The Age of the Gods

Today is National Foundation Day, the day that Emperor Jimmu was declared the very first Emperor of Japan, 2675 years ago. This marked a transitional period in the country’s history, ending what was known then as the Age of the Gods. It is often believed that before the accession of Emperor Jimmu, Japan was founded in an entirely different way.

It was once widely believed that the universe was engulfed in a chaos of sorts. The sound of particles moving around in a ball of confusion somehow created light. This light sat above the universe for a long time. Eventually, the particles began to fall, creating a blanket of clouds. From the clouds, five gods known collectively by the name Kotoamatsukami appeared from seemingly nowhere.

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The five gods decided to cast four single droplets of water onto the oceans that formed on the planet below. Miraculously, these four drops materialised into huge land masses that are recognised today as the four main islands of the archipelago known as Japan.

I take to the Sumida River to look at the sunshine and the clouds and think about the formation of the universe. The story of Japanese creation seems to completely exclude the genesis of all the other landmasses on the planet, but oddly, the theory is still believed today by some Japanese people. With no celebrations at all taking place, I decide to follow the path of the river in a new direction and end up in the area of Hashiba.

hashibagraff

Hashiba is somewhat unusual. The first thing that strikes me is that there are no maps, no places of interest, and no tourists. Just plenty of graffiti. It always surprises me to see graffiti in Japan, something I had almost forgotten existed until today. The Hashiba area is connected to the river and was once used as a ferry terminal. A floating bridge existed here too, some time ago. Before that, this area was covered in overgrown fields.

An older Japanese person I met with told me that he remembers coming here as a child to catch dragonflies and play in the long grass. The only sense of nature here now is the piles of dirt mixed with rubble, forgotten about and never removed.

nichirentrash

In this area, watching over the mounds of trash and the graffiti, sit election posters for the Komeito Political Party. The party was founded by members of the Nichiren sect of Buddhism and therefore does the unpopular act of mixing both politics with religion. I am not sure anyone is here to help Hashiba, though—a place that seems incredibly run down and feels almost absent of potential change.

I decide to remain positive, to try to discover the good things about the area. Mixed amongst the negativity sits Hogenji Temple—a rather beautiful place with an old well, many stone statues, and a cemetery. For whatever reason, the grounds of the temple are filled with the sound of a loud chainsaw, disturbing the silence and further adding to my gloom-ridden impression of the area.

wellwell

Desperately trying to find a redeeming factor, I continue to explore. I wander around for a while until I eventually find a sign written in English. The sign is provided by the Tokyo Metropolitan Board of Education, which is usually a good indication that something important might be here. Finally, a point of interest. Finally, something to see.

What looks like another temple turns out to be a tomb. The tomb comes complete with its own nature in the form of beautiful trees and a huge aviary. As if deliberately trying to add to the contrast, the tomb also includes a basketball court.

andotoya

I discover that this is the final resting place of Ando Toya, a famous Confucian scholar. He was known for his time spent studying the Chinese language and teaching it to the people of Japan. He once said about the Chinese language, “It sounds like the chirping of birds. I can write, but when I open my mouth, I truly cannot speak.” This doesn’t quite explain the need for a basketball court here, but it does perhaps explain the aviary.

I stand in the grounds of Ando Toya’s tomb, staring in silence at the birds for almost a full hour.

sparrows

The beautiful sparrows chirp in their hundreds. The echoing of those words spoken by Ando Toya flows around my head. It makes me wonder if the birds are secretly trying to communicate with me in Chinese. Maybe they are.

Journey to the Centre of the Buddha

It has gotten very cold as of late, but today offers rare blue skies and a warm winter sun. Today might be the last day hot enough to do anything practical before spring, so I decide to make the most of it with a day trip out of Tokyo. My destination is a little over two hours away by train: the city of Kamakura.

Outside Kamakura Station, I am approached by a poorly dressed Japanese man speaking in English with an American accent. He is banging on about Buddhism, or something. When I mention that I have things to do, he looks a little disappointed before wandering off to talk to some new people just off the train.

I wander through the city, its streets lined with souvenir shops, gift shops, and stores selling various mementos. At this point, I realise I haven’t taken a single photograph in Kamakura, so I decide to walk up to the first temple I see.

genjitemple[1]

Shu Genji Temple doesn’t exude much happiness. It was once the residence of Shijo Kingo, a renowned Nichiren Buddhist skilled in medicine. Following Nichiren’s death, Shijo Kingo attended the funeral but ultimately chose to end his own life to demonstrate his unwavering faith in the religion.

