Conspirators of Treasure

Posted on 23/11/2014 by Luke

The ¥130 sake cup vending machine near my house doesn’t require age verification. Additionally, there’s a vending machine selling lead pipes at the Asakusa View Hotel and another one offering plastic toy animals on the platform as you disembark from the Sobu Line at Akihabara Station. The latter is quite an unexpected sight, as plastic toy animals are the last thing on my mind when I exit a train. However, this is Japan, the land of the prizing sun, and today’s prize is tucked away inside a different kind of vending machine—the King’s Treasure Box.

A sticker on the front of the machine displays the English text, ‘Let it get.’ Unable to contain my curiosity any longer, I insert my ¥1000 note into the treasure box. Above the note slot, there’s an encouraging message, ‘One dream, One note!’ Among the potential prizes are a Nintendo Duel Screen, a PlayStation Vita, and even a product vaguely labelled as ‘Famous car.’

Following the instructions, I press any button, and the machine responds with an exciting clunk. I eagerly reach into the lower chamber to retrieve my prize.

My treasure quietly awaits me on the machine’s inner fake grass—Disco Glasses, proudly labelled ‘Made in China.’ These glasses, devoid of lenses and made from cheap plastic, boast voice-activated flashing red lights. Not exactly what I’d typically consider treasure. With no way of knowing if the machine stocks any ‘good’ prizes, it’s conceivable that it’s 100% Disco Glasses.

Bitter and disappointed, I scrutinise the machine for refund information. Despite my limited Japanese ability, I discern that I can follow the ‘King’s Blog’ for more information. However, details about a refund aren’t quite as forthcoming.

Disheartened by my less-than-thrilling prize, I decide to escape my disappointment by taking trains. I make my way to Aoyama-itchome Station, where my friend Genmei is hosting an art exhibition in the basement of Club Edition. Titled ‘Colourful is Power,’ her display lives up to its name, boasting vibrant hues that captivate the eye.

The venue itself exudes a more bar-like ambiance than a conventional art gallery, contributing to its unique atmosphere. I engage in a brief conversation with Genmei, a talented live painter. Having witnessed some of her live art firsthand, I can confidently say that she is an amazing artist. Her creative endeavours predominantly unfold at trance parties or raves, drawing inspiration from the mood and music of the events.

In a friendly gesture, I offer her my Disco Glasses, but she gracefully declines.

After leaving the gallery/bar, I step outside to find heavy rain pouring down. I navigate the rain-swept streets to reach the station and catch a train to Komagome. Today marks the opening ceremony for an event at Rikugien Gardens—an evening of autumn illuminations. I pay my ¥300 entry fee and enter the darkness.

These three-hundred-year-old landscape gardens have inspired countless poems. It’s been a while since I wrote a haiku, so here goes:

Hollow darkness welcomes me,
To black rain singing,
And decaying leaves screaming.

Stumbling through the woods, I eventually spot maple trees adorned with red and green lights. The path beneath my feet is sodden, my shoes squelching as they tread over the thick, wet mud. Small lanterns mark the way, guiding me through the enchanting scene. I follow the illuminated path, captivated by the beauty around me despite the biting cold. In the distance, ducks play in the lake, trees sway gently in the wind, and steam billows from spotlights, creating a stark contrast to the crisp winter air.

After walking around for about an hour, I realise I am lost in a maze of trees illuminated by scattered lights. At times, I find myself stumbling through the silent darkness. Eventually, I spot a steward; he lacks an umbrella and is soaked to the bone. As I approach, he remains silent, lifting his arm to point toward a small gap between some trees that appears to lead into a void. Quietly following his unspoken guidance, I venture through.

Ten minutes later, I emerge into a scene that resembles a different planet.

Soft blue light gently bathes the fallen autumn leaves, casting a mysterious glow over the tremendous yet somewhat spooky sight. The surroundings are shrouded in mystery and framed by towering trees. A small speaker nearby plays calming music, the falling rain inadvertently adding to the soothing chorus. Mesmerised, I watch the patterns of blue smoke, finally able to enjoy some illuminations.

Having witnessed this captivating spectacle, I embark on a ten-minute journey through quicksand-like mud, eventually finding my way to the exit.

Back in Asakusa, I indulge in drinks until midnight before heading to Tori-no-Ichi part two—the second day of the rooster this month. Once again, the streets are filled with people wielding massive rakes, partaking in the festivities. While the crowd revels in the celebration, I have a singular focus—the street food market.

