I could continuously vote for the same shop over and over.

Kanda boasts over two hundred curry restaurants, making it the perfect choice of location for this competition. Outside every stall, a tout shouts at me to go buy their food. A woman in a maid outfit gives me a smile and points in the direction of the store she is here to promote. Soaking wet mascots wander around, and there is a stage featuring live music. Three young women are signing autographs for middle-aged men. The enticing smell of curry keeps me at Ogawa Square for half an hour before it is time to go.

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I walk back to Akihabara and take the Hibiya Line to Minowa. Every piece of advertising space on the train is for the same company. On Japanese trains, there are usually about thirty to forty adverts in each carriage; however, on this train, all signs exclusively advertise an urban park town. Very strange.

I grab some things from home before cycling over to Asakusa, specifically to Cafe Byron Bay for a Halloween party. At the cafe, I put on makeup in the hope of looking like a zombie. Friends come and go, some with costumes and others without. Free Halloween-themed sweets are on offer, and glowing plastic pumpkins litter the cafe.

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At one point, I am asked to fetch a forgotten cake from a local bakery. While waiting at the traffic lights, I notice a little child with her mother also waiting to cross the road. They are looking at me, so I make zombie noises at the child; the child screams and hides behind her mother’s leg. All in the good spirit of Halloween.

Back at the cafe, two French chefs are here to cook for everybody, and they are excellent chefs. Canapés, crêpes, and tuna gratin are the highlights. We are then treated to some live music from a local act and enjoy some delicious cake.

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As the party draws to a close, a Japanese friend of mine hands me a signed copy of his book. It is my favourite book of his, albeit the only one I have ever read; the others are written in Japanese. I find it difficult to show feelings of genuine gratitude dressed as a zombie, but I will absolutely treasure his gift.

After the party, we head out to another bar for an event known as ‘Trick or Drink!’ I try to stay in character at the bar, bumping into walls, mumbling, and dragging one leg as I walk. Homer Simpson is the disc jockey, and his music choice is better than I would have imagined. My sumo wrestler friend is here too, still taller than me but a lot less drunk than the last time we met.

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After getting photographed with a sumo wrestler while dressed in zombie makeup, I decide there isn’t really much else left to do in the world, so I head home to sleep.

I Warm Duck Smoke

I wake to the sound of helicopters and sirens, more than one of each. I look out of my apartment window and see a pillar of billowing smoke that seems to be attracting the attention of five helicopters; they circle around the black cloud like flies. An ambulance buzzes by at speed, its sirens adding to the cacophony of early morning racket.

I head outside into the slums, making my way toward Minowa Station. Today, I have the pleasure of buying a Halloween costume, and the only place that offers any sort of choice, I am led to believe, is Tokyu Hands in Shibuya. At Minowa Station, there are seventeen fire engines.

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I take the Hibiya Line. Distracted, I miss my stop at Ueno, so I stay on the train until Akihabara Station. I walk ten minutes through the crowd of young women in maid outfits trying to tempt me and head for Suehirocho Station. Here, I take the Ginza Line, Shibuya-bound.

It seems I have been drastically misled. Tokyu Hands has a Halloween range, albeit rather small. I begrudgingly spend ¥4800 on some awful ghoulish nonsense that I will only use once before heading back to the train station, Minowa-bound.

Outside Minowa Station, firefighters are still tackling the huge blaze, the smoke so thick that it chokes me. Helicopters armed with television cameras continue to drone on. Unbelievably, an advertising blimp for the insurance company ‘MetLife’ floats above the disaster, cashing in on some extra television airtime.

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At home, I grab my bicycle and cycle toward Kanda. I get as far as Asakusa and run into my good friend and fellow bicycle enthusiast, Khin. He asks me if I’ve had lunch yet. Realising that I am actually quite hungry, I agree to join him, and we head to a gyoza restaurant. I finally get to eat one of my favourite foods, vegetable dumplings—the first time I have had this food since coming to Japan. Delicious.

After the meal, we head over to Senso-ji to get our fortunes. I luck out and receive ‘Good Fortune.’ Khin doesn’t do so well and gets ‘Regular Fortune,’ so he ties it up for the gods to deal with. My fortune says, “It is a good sign to dream of a young horse in spring and a dream of a swift horse will bee [sic] a much better sign.”

