The Lost Samurai

Many days fell away with nothing to show. Today, the first thing I notice as I step out of Kagoshima Station is the giant volcano that appears to be erupting in the distance. Kagoshima Prefecture is famous for Sakurajima, the most active volcano in Japan. It lurks ominously in the distance, alone, on its island surrounded by the water of Kagoshima Bay.

Sakurajima literally translates to mean Cherry Blossom Island, but don’t let the nice name fool you, this volcano is monstrous in size; standing at a colossal 1,117 metres above sea level, it can be seen from everywhere. Wherever I go in Kagoshima, the volcano seems to follow.

Today the Volcano Alert System is at level three. I am told to refrain from entering the danger zone and to pay attention to the future volcanic activity. The Volcano Alert System has five levels, they are:

5: Evacuate.
4: Evacuation of the elderly, et cætera.
3: Do not approach.
2: Do not approach the crater.
1: Caution advised around the crater.

I decide to try to get a better view, so head towards the Shiroyama Park Observation Deck. As I wander, I feel the streets here are much wider than I’m used to, the roads twice the size as usual. Tram lines criss and cross through the city streets whilst foghorns blast intermittently in the distance.

Before reaching the observation deck, I see a huge stone torii gate in the middle of one of the many large roads. I check my map to find it is simply named Big Torii. I’ve never seen such a gate before, usually torii gates are for people, it’s unusual to see traffic passing beneath.

After walking under Big Torii, I start to climb up some steep stone steps that spiral and meander, before finding myself 107-metres higher, at the top of Castle Mountain. In the distance, grey clouds roll over the hills bringing darkness from above, and I realise that I have selected the worse possible day to photograph the volcano.

I traipse back down the stone steps and into Central Park. The park isn’t that large, but somehow I can’t seem to find the statue that I’m here to see. I do another lap of the park, look for English signs, walk the park a third time only to realise that the statue isn’t even in Central Park.

Eventually, I find the bronze statue of Saigo Takamori, betterwise known as The Last Samurai, and inspiration for the film of the same name. Saigo Takamori led the army of the Satsuma Rebellion against the Meiji government, and is one of the most influential samurai in Japanese history. The statue here is 8-metres high and took eight years to craft. There’s also a rather small statue of Hachiko the dog here, for no reason that I can ascertain.

Still desperate for a better view and a decent photograph of Sakurajima, I head on down to the Amami Okinawa Ferry Terminal, the source of the foghorns I heard earlier. I find a nearby hotel with a balcony that faces out toward the volcano. The hotel room is a little pricey, but it does offer a pour-it-yourself beer server in the lobby, and it’s totally free.

The view from my balcony is slightly spoilt by a net, but good enough.

After helping myself to some lovely free beer, I end the day by walking around Kagoshima; the ubiquitous Sakurajima volcano continues to prowl in every direction, its omnipresence ever threatening, until the darkness of the night engulfs its existence.

Twenty-Four Hours in Japan

Sitting on a British Airways flight for thirteen hours with Suzuki-san, I land at Tokyo-Narita International Airport with a strong hangover and a profound but newfound knowledge of ballroom dancing. I was happy that I had someone to talk to during the flight, and Mr. Suzuki was happy because he got to practice his English. What struck me as odd, though, is that after two small Heineken beers, Mr. Suzuki handed me a pamphlet for his ballroom dancing studio, complete with a nice map and address. One Heineken later, he gave me a business card with his home address, telephone number, and email address. Japan must be the only country I have experienced that has such a high level of trust.

As I approach immigration at the airport, I notice a sign that reads, “Please refrain from physical contact with others, except for the staff.” I adhere to this unusual instruction and proceed to have my fingerprints and photograph taken. After a swift 90-minute train journey on the Narita Express, I arrive at Tokyo Station. Here, I make a seamless transition to what has always been my preferred railway loop line in Japan: the Yamanote Line. This remarkable train route encircles all the main stations in Tokyo, spanning 29 stops in just one hour—a line I aspire to traverse entirely on foot one day.

For now, I take a brief two-minute train ride from Tokyo Station to the following stop on the loop, Kanda Station. It’s at Kanda Station that I transfer to what will likely serve as my new home for the next month: the Tokyo Metro Ginza Line.

Finally, after a total of twenty-two hours of solid travelling, I step out of the subway, gaze across the skyline for a few seconds, and spot the second tallest structure in the world, as well as the tallest tower in the world, Tokyo Skytree. Standing a mere 634 metres tall, this will be my Polaris.

After finding my hostel with somewhat relative ease, I check-in. After a few moments I already decide that I have made the right choice to start my Japan journey here. “We offer free laundry powder,” the receptionist says in perfect English. “We also have a comic room!” he exclaims.
“A what?”
“A comic room,” he repeats. So up the lift we go, and he shows me to the comic room, with its free massage chair, and free manga comics.

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It is the official place to chill out and read manga comics, apparently. And it’s all free!

‘Free’ a word I will be hearing a lot of in the next few hours. The hostel has free tea and coffee, free laundry powder, free manga comics, free massage chair, free wireless Internet, free computers with free Internet, free toilet roll, and every Thursday, in a little room that doubles up as a whisky bar, is a free Jazz night, featuring excellent and professional Jazz musicians. Luckily for me, today is Thursday.

After finding my room and my amazing bed, I check out the facilities and find out that all the toilets in this hostel are made by Toshiba. I also find the hostel vending machines: one selling soft drinks and Boss coffee, one selling extremely cheap Asahi beer and 6% cider, and the other selling, ‘FOOD FOOD HOT FOOD 24 SEVEN,’ or so it says.

I relax in the hostel for a while reading one of the ‘free’ guide books. Eventually I team up with an Irish man, who is sharing my hostel room and whom I had previously met, and an American man. After a few beers we decide to head out for some food. The Irish man knows a great ramen shop across town, so off we go.

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He was right, the ramen was amazing.

On the way back to the hostel for the Jazz night, the American spots a sign he had referenced previously that evening. It basically says free beer in exchange for some bar work, so we decide to check it out. I have been in Japan for less than a day and, although paid in beer, I have effectively landed a job.

Here, in this small back alley bar, Japanese men and women come to practice their English. My job is for thirty minutes to sit and talk to a Japanese lady in my native tongue. The moment I sit down a beer is poured for me, and it is on the house. Free beer brings the English speakers in, English conversation brings the Japanese customers in. A clever idea in a country that generally has limited to poor English speaking ability.

After thirty minutes of stop-start, but very enjoyable conversation, the bar owner asks the three of us to switch around. The Irish man gets put with the Japanese lady I had just been talking to; and I sit with a young Japanese man, probably in his mid-twenties. Another beer is poured for me, once again it is free.

This man has excellent English speaking ability, probably better than some of the native English speaking customers I have spoken to during my previous employment. He does not need to be here. I would argue that he is only in this bar to improve his confidence when speaking in English, however, this man has the confidence to come to this back alley bar, on his own; so I am not sure his confidence needs improving too much. Shortly into our thirty minute conversation he mentions a Japanese art and acting form called kabuki. Oddly, a few days ago I had watched an NHK World documentary about the subject, so from that, the conversation flows.

After our two thirty minute sittings, and my two free beers, the three of us head back to the hostel to find that unfortunately the Jazz has finished. However, the whisky is still flowing and the party in the Jazz club is far from over.

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I don’t remember a great deal else from tonight, just that I leave in the early hours in a haze and head back to my room to sleep off almost 48 hours of being awake.

My first day in Japan.