I opt for Korean-style yakisoba, a generous serving of vegetables and noodles topped with kimchi. Satisfied, I join a relatively short queue for a ¥300 bag of hot baked kasutera. As I relish each bite of my favourite snack, I savour the moment. It’s precisely at this juncture that I discover the batteries in my Disco Glasses have died.

Dog Day, Afternoon

Posted on 18/08/2014 by Luke

Saturday

For the past three days, the Obon festival has been taking place in Japan. This 500-year-old Buddhist festival emphasises honouring the deceased. Today marks the final day of Obon, coinciding with the Asakusa Summer Night Festival. The event originated in 1946, shortly after the end of World War II, serving as a way for people to bid farewell to those who perished. As I arrive before the opening ceremony, the bridge is already overflowing with tourists.

The Japanese name for this event is Toro Nagashi, which translates literally to ‘flow of lanterns’. Here, you can purchase a small paper lantern for ¥1500. Each lantern symbolises the soul of a deceased relative. Visitors have the opportunity to write a message on the lantern, queue up, and then release it into the water. I find the entire process quite abstruse.

As the lanterns float down the Sumida River, carrying the souls of the departed to the other world, a certain solemnity lingers in the air.

After the festival, the atmosphere becomes somewhat lighter. I meet up with Robin, a German I befriended in Kyoto, who happens to be staying in Asakusa. We decide to unwind over drinks and perhaps get a bit less sober. We head to Nui and indulge until just after ten, then make our way to a Family Mart to play a few rounds of the Konbini Hop drinking game.

Outside our third convenience store, we come across a poster featuring numerous Japanese individuals with sunflowers encircling their heads. Despite our attempts to decipher its meaning, we’re left utterly baffled. It remains an enigma, leaving us without a single clue.

We head to a Japanese bar nestled behind Senso-ji. This area houses around ten small bars, each with only two to three bar stools. I’ve long desired to experience a drink in one of these hidden spots since my visit in June, yet I never found the courage to venture in alone. Describing the way to this area would probably confound you; it’s remarkably concealed, and my directions are truly abysmal.

We settle in a small bar called Tom². This bar, with only four bar stools, feels quite spacious compared to the others nearby. ‘I Was Made for Lovin’ You’ by Kiss fills the air from the speakers. Two Japanese men occupy two stools, and we take the remaining two. The bartender seems a bit tipsy. We order a Suntory whisky highball and a beer for ¥500 each, and enjoy complimentary peanuts.

Then a dog appears.

The dog, incredibly friendly, joins us and settles in. We discover that Tsutomo, the owner, resides above the bar. We linger for some time—I manage to outlast Robin in drinks, and eventually, he departs. I remain for two more. The two Japanese gentlemen present speak minimal English, and the dog, unsurprisingly, doesn’t contribute much to the conversation. So, I sit there, mostly in silence, sipping my drink and exchanging glances with the dog. An atypical end to the evening.

Sunday

I rent a ¥300 bicycle for the day and cycle thirty minutes to Nihonbashi, making a stop to see my friend Daisuke along the way. It’s a shame to find out he no longer works at the hostel where I’m staying. Today, Nihonbashi hosts the annual Fukagawa Hachiman Matsuri festival. It’s considered one of the three major Shinto festivals in Tokyo and is likely the largest.

The festival is celebrated in its entirety once every three years, and today happens to be that day. With one hundred and twenty portable shrines, three hundred thousand participants, and half a million spectators, it’s definitely not an ideal day for cycling.

Amidst the crowds, people throw buckets of water over those carrying the shrines, a ritual to cool them down, earning the festival its nickname, the ‘Water Fight Festival’. It’s undoubtedly challenging to bear these enormous shrines in such sweltering heat, particularly under today’s scorching summer sky. I opt to step away from the bustling crowds and take a stroll through Nihonbashi. While I visit the renowned Nihonbashi Bridge, it fails to captivate me. I decide to return to Asakusa in search of some food.

I head to my favorite Japanese restaurant, Mizuguchi. I indulge in breaded salmon and salmon teriyaki, served with a side of greens, potato salad, pickles, and rice. Absolutely delicious. The total comes to ¥1810, including a Suntory whisky highball.

As I leave the restaurant I hear applause. It turns out there is a street performer just outside. Never a dull moment in Asakusa on a Sunday.