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Next, we head over to the Edo Shitamachi Traditional Crafts Museum, an excellent little museum discreetly tucked away inside an indoor shopping arcade. Free entry seals the deal, and in we go. Inside, we find ourselves the only visitors. On display are fishing rods, fans, hand-forged cutters, paper lanterns, badminton rackets depicting kabuki characters, Buddhist statues, pottery, leather bags, and paintings. There is also a rack of very straight arrows.

Winter is coming, apparently. To celebrate, a small truck with a little stove on the back is circling around, selling hot sweet potatoes. As it passes by, it plays a little jingle in Japanese known as the baked potato song: ‘Ishiyaki imo, yaki imo, yaki imooooo,’ literally translating as ‘Baked sweet potatoes, sweet potatoes, sweet potatoooooes.’ I chase after the truck but waste time taking a photograph before it turns left and blazes off into the distance.

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Khin and I head over to Cafe Byron Bay to meet some friends before heading out as a group of eight to a fish izakaya. Tonight is Dagmar’s last evening in Japan, so we are having a little leaving party for her. At the izakaya, we take off our shoes and sit at a nice table with tatami mat flooring. I am handed an English menu, and it just so happens to be the best menu I have ever seen.

The menu boasts the following delicious highlights:

Dirt Japanese bluefish drying a fish whole firing, ¥380
Wall thickness, taste are plentiful, and grease appears! ¥980
Semigrow and drag knob salad, ¥580
Tatami mat sardine, ¥280
Butter charcoal fire firing of the nettle tree, ¥380

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The butter charcoal fire firing of the nettle tree turns out to be mushrooms, and the tatami mat sardine ends up on the floor. We eat plenty, drink plenty, and drink plenty, before going our separate ways, bidding our last goodbyes.

At home, I dream of horses in the spring.

The Fat Sumo Halloween Special

My day begins with me being completely lost in Shinjuku, searching for an event called ‘Shinjuku Magic of Halloween.’ I was under the impression that the event starts with a massive street parade of people dressed in spooky costumes, but nothing of the sort appears to be happening. I give up searching and head back to the train station.

Outside Shinjuku Station, a television crew and a few people dressed up are standing in front of a big stage. With over two hundred entrances to the station, I have inadvertently stumbled upon the event I was here to see in the first place; and by the looks of it, the show is just about to start. Excellent timing as always. The lights come up, white smoke bellows from machines on either side of the stage, and the band comes out, much to the delight of the ghosts, witches, and Iron Man.

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Today, I get the pleasure of seeing Anna Tsuchiya singing live. The former Kamikaze Girls actress-turned-model-turned-singer is simply amazing. I am about six rows from the front of the stage and have a great view. The music is great. The atmosphere is great. The weather is great. Anna sings two songs about Halloween in English before contractually mentioning the video game Psycho Break, the sponsor for the event.

For the third and final song, we get a little bit more from the smoke machines, and Anna sings her third single and first top-ten hit, ‘Rose’.

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After singing, she thanks the crowd, and the band leaves the stage. One minute later, the entire crowd has dispersed, and I am the only one standing at the stage. So much for the Halloween parade. I follow the rest of the crowd into the train station and head back to Minowa.

The day is still warm, so I decide on a mid-afternoon bicycle ride. I cycle over the Sumida River in a straight line for ninety minutes, stopping off at the odd shrine or temple along the way. Eventually, I arrive at the Arakawa River and cross over into Edogawa. I haven’t been here before today, and I can’t find anything to do. I cycle around for a while until the sun begins to set.

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After watching the sun from the bridge, it starts to cool down, so I race back to Asakusa.

Tonight, I have been invited to a party celebrating the one-year anniversary of a sumo restaurant. I have things to do first, though, so I arrive rather late; everyone is already drunk. Blind drunk. A few of my friends from the boat party are here too, and they are struggling to stand. A never-ending supply of glasses filled with a suspicious green liquid seems to be appearing from nowhere, and the familiar drinking chant of, “Yoi yoi yoisho,” makes its rounds. A sumo wrestler consumes a giant bottle of tequila in one go.

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My masseur is here too; he tells me that my shoulders were the hardest he has ever had to massage in his entire career. Or at least I think that’s what he said; his slurs are somewhat difficult to decipher. I join in with the proceedings, enjoying the all-you-can-drink spread put on by the owner. Karaoke ends just as quickly as it starts, and bottles of spirits are passed around. I stay, drinking until I am dizzy, before deciding it is time to go home. As I leave, I am handed a gift bag filled with lovely souvenirs to go with my memories.

