The Age of the Gods

Today is National Foundation Day, the day that Emperor Jimmu was declared the very first Emperor of Japan, 2675 years ago. This marked a transitional period in the country’s history, ending what was known then as the Age of the Gods. It is often believed that before the accession of Emperor Jimmu, Japan was founded in an entirely different way.

It was once widely believed that the universe was engulfed in a chaos of sorts. The sound of particles moving around in a ball of confusion somehow created light. This light sat above the universe for a long time. Eventually, the particles began to fall, creating a blanket of clouds. From the clouds, five gods known collectively by the name Kotoamatsukami appeared from seemingly nowhere.

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The five gods decided to cast four single droplets of water onto the oceans that formed on the planet below. Miraculously, these four drops materialised into huge land masses that are recognised today as the four main islands of the archipelago known as Japan.

I take to the Sumida River to look at the sunshine and the clouds and think about the formation of the universe. The story of Japanese creation seems to completely exclude the genesis of all the other landmasses on the planet, but oddly, the theory is still believed today by some Japanese people. With no celebrations at all taking place, I decide to follow the path of the river in a new direction and end up in the area of Hashiba.

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Hashiba is somewhat unusual. The first thing that strikes me is that there are no maps, no places of interest, and no tourists. Just plenty of graffiti. It always surprises me to see graffiti in Japan, something I had almost forgotten existed until today. The Hashiba area is connected to the river and was once used as a ferry terminal. A floating bridge existed here too, some time ago. Before that, this area was covered in overgrown fields.

An older Japanese person I met with told me that he remembers coming here as a child to catch dragonflies and play in the long grass. The only sense of nature here now is the piles of dirt mixed with rubble, forgotten about and never removed.

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In this area, watching over the mounds of trash and the graffiti, sit election posters for the Komeito Political Party. The party was founded by members of the Nichiren sect of Buddhism and therefore does the unpopular act of mixing both politics with religion. I am not sure anyone is here to help Hashiba, though—a place that seems incredibly run down and feels almost absent of potential change.

I decide to remain positive, to try to discover the good things about the area. Mixed amongst the negativity sits Hogenji Temple—a rather beautiful place with an old well, many stone statues, and a cemetery. For whatever reason, the grounds of the temple are filled with the sound of a loud chainsaw, disturbing the silence and further adding to my gloom-ridden impression of the area.

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Desperately trying to find a redeeming factor, I continue to explore. I wander around for a while until I eventually find a sign written in English. The sign is provided by the Tokyo Metropolitan Board of Education, which is usually a good indication that something important might be here. Finally, a point of interest. Finally, something to see.

What looks like another temple turns out to be a tomb. The tomb comes complete with its own nature in the form of beautiful trees and a huge aviary. As if deliberately trying to add to the contrast, the tomb also includes a basketball court.

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I discover that this is the final resting place of Ando Toya, a famous Confucian scholar. He was known for his time spent studying the Chinese language and teaching it to the people of Japan. He once said about the Chinese language, “It sounds like the chirping of birds. I can write, but when I open my mouth, I truly cannot speak.” This doesn’t quite explain the need for a basketball court here, but it does perhaps explain the aviary.

I stand in the grounds of Ando Toya’s tomb, staring in silence at the birds for almost a full hour.

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The beautiful sparrows chirp in their hundreds. The echoing of those words spoken by Ando Toya flows around my head. It makes me wonder if the birds are secretly trying to communicate with me in Chinese. Maybe they are.

Eye Patches and Boxing Matches

Today, I woke up to find that my apartment is shaking. Not due to an earthquake, but because of music. The A-Round festival is still ongoing, and the indoor shopping arcade near my house is hosting a live performance by ‘Ego-Wrappin”, a renowned Japanese jazz band. I suppose I better go and take a look.

Today, the arcade is free from the usual sleeping homeless individuals; they have all been replaced by small market stalls selling drinks and snacks. A stage has been erected at one end of the street, and a live band is performing. This market is usually dead, but today it has been transformed by music.