The street performer does a balancing act whilst juggling a traffic cone between two sticks. He has drawn in a huge crowd. He is also a comedian. Throughout his routine he speaks intermittently on a microphone, telling jokes in Japanese, everyone laughs. When he is finished he cheekily places three bowler hats on the floor, upturned for tips. I give him ¥1000. He was really good.

Back at my hostel, The Strokes are playing from the speakers. ‘Is This It?’ I write for a while before heading back out to meet fellow Englishman, Richard. We meet at 8 p.m. and drink until 4 a.m. A typical end to the evening.

Towering Above the Rest

Posted on 25/07/2014 by Luke

The day began with a ¥1000 haircut, which is actually quite cheap for a haircut. I was a little worried about communicating in Japanese, but the barber understood what I wanted and did a very good job. After finishing the haircut, he surprised me by vacuuming my head. I wasn’t expecting that!

With my nice new haircut, I decide to check out some boat racing. At the Kyotei Boat Racing Stadium, security is very tight. The entire perimeter of the 1,397-capacity atrium is littered with security guards. Today happens to be the 28th Ladies Championship Boat Race. I pay my ¥100 entry fee and take a seat on the steps outside that overlook the racecourse.

This is one of 24 boat racing stadiums in Japan, a sport that is unique to the country. As the race starts, I pull out my camera. Instantly, one of the security guards taps me on the shoulder. “No photography is allowed here,” he says. The above photograph of no race happening was the only one I could manage to steal.

The six boats complete three laps of the 1,800-metre-long course. The red boat, numbered five, gets bumped by another racer and ends up stalling. It reminds me a lot of greyhound racing. Strangely, there’s betting involved here too. Boat number one emerges as the winner. A 1-4-2 tricast yields ¥1590 from a ¥100 bet.

After the boat racing I swing by Fukuoka Yafuoku! Dome.

The dome serves as the official baseball stadium for the Fukuoka SoftBank Hawks. It holds the distinction of being Japan’s first stadium equipped with a retractable roof. With a capacity of 38,561 spectators, seat prices range from ¥1000 to ¥14,000. Baseball enjoys immense popularity in Japan, and based on the games I’ve caught on TV in bars, it seems the Hawks are a pretty good team.

Beyond the dome in the distance is Fukuoka Tower. I park my bicycle near the tower and take a closer look.

Fukuoka Tower kicks Beppu Tower to the dirt. Upon entering, I’m pleasantly surprised to learn that as a foreigner, I receive a twenty percent discount; I pay ¥640 in total. Stepping into the tower’s main area, I’m instructed to look up. Following the instruction, I gaze upward to see a 108-metre shaft above me.

“The lift takes seventy seconds. The tower is 234 metres tall. The viewing platform stands at 123 metres,” the attendant states mechanically. “The tower has been built to withstand magnitude 7 earthquakes.”

On the fifth floor of Fukuoka Tower, the view of Fukuoka City is wonderful. In the distance I can see Hakata Bay, in the opposite direction I can see the Sefuri Mountains.

I take the stairs down to the third floor, then ride the lift down. At night, the tower will be illuminated in ‘Milky Way’ colours—whatever that’s supposed to mean. The illuminations change for each season.

My next stop is in the building opposite the tower. On the second floor, I visit Robosquare. This is absolutely the place to be in Fukuoka if you like robots, want to learn about robots, or take part in robot workshops.

It is free to enter. Inside, there’s a robot museum and a little shop selling robots and other kits. Some robots are for playing, while others are for interacting through conversation. Sadly, I arrived twenty minutes late for the 2 p.m. performance. Me and my bad timing.

After Robosquare, I head five minutes to the Fukuoka Disaster Prevention Centre. It’s a facility that realistically simulates various disasters for visitors, serving as an excellent way to promote citizen safety in case of emergencies. Additionally, it houses a museum dedicated to firefighting and earthquakes.

Entry is again free, and so is the one-hour tour. During the tour, you can watch a video about safety before learning how to react in a number of simulations: handling strong winds, extinguishing fires, navigating through rooms filled with smoke, and escaping safely. There are doors simulating water pressure: a car door submerged underwater that visitors can try to push to test their ability to escape. Photographs depicting earthquake disasters adorn the walls. It all feels rather macabre.