Tourism is a Dancer

Today I wake up to find that the hostel has been decorated with ‘Happy Halloween’ signs, spooky spiders, and multicoloured pumpkins and bats. Thinking the staff might have got the date wrong, I ask, “You do realise that Halloween isn’t for another month?”
The reply from the receptionists, “We know, but it looks so cute!” Fair enough.

I take two different trains to Koto, to the Tokyo International Exhibition Centre, nicknamed ‘Tokyo Big Sight.’ Today is an event oddly called ‘Japan Travel and Tourism Association Tourism EXPO Japan.’ The annual event is to increase awareness of tourism in Japan and to promote different countries and cultures from around the world. The exhibition centre is massive, looks like a spaceship, and is about to take off.

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Tokyo Big Sight opened up in 1996, and will be the main broadcasting centre for the Tokyo 2020 Summer Olympics. The area outside is flourishing with well kept plants, perfectly cut lawns, benches, art pieces, and sculptures. The area inside contains an eight-storey conference tower, the East Exhibition Halls, and the West Exhibition Halls.

Today I head to the East Halls, six in total but merged to form two massive halls for the event today. Inside I am greeted by megaphones and mega queues. I arrive just after 1 p.m., queue for half an hour, before paying ¥1300 entry fee. I begin my tourism journey in East Hall One.

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The exhibition includes booths from 150 nations and regions, all here to promote tourism in their respective countries. Additionally, booths from the 47 prefectures of Japan aim to raise awareness of local culture. Everywhere I go, I’m handed bags of souvenirs, each emphasising a specific country or prefecture. Mock passports are available, encouraging visitors to collect fake air travel stamps from the various countries represented here.

As I wander around, I spot two Japanese geisha. I haven’t previously seen a geisha in Japan, so this is a nice bonus. They even smile and let me take a photograph.

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The geisha are here to promote the area of Nihonbashi. I am handed an envelope containing a fake boarding pass and loads of smaller flyers advertising their area. One of the flyers describes Nihonbashi as ‘The crossroad of past and present – diving into an array of unique Edo experiences.’ It also features advertisements for local food outlets in the area, coupons for tea ceremonies, and adverts for shops that sell traditional crafts and gifts.

East Hall Six contains a massive RV show, which is of no interest to me. East Hall Five is littered with stands from outside of Asia. East Hall four contains stands for the many Japanese airlines and corporate companies. I continue my wandering around, getting more and more free flyers and bags of promotional material. It seems every stand here has some form of entertainment or a weird mascot. The Okaniwa stand even has an aquarium showcasing many of their tropical fish.

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There is a section promoting Japanese Traditional Crafts, along with another section commemorating the 400th anniversary of Tokugawa Ieyasu’s death. The Robot Restaurant even has a stand here, featuring robots and scantily clad women to attract business. Pocari Sweat is hosting a talk about their plans to land on the moon. Drums can be heard in the distance everywhere I walk.

In addition to the aquarium, Okinawa is hosting a live dance and drum show. Men from Kanazawa Prefecture are balancing on dangerous-looking ladders while wearing traditional robes. A renowned female vocalist is performing on stage, but photography is not permitted. The people of Switzerland are dancing, and a sign inviting to ‘Meet South Africa’ hosts a live percussion show.

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Egyptians dance too. The Taiwanese perform a circus act. China showcases a folk dance. South Korea presents a performance from an all-female K-pop band, followed by a live talk show where, again, no photography is allowed. Many more stands are hosting talks. I have a nice chat with the people of Bhutan, a country I’ve been interested in visiting for quite some time. I also discuss Climate Change and their government’s decision to go carbon neutral with representatives from the Maldives. Additionally, I have a random chat with Brianna Acosta, better known as Miss Hawaii 2013.

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I wander around a bit longer, enjoying the diverse dances, playful mascots, and individuals dressed as samurai. Overall, the exhibition is quite enjoyable; it provides an excellent opportunity for the people of Japan to engage firsthand with other cultures. Simultaneously, there is also plenty to discover and learn about Japan here.

Eventually, I tire and take the two trains back to Asakusa. Here, I dine at an Italian restaurant. The Japanese owner comes to talk to me after my meal, asking loads of questions. Apparently, he sees me almost every day and wants to know where I am from and what I am doing in Asakusa; he’s just curious, I suppose. When I go to pay, he randomly gives me a ten percent discount. “Grazie!” I say to him, but ironically, he doesn’t speak any Italian. Unbelievable.