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Ego-Wrappin’ originated in Osaka, and interestingly, one of the members grew up in this area. The band currently performing live on stage might be Ego-Wrappin’, but I can’t be entirely sure. Strangely, most of the members are wearing eye patches.

Some people in the crowd are wearing fancy dress costumes; Mario and Luigi are here, hanging out with some witches. A staff member comes over to me to practice his English. When I ask him the name of the band performing, he has no idea. “I’m just a staff member,” he explains. Meanwhile, three men are performing live graffiti on one of the shutter doors, and the sweet smell of toxic paint fumes fills the arcade.

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Deciding to take a stroll through the market, I randomly bump into Gomez from yesterday. He is sitting and enjoying some of the cheap food from one of the small stalls, so I join him. I ask him about the area, and he tells me that horses used to walk the main street. He also mentions a very famous horse meat restaurant not far from here. A Japanese man sitting at the same table joins in our conversation about the local sights. He starts talking about the nearby red-light district, saying, “They take major credit cards; you should go.” He confides, “I want to go, but I’m an elementary school teacher, so if people find out, then my career will be over.”

The teacher eventually leaves, and Gomez goes on to explain that this shopping arcade is based on a famous character from a Japanese manga series, ‘Ashita no Joe’. One of the other main characters is an alcoholic ex-boxer called Danpei Tange. In the manga, his character wears an eye patch; at least this explains why the band is wearing them. In the story, this area is known as the slums of Tokyo; brilliant, I find out that I live in the slums. A statue of the main character, Joe, stands guard at the entrance to the arcade.

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I stay and watch the music for a while; it isn’t too bad, but it really isn’t my style either. Besides, I have things to do in Shibuya. So, I decide to leave the festival and head to the train station.

In Shibuya, I head over to the housing office to pay my rent for next month. As I leave, a well-dressed young man stops me and says he wants to ask me a few questions. “Do you live in Tokyo?” he inquires. “We are looking for people for a fashion shoot, and I think you would be perfect,” he explains.
“Me?!” I respond, quite surprised. I provide him with my details: waist size, shoe size, height, and contact information before letting him take my photograph a few times.
“I will be in touch,” he tells me. I thank him, still confused, and head back to the station.

At the station, more live music is happening, and once again, the music is jazz.

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Today is the Shibuya Art Festival, and there are many different events taking place throughout the day. I decide to have a little walk around Shibuya, hoping to spot some of the other artistic events happening in the area. After wandering for about twenty minutes, the only thing I see is an anti-nuclear protest march. I decide to call it a day and head back to Minowa.

On the train ride home, I sit and daydream about becoming a fashion model.

Parasite at the Museum

Today is a public holiday dedicated to respecting the elderly and celebrating longevity. In Japan, there are fifteen different public holidays annually, and due to the implementation of the ‘Happy Monday System,’ several holidays have been shifted to Mondays to grant people a three-day weekend. Unfortunately, my toothache has plunged me into perpetual agony today. Regrettably, all the dentists are on holiday because of the celebration honouring the elderly. Not wishing to bare one’s teeth, I struggle on in pain.

My first stop today is Shibuya Station. With most of the country off work today, the area is overcrowded and annoying. I grab a bottle of drink that claims to contain one thousand lemons (which I very much doubt) before walking in the sunshine toward Harajuku, in search of some illustrious graffiti. On the way, I pass Yoyogi Park; here, there are swarms of teenage girls all standing around waiting for some sort of summer concert to start. I decide to pass on the concert. In Harajuku, it is just as crowded. I wander around side streets but find the graffiti to be somewhat lacklustre. I take just one photograph before walking back to Harajuku Station.

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I take the Yamanote Line to Meguro, which translates to mean ‘black eyes’. After eventually finding a map, I discover that my destination isn’t marked. So, I search for a Seven Eleven and use their free wireless Internet. I then head to the Meguro Parasitological Museum; the only parasite museum in the world, I might add. I am surprised to find it open on a public holiday, and I am even more surprised to find that the entry is free.