Finally, there’s an earthquake simulator where you have the chance to hide under a table with a pillow on your head and experience the impact of a magnitude 7 earthquake on the Richter scale. Unfortunately, I arrive late for the tour and miss out on the simulations. I contemplate waiting for the next tour, but it won’t start for almost an hour.

I return to my bicycle, only to discover it’s about to be clamped. The security guard has already fastened seat clamps to other bicycles nearby and is currently inspecting the bicycle two from mine. Casually, I walk toward my bicycle, adrenaline pumping through my body, and swiftly unlock it as fast as I can.

I shoot off in the direction of Ohori Park. Me and my impeccable timing.

Ohori Park is lovely, offering cycling, jogging, and walking paths—all flat concrete, my favourite surface. Distances are marked along each path, making it an ideal spot for athletes to train. The route circles a vast lake at the park’s centre. I cycle the route several times before deciding to head back to the hostel for some food.

Down a random side street near Tenjin Station, something incredible happens—I spot the YouTube personality Micaela Braithwaite pleasantly strolling along. As we pass, I greet her with a rather coy “Hello.” She replies with a slightly hesitant “Hi.” I glance back for a second look, but she’s already gone.

The very reason these two weeks in Fukuoka even made it onto my itinerary is because of her. Before returning to Japan, I spent a fair amount of free time scouring through YouTube videos about the country. Micaela’s videos always towered above the rest. Based in Fukuoka, her captivating videos about the area were the reason I felt compelled to visit. Without her videos, Fukuoka would never have crossed my mind.

As I continue cycling, somewhat starstruck, I find myself unable to stop thinking about the day’s events. My mind conjures endless possibilities. If I had stayed for the disaster tour, I would have undoubtedly ended up with my bicycle clamped. The remainder of the day would’ve been miserable—I’d have had to explain it all to the hostel staff, pay a fine, waste the entire day sorting it out. It’s astonishing how two minutes made such a significant difference. Lost in these thoughts, I realise I’ve been cycling instinctively for ten minutes without noticing. I have no idea where I am or how I got here.

…

Back at the hostel, Ged shows up—an Englishman I met back in Beppu. He’s staying here tonight but leaving Japan tomorrow. He hands me his Seishun 18 Ticket, having used three of the five days on it. I offer to pay for the ticket, but he refuses my money. This ticket grants me unlimited travel for any two days on any Japan Rail local line. It’s amazing—I can essentially travel from Kyoto to Tokyo for free with this ticket. Thank you, Ged.

I head out for some food and a couple of Suntory whisky highballs at my favourite bar. Attempting to read my book, I feel a little troubled. I can’t shake off thoughts of the alternate version of me—standing there, trying to explain myself to the bicycle traffic warden. Nothing has felt real to me since that moment.

I leave the bar after only two drinks. Gazing at the sky, I see a star, for the first time in eight weeks.

Canal City, a Wedding, a Japanese Massage

Posted on 23/07/2014 by Luke

Today is Marine Day, but nobody let me know. The purpose of this public holiday is to thank the ocean for all the fish. Stock markets are closed, as are some shops. The weather is nice, and everyone has taken a day off for a trip to the beach.

I spend two hours of my Marine Day celebrations cycling between closed post offices. I wonder why they are all closed? After finding the fourth post office open, I conclude my business and leave with great dissatisfaction. These three police officers on one-speed bicycles soon cheer me up as they chase after a fugitive.

My legs are starting to ache after days of excessive exercise. I’ve established an eight-kilometre cycling routine that I follow every morning and evening for the past four days. I’ve managed to trim it down to about forty minutes, which is good by my standards, considering I’m on a one-speed bike and often encounter crowds of pedestrians that slow me down.

I head to Hakata on foot. Outside Hakata Station a stage has been erected and god knows what is going on. People on stage finish up singing, “We are the Bridge.” The theme song for the Asian Pacific Children’s Convention; a non-profit organisation that ‘connects dreams around the world’. I recognise the song, but I am not sure how or where from.

I head to a place called Canal City. This place is huge. 234,460 metres squaredof shops, restaurants, a theatre, a Taito Station video game arcade, a cinema, two hotels, and an indoor canal running through the middle. The nickname for Canal City is, ‘the city within the city’, and it certainly lives up to its name.

There is also a water jet show. The water sprays up into the air from the fountains below. There is a mat of synthetic grass where children can get absolutely soaked as they dodge the water as it falls toward them. A woman stands with a huge water pistol, shooting at the children, a grin on her face.

