Tag Archives: Hell

Hell and High Slaughter

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My plan today was a visit to Ukiha Inari Shrine, a remote shrine with a hillside vista over the Chikogu Plains that offer stunning views of red torii gates and the meadows beyond. However, as I finally arrive at Tosu Station to switch trains, I find that my next train, the Yufu 3 Limited Express bound for Beppu, doesn’t depart for another six hours, so in desperate need of a plan, and a sudden change of itinerary, I rush onto a random train bound for Kurume.

Kurume is a small city in Fukuoka Prefecture. I flip a coin to let fate decide my direction, but woefully fail to catch the coin and it lands in the gutter of a drain. Today isn’t going very well and it’s still morning. I choose to go south. It doesn’t take long for my optimism to return though, for in the distance standing tall and proud, a mysterious white statue captures my attention, and essentially my destination decides on itself.

The statue can be seen from far and wide, and as I finally get close enough, it turns out to not be what I first thought, but instead a 62-metre tall statue of Kannon, the Goddess of Mercy. I always enjoy a good Kannon statue, not only does she save the souls of the suffering, but there’s often something rather unexpected to see.

The first thing that’s a little unusual is the 38-metre tall structure next to the Goddess. This replica of India’s Mahabodhi Temple, the Great Awakening Temple, is the first of its kind in Japan, and is based on the story that Buddha sat under a tree in India for seven days to meditate, became awakened, and then the original temple was built to honour that event. Why there is such a replica here in Kurume I have no idea. Also, and it may be a matter of perspective, but the Mahabodhi Temple is 24-metres shorter than Kannon, however, at every angle, the temple seems to tower over the Goddess.

As I approach the ticket office to enter Daihonzan Naritasan Kurume Temple, I inadvertently wake up a young Japanese woman; obviously this place doesn’t get a lot of visitors despite its massive car park that boasts space for 700 vehicles.

I take a seat on a small stone bench for a time, admiring the statue and contemplating, just like Buddha had once done. A statue of Ebisu disturbs my thinking, purely because he’s sitting on a cow next to a big pile of money. Distracted, I walk around the temple grounds, here there are numerous smaller statues depicting twisted souls in anguish.

I notice a shaft in the side of the Kannon statue, and decide to enter. Endless corridors greet me. Random artwork lines the walls, steep steps twist and turn through the statue, there is no elevator, and the climb to the top takes an age. From the top there are tiny windows that offer a nice view of the city below.

After admiring the landscape, I decide it’s probably time to leave now, and as I climb back down to the ground floor, I notice steps leading deeper down into a basement. As I further approach, I hear the creaky voices of evil spirits echoing down the lonely hall. A room here is marked either side by a pillar of skull heads. Inside are some lifeless effigies, but as I approach, I activate a sensor of sorts, and the first model begins to move.

This animatronic demon is sawing a naked man in half; the saw slides back and forth for as long as I watch. The man, despite his obvious injury is still alive, his screams are piercing and chilling, the sound effects of the saw all adding to the macabre scene. An absolute show of horror.

I move through the exhibits. A woman surrounded by spike traps gives me a jump scare as she screams into life. Two children covered in bruises and blood rotate on a platform as a demon with a sinister grin watches on. A man holding a huge boulder is about to smash in the head of a woman whilst a giant towers above. A chained up man is having a red-hot poker stuffed into his mouth.

I decide that this is one of the most harrowing things I’ve seen in my whole life. The passable realism of the statues blending with the authentic yet disturbing sound effects really adds to the eeriness evoked by this imagery. It seems that hidden beneath this innocent looking statue of the Goddess Kannon holding a baby, is a secret haunted house.

I take one last walk through what I learn to be the Hell Museum, before leaving the basement, the statue, and stepping quietly past the ticket gate as to not wake up the sleeping woman.

As I walk away, I look back at the statue, its phallic shape from behind visible for miles and miles, it makes me wonder if it was indeed designed that way, or just a misshaped mishap. I guess I’ll never know.

Drinking Bananas, Las Vegas, Going to Hell, Bananas, Drinking

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Outside it is 32°C with 0% precipitation. The weather here goes from one extreme to another. The morning fog is long gone. I take a bike to the supermarket to buy a late breakfast. I buy egg sandwiches, yoghurt, a fruit drink made from real bananas, and some grapes. A normal size plastic container of grapes costs ¥1298. I opt for a small box costing me ¥198. it contains 11 grapes.