A little further from the temple, I spot a strange machine covered in stickers. The ‘Happy Capsule’ machine costs ¥100, and each capsule contains at least three prizes. I try to resist, but as if possessed by some demon from another world, I find that I have already inserted a coin.

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My capsule contains a small glass fish statue with fried eggs randomly painted on each side, a colourful ankle bracelet with a small relic in the shape of an ice cream, and a teddy bear with the word ‘Love’ written on it. I also receive a ‘Lucky Sticker,’ which I am free to add to all the other lucky stickers that litter the machine. Noting the sign for ‘No Garbage,’ I take another look at my happy prizes and stand for a moment, enjoying the irony.

Eventually, I arrive at the place I came here to visit, Kotoku-in Temple. It is home to a giant Buddha, the same Buddha featured in Rudyard Kipling’s poem ‘The Five Nations.

A tourist-show, a legend told,
A rusting bulk of bronze and gold,
So much, and scarce so much, ye hold,
The meaning of Kamakura?

kamabud[1]

I pay ¥200 to enter the grounds of the temple and stand for a while in awe. The Great Buddha of Kamakura was housed within a wooden temple three times. It was destroyed by strong winds twice but rebuilt on both occasions. Eventually, in 1498, it was destroyed for a third time by a tsunami and was never rebuilt. The Buddha survived and now sits outside in the cold of winter, patiently waiting for the seasons to change.

As I walk around the statue, I notice two windows located in its back. There is a sign in Japanese emphasising the importance of showing deep respect when walking around inside the Great Buddha. A man sits half asleep at a small booth, and a sign above displays a price of ¥20. For such a low price, I would be a fool not to enter. I squeeze my way into a small hole in Buddha’s side and take the steps up into his massive belly.

innerbuddha[1]

Inside the Great Buddha of Kamakura, the acoustics are fantastic. I speak softly to myself and find that my words are thrown around by the bronze interior, echoing off into infinity. However, a bit of graffiti inside slightly spoils the experience — a complete lack of reverence by some.

I exit the Buddha and leave the temple. On the way out, I spot a sign warning about a particular type of bird in the area that likes to steal food from tourists. I start heading back toward the train station, stopping off at a small food shop to enjoy a sweet potato croquette. All the while, I keep my eye out for the hungry birds. Unfortunately, the birds don’t materialise, which is a shame.

I decide to take a different route for variety, and eventually, I spot some steps that sweep up a mountain. Intrigued, I take a little detour to see where they might lead.

anothertemple[1]

I find myself standing in front of Amanawa Shinmei Shrine. The place is deserted, seemingly untouched for years, presenting a stark contrast to the other places I have seen in Kamakura. This shrine, founded in 710 AD, is the oldest Shinto shrine in the city and is dedicated to Amaterasu, the goddess of the sun and the universe.

The view from the shrine is stunning, offering a different perspective of the area. In the distance, I see mountains, old houses, and multiple temples and shrines. From the top of the steps, I can also glimpse the sea. As I am about to leave, I spot a small path carved into the side of the mountain above, and with nobody else around, I decide to investigate.

upthemountain[1]

As I climb, the path is relatively easy to follow, twisting around the mountain and becoming less obvious. I have to brush away cobwebs from my face as I follow the steep approach. With every step, I am careful not to lose my footing as the mud gets wetter and the path becomes steeper. After about five minutes of climbing, the overgrowth becomes too much, and I can’t continue. I stop and take a look around, taking in my surroundings, and realise that this was probably not a good idea.

I struggle to get back down, having to crawl a little to ease my way down from the path that has clearly not been used for years. I use my hands on the rocks as I work my way back to safety. I am slightly disappointed that I couldn’t find where it leads, perhaps to the sun goddess, or maybe just an escape route lost over time. There’s nothing for me to see, though, and eventually, I am back at the shrine, taking the steps back toward the main road.

I wander down deserted side streets that are full of old houses, some with massive gardens, others with disproportionately small ones.

mygarden[1]

Back at Kamakura Station, I get ready to endure another two hours sitting on trains. Day trips are fun but rather exhausting at the same time. It’s nice to escape, though, and see places that offer a difference. I think about climbing up that mountain path, feeling completely free for a short time—free from anything but my own eagerness to explore, or perhaps to escape altogether. I decide that my next day trip will be to a mountain of sorts, a place unlike those I have been discovering of late. Somewhere new and exciting, where I can rekindle my sense of adventure. A place flowing with natural beauty.

As I arrive back in Tokyo, a chill consumes the air. Above, thick clouds made of snow hover over the skyscrapers, lying in wait—almost ready to unleash their flakes of misery over the city.