If you are looking for a cheap destination for a romantic afternoon, then the Meguro Parasitological Museum is for you. Here, there are jars of parasites, magnifying glasses for that closer look, and an interactive screen displaying the life cycle of a parasite. There is even a small souvenir shop selling shirts depicting parasitological dissections. Finally, a gift shop selling something worth buying.

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With my appetite faded, I leave the museum and decide to skip lunch. I take the Meguro Line six stops to Ookayama Station. Each time the train starts up, it sounds like a jet engine. I change at Ookayama to the Tokyu Oimachi Line; this train also sounds like it is about to take off as it leaves the station. Eventually, I land in Jiyugaoka.

Jiyugaoka is often voted as one of the best places to live in Tokyo. The streets here are a cluster of expensive clothes shops and shops selling expensive cakes and sweets. Some stores have signs outside that say, ‘Women only.’ The roads here are even pedestrianised during the daytime, providing extra space for the many crowds. My intrigue takes me to a place called ‘Sweets Forest.’

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Sweets Forest is an indoor theme park filled with cake shops and overpriced candies. For no apparent reason, traditional Irish folk music is playing inside. However, the thought of eating sweets brings more pain to my teeth, so I decide it’s time to leave. I take the Tokyu Toyoko Line to Shibuya, transferring to the Ginza Line before heading home.

Back at the hostel, everything is getting on my nerves. People keep asking each other the same questions, speaking in languages that could be English, but I can’t be sure. There’s too much noise, and I can’t seem to focus my mind. I try to write, but the pain in my teeth and jaw keeps distracting me. Tomorrow, I’m faced with the daunting task of visiting a Japanese dentist. A friend jokes about how dentists here continue to administer pain even if you scream and raise your hand to signal them to stop, or how instead of fixing your problem, they just remove your teeth.

With my appetence faded and my mind consumed by pain, I try to get an early night. I head off to bed at 9 p.m.; although sleep, I expect, will be somewhat limited. Not a very happy Monday at all.

O Browser, Where Art Thou?

Today, I am leaving Kyoto. However, before I depart, I decide to visit the roof of Kyoto Station, specifically the sky garden known as ‘Happy Terrace.’ It requires ascending nine consecutive escalators to reach the top, where I can admire the breathtaking views of Kyoto for free. As I descend back on the endless escalators towards the train platform, I take a moment to appreciate the roof.

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At the platform, a helpful staff member asks if I need any help. I tell him I’m okay and thank him. “Where are you going? Osaka?” he inquires. I nod. He points at the train I’m waiting for, saying, “This one is faster,” seemingly checking off his good deed for the day in his mind. I thank him again and resume waiting for my train. This has happened four times this week in Kyoto—staff members or strangers offering help. I guess I should be more grateful.

At 12 p.m., I board the JR Kyoto Line to Shin-Osaka. The 23-minute train ride costs ¥560. Osaka, the capital of Osaka Prefecture, is Japan’s second-largest metropolitan area. Over one-seventh of the Japanese population lives here, ranking it as the third largest city in Japan by population. I wander around the Osaka area for a while, passing time before I can check into my hotel.

Outside Shin-Osaka Station, I see my first real piece of graffiti:

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At 2 p.m., I check in. I’ll be staying in Osaka for three nights. I selected this hotel based on a quote from their website: ‘For warm smiles, fastidious service, and first-class hospitality.’ Interestingly, the hotel also boasts another blatantly inauthentic motto: ‘The happiness of our guests is our happiness.’ The person checking me in hands me a breakfast ticket for a Japanese breakfast tomorrow morning. It’s odd because I don’t recall paying for any breakfast.

I am staying in Shin-Osaka, which Google says is a one-hour walk from Osaka Station. I opt to take the train to Osaka Station and walk back to my hotel, thinking it will be a pleasant way to explore the city. I stayed in Shin-Osaka two years ago, so I am familiar with the area around this station. In Osaka, people walk on the left and stand on the right side of the escalator, unlike almost everywhere else in Japan.