After breakfast I cycle along the coastline. I see a bright red building called, ‘Las Vegas’, so I decide to check it out. I discover why everywhere in Beppu is deserted. Everyone is here at Las Vegas, the place is packed. The noise of metal balls and the stench of cigarette smoke pours out of the door. Las Vegas is a nine story pachinko parlour. Pachinko is a recreational arcade game where players pay for balls, then fire them through a vertical pinball machine with no flippers. The balls bounce off pins and have a chance of activating in-game prizes that produce more balls.

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Gambling in Japan is illegal; although there are controversial plans to legalise it ready for the Tokyo 2020 Summer Olympics. At a pachinko parlour, players can ‘cash in’ their balls for novelty prizes. These prizes can then be taken off the premises and to a nearby ‘exchange centre’, where they are sold to the buyer for cash. The exchange centre then sells the prizes back to the pachinko parlour. This is a loophole in the law that the police know about but turn a blind eye to. Very strange. Beppu has more pachinko machines than people.

Leaving Las Vegas I see a sign for Kannawa, the area where six of the eight Hell themed hot springs are. Having only visited Crocodile Hell, I decide to take the thirty minute uphill bicycle ride, instantly regretting it the moment my foot hits the pedal. At Kannawa I find a sign that says, “Put your good memories of Kannawa into a haiku. The selection is held four times a year; on each season, spring, summer, autumn and winter. A stone monument will be erected for the very best haiku of the year.” I scribble down a haiku and place it into the box:

Steam, one with the clouds,
my mind, drifts like the stream,
into the ocean.

I head to Kamado Jigoku, or Oven Hell. I pay my ¥400 entry fee. Inside, there is a statue of a great red demon standing on an enormous cooking pot. A long time ago they would cook using the 100°C steam. This is what the statue represents.

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Also at Oven Hell there are many different stoves heating very old metal kettles. There is also a pond that, “Changes colour a couple of times a year.” There are loads of pools of bubbling mud. If you blow something that burns and smokes into the mud, it causes the amount of steam to intensify. This is demonstrated by a staff member with an unnecessary megaphone and a cigarette. After touring the many pools I am given the opportunity to eat an egg boiled in the steam of Oven Hell.

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After Oven Hell I head for Umi Jigoku, Sea Hell. An explosion from a volcano 1,200 years ago created a pond of boiling water. For some unexplained reason, the pond is cobalt blue. This place shouldn’t really be described as a Hell. The area is full of natural beauty. There are no gimmicks here. No eggs here. No crocodiles. Just wildlife and scenery.

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Sea Hell is massive. In random ponds float tropical water lilies, bananas grow inside a building labelled, “Hell emitting gas use greenhouse,” and random waterfalls and hot springs are surrounded by nature. Inside the gift shop the air conditioning is so cold. I stay here pretending to look at tacky souvenirs, while I secretly cool off from the heat of a hot summer’s day.

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I decide to save the other five Hells for a rainy day. I quite enjoyed cycling here, but I enjoy the downhill cycling a lot more. On the way back to the hostel I see a sign for Beppu City Traditional Bamboo Crafts Centre. I take what I think is the correct road, but somehow end up at a baseball stadium. There are people outside hitting drums, and baseball players in full kit chanting. A very interesting warm up exercise indeed. I don’t find the museum.

Back at the hostel, Yojiro is on reception, meaning the music is good. ‘Round Here’ by Counting Crows blasts from the stereo. I work out that I have cycled 23.2 kilometres today. After a few hours relaxing and talking to other guests at the hostel, I head out to do my laundry. While I wait I buy a can of Suntory whisky highball from Seven Eleven. The staff member asks me to put my hand in a box and pull out a token. I have no idea why. I speculate that it’s because I used exact change for once. My ticket doesn’t win me anything.

I switch my laundry from washer to dryer then walk around the middle of Beppu; on the way I count four random cats. The cats here look healthy and lurk around the backstreets of Beppu at night. The lampposts are once again playing the Beatles, ‘Lucy in the Sky with Diamonds’. Back at the launderette, someone has taken out my dry laundry and folded it neatly and placed it into a basket. Thanks!

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I head back out to an international bar called where the owner was the person that recommended the festival in Oita a few days ago. I chat to random people, mostly students from the nearby Asia Pacific University. They are Japanese but speak very good English. It’s actually a pretty nice bar, although quite small; and it does get a little smoky after a while. In Japan it is still okay to smoke in buildings, much to my displeasure. At some point in the night Yojiro randomly shows up at the bar and buys me a drink. Thanks Yojiro!

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The night washes over me and eventually it is time to go. I leave the bar at around 3 a.m. In the distance Beppu Tower is illuminated with signs advertising Asahi. More beer is the last thing I need right now. Back at the hostel a Spanish guy is preparing to watch Brazil thrash Germany in the World Cup. I consider staying to watch the match, but instead I choose sleep.