If you look closely, in the window beyond the water, a bride and groom are getting married.

Back at the hostel, the manager asks me if I ever eat. I was asked this question yesterday by another member of staff. It turns out none of the staff here have ever seen me eating. I try to explain to them that ten years of working nights have reduced me to just eating one meal a day, but they don’t seem to understand.

I head to the Nakagawa River. On the way, I stop and talk to Alan, the busker. He is taking a break, sipping on his Royal Milk Tea. He is from England and became homeless eight years ago. Singing with a banjo, he managed to earn enough money for a one-way ticket to Australia. For the past eight years, he has spent six months at a time in various countries. The money he makes busking every day covers the costs of his accommodation and meals.

As I walk across the river, my calf muscles are hurting. I decide to have my first Japanese massage, a type called Shiatsu, which focuses on finger pressure. I opt for a 50-minute full-body massage, emphasising my neck, back, legs, and Achilles. Afterward, I indulge in a ten-minute head and eye massage. The massage, performed fully clothed, is amazing. It costs me ¥4470.

I don’t have any photographs from the massage, as I didn’t have my camera with me. Instead, lazily, here’s a photograph I took of televisions earlier today:

I leave the massage feeling great, but darkness has fallen on Fukuoka, and I don’t know where I am. I buy a bottle of green tea and walk for a while in the vague direction of Hakata Station before giving up and asking a young Japanese man which direction it is.

He says to me, ‘I am going to Hakata, come with me.’ I follow him until Japan turns into a Monty Python sketch. ‘Come along, come along,’ he tells me, ‘over here.’ I follow him for ten minutes; at each intersection, he checks to see that I am still following him. ‘This way, come on,’ he says, ‘nearly there now.’ We do indeed arrive at Hakata Station. I thank him, and we go our separate ways.

I haven’t eaten anything today, just water and green tea, and it’s 9 p.m. It’s been thirty hours without food, but I don’t feel hungry. I force down a Family Mart dinner before heading out to do my laundry.

As I open the dryer door, a voice inside greets me with, ‘Irasshaimase!’ I sit in the Coin Laundry, reading, and every now and then, I glance up to watch my clothes spinning. I’m only writing about my laundry experience because I found the orange sign above the dryer amusing. ‘Help!’ shouts the shirt, as if about to be gobbled up. After the drying cycle is finished, the machine cleverly switches to ‘Cool Down Mode.’ Five minutes later, my laundry is at room temperature—fascinating. The dryer door thanks me as it opens, ‘Arigatou gozaimasu.’

Back at the hostel, I strike up a conversation with an Italian girl. She left Italy without money or a job and used whatever she had to fly to South Korea. Swiftly, she found a job and established a new life for herself. As we talk, I mention Alan, the busker; his story seems to have some parallels. Surprisingly, she knows Alan—around four months ago, she met him in Seoul. ‘An Englishman with a banjo, right!’ she exclaims.

Many of the people I’ve met at this hostel are residing in South Korea and are currently here on a visa run. Their visas expire, prompting them to fly to Japan, stay for a day, then fly back out, earning another three-month tourist visa. Interestingly, as tourists, they legally trade work in hostels for free accommodation without exchanging money. This way, they can keep traveling indefinitely, and some have been doing just that.

A guy from Canada has a big carrier bag full of jet black volcanic ash. “A souvenir from Kagoshima,” he proudly tells me. It weighs a tonne.

Drinking Bananas, Las Vegas, Going to Hell, Bananas, Drinking

Posted on 09/07/2014 by Luke

Outside it is 32°C with 0% precipitation. The weather here goes from one extreme to another. The morning fog is long gone. I take a bike to the supermarket to buy a late breakfast. I buy egg sandwiches, yoghurt, a fruit drink made from real bananas, and some grapes. A normal size plastic container of grapes costs ¥1298. I opt for a small box costing me ¥198. it contains 11 grapes.

After breakfast I cycle along the coastline. I see a bright red building called, ‘Las Vegas’, so I decide to check it out. I discover why everywhere in Beppu is deserted. Everyone is here at Las Vegas, the place is packed. The noise of metal balls and the stench of cigarette smoke pours out of the door. Las Vegas is a nine story pachinko parlour. Pachinko is a recreational arcade game where players pay for balls, then fire them through a vertical pinball machine with no flippers. The balls bounce off pins and have a chance of activating in-game prizes that produce more balls.