The train ride takes just six minutes with no other stops, and it costs ¥160. Exiting the station, I notice a sign indicating that cycling on the pavement is prohibited. Outside, the temperature is cool, hovering around 25°C, with a gentle rain falling—nothing to worry about, no need for an umbrella. At the foot of the station steps, there’s an outdoor beach volleyball game underway. It’s a Japan Volleyball Association match, likely being filmed, possibly for live television broadcast.

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I continue my walk away from the station. To the left, there’s a massive construction site that seems to stretch for several kilometres. On the right, ‘Grand Front Osaka’ stands—a colossal building self-described as a ‘New town in a natural environment.’ Essentially a skyscraper housing numerous shops and restaurants. Adjacent to it, there’s an artificial river that spans the length of the building; it’s not exactly what I’d label a natural environment. However, concrete stepping-stones along the river add a touch of excitement.

I continue my walk through the chaotic Osaka roads. I’m accustomed to cities where streets form a grid-like pattern, always straight and easy to navigate. However, Osaka seems like someone picked it up and gave it a good shake—the city and its streets have turned into a tangled mass of concrete. The roads are chaotic, and the pavements strangely devoid of people. Suddenly, it starts raining hard—nothing to worry about, no need for an umbrella.

Since leaving Osaka Station, I haven’t come across a single convenience store, and I’m in desperate need of buying an umbrella. At this point, a considerable amount of time passes. I spend a good fifteen minutes attempting to reach the bridge that crosses the Yodo River, but inexplicably, an endless train platform obstructs any access. There’s no tunnel beneath it, no bridge over it.

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Completely soaked and frustrated, I eventually find the way to the bridge. The rain appears to be intensifying with every step, my shoes now full of water. It takes me another ten minutes to cross the Yodo River. I realise that all I’ve done since this morning is kill time. I have days like this every now and then—nothing happens at all.

As I wander along with my wet clothes and my thoughts, I start to wonder if I’ll even have anything to write about today. Osaka Day One: Nothing Happens. I can already see the title. It’s 5 p.m. when I finally cross the bridge into Juso. A heavy sigh of relief escapes me as I spot, in the distance, the green and white lights of a Family Mart. A second sigh of relief follows at the sight of some neon. However, the path is somewhat spoiled by a single piece of rubbish on the ground.

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I purchase an umbrella from Family Mart along with a single banana. Convenience stores appear scarce in this area, but at least I can buy just one banana. Osaka feels like a different country—people here act differently, there’s more litter on the streets, fewer bicycles around, and the locals also speak differently, using their own special dialect.

Drenched from the rain, I stroll down a street named ‘Happy Street,’ feeling as though the sign mocks me as I pass. After making a few turns, I decide to take a rest on a bus stop bench. I estimate that I’ve been walking for about two hours. Consulting the GPS on my camera, I realise I’m close to Nishinakajimaminamigata Station. It’s just one stop away from Shin-Osaka Station, so not much farther to go.

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Near the station, the nightlife scene comes alive. Memories flood back as I navigate the interlocking streets filled with restaurants, bars, and neon signs. I decide to check if a bar I fondly remember, called ‘Meets,’ still exists. Finding it easily, I’m disappointed to see it closed today, or perhaps permanently shut down—I can’t discern which. It’s still early, though. Disheartened, I spot a Seven Eleven and opt to purchase a can of 5% Suntory whisky highball. Seven Eleven is the only convenience store I know that sells the 5% can; the other shops only offer the stronger 7% and 9% cans.

Upon returning to the hotel, intending to write about my day, I find that the two computers available in the hotel lobby are relics of the past. One of the machines operates on the Windows 98 operating system with an outdated Internet Explorer as the default browser, bombarding me with messages to update. It prompts for a password whenever I attempt to do anything. I try to download Google Chrome but face the same password requirement. Attempting to write becomes an exercise in patience as the machine’s slowness causes each typed letter to lag about five seconds before appearing on-screen. Frustrated, I abandon the effort and retreat to my room.

Exhausted, I fall asleep before 8 p.m.