Gambling in Japan is illegal; although there are controversial plans to legalise it ready for the Tokyo 2020 Summer Olympics. At a pachinko parlour, players can ‘cash in’ their balls for novelty prizes. These prizes can then be taken off the premises and to a nearby ‘exchange centre’, where they are sold to the buyer for cash. The exchange centre then sells the prizes back to the pachinko parlour. This is a loophole in the law that the police know about but turn a blind eye to. Very strange. Beppu has more pachinko machines than people.

Leaving Las Vegas I see a sign for Kannawa, the area where six of the eight Hell themed hot springs are. Having only visited Crocodile Hell, I decide to take the thirty minute uphill bicycle ride, instantly regretting it the moment my foot hits the pedal. At Kannawa I find a sign that says, “Put your good memories of Kannawa into a haiku. The selection is held four times a year; on each season, spring, summer, autumn and winter. A stone monument will be erected for the very best haiku of the year.” I scribble down a haiku and place it into the box:

Steam, one with the clouds,
my mind, drifts like the stream,
into the ocean.

I head to Kamado Jigoku, or Oven Hell. I pay my ¥400 entry fee. Inside, there is a statue of a great red demon standing on an enormous cooking pot. A long time ago they would cook using the 100°C steam. This is what the statue represents.

Also at Oven Hell there are many different stoves heating very old metal kettles. There is also a pond that, “Changes colour a couple of times a year.” There are loads of pools of bubbling mud. If you blow something that burns and smokes into the mud, it causes the amount of steam to intensify. This is demonstrated by a staff member with an unnecessary megaphone and a cigarette. After touring the many pools I am given the opportunity to eat an egg boiled in the steam of Oven Hell.

After Oven Hell I head for Umi Jigoku, Sea Hell. An explosion from a volcano 1,200 years ago created a pond of boiling water. For some unexplained reason, the pond is cobalt blue. This place shouldn’t really be described as a Hell. The area is full of natural beauty. There are no gimmicks here. No eggs here. No crocodiles. Just wildlife and scenery.

Sea Hell is massive. In random ponds float tropical water lilies, bananas grow inside a building labelled, “Hell emitting gas use greenhouse,” and random waterfalls and hot springs are surrounded by nature. Inside the gift shop the air conditioning is so cold. I stay here pretending to look at tacky souvenirs, while I secretly cool off from the heat of a hot summer’s day.

I decide to save the other five Hells for a rainy day. I quite enjoyed cycling here, but I enjoy the downhill cycling a lot more. On the way back to the hostel I see a sign for Beppu City Traditional Bamboo Crafts Centre. I take what I think is the correct road, but somehow end up at a baseball stadium. There are people outside hitting drums, and baseball players in full kit chanting. A very interesting warm up exercise indeed. I don’t find the museum.

Back at the hostel, Yojiro is on reception, meaning the music is good. ‘Round Here’ by Counting Crows blasts from the stereo. I work out that I have cycled 23.2 kilometres today. After a few hours relaxing and talking to other guests at the hostel, I head out to do my laundry. While I wait I buy a can of Suntory whisky highball from Seven Eleven. The staff member asks me to put my hand in a box and pull out a token. I have no idea why. I speculate that it’s because I used exact change for once. My ticket doesn’t win me anything.

I switch my laundry from washer to dryer then walk around the middle of Beppu; on the way I count four random cats. The cats here look healthy and lurk around the backstreets of Beppu at night. The lampposts are once again playing the Beatles, ‘Lucy in the Sky with Diamonds’. Back at the launderette, someone has taken out my dry laundry and folded it neatly and placed it into a basket. Thanks!

I head back out to an international bar called where the owner was the person that recommended the festival in Oita a few days ago. I chat to random people, mostly students from the nearby Asia Pacific University. They are Japanese but speak very good English. It’s actually a pretty nice bar, although quite small; and it does get a little smoky after a while. In Japan it is still okay to smoke in buildings, much to my displeasure. At some point in the night Yojiro randomly shows up at the bar and buys me a drink. Thanks Yojiro!

The night washes over me and eventually it is time to go. I leave the bar at around 3 a.m. In the distance Beppu Tower is illuminated with signs advertising Asahi. More beer is the last thing I need right now. Back at the hostel a Spanish guy is preparing to watch Brazil thrash Germany in the World Cup. I consider staying to watch the match, but instead I choose sleep.

Japanising.com

about Japan

Tag Archives